As a rule, I’m not a huge fan of compilation albums, particularly not mixed ones, which is silly really, because I do like a good mix tape. But for Röyksopp I’m happy to make an exception – their Late Night Tales collection is bound to be pretty special. Besides, the download version also gives you a full set of unmixed recordings, which is really rather nice of them.
It opens with the first of two exclusive tracks of their own, Daddy’s Groove, which is a beautifully sweet track. It doesn’t have a huge amount in common with anything they have done before, with its computerised vocal and very laid back feel, but it is very gentle indeed. So gentle, in fact, that I’m not entirely sure I would have opened with it, but never mind.
Next up is another sweet and mellow piece, Rare Bird‘s Passing Through. As with many of the acts on this release, this wasn’t something I knew previously, which is perhaps embarrassing, given that it dates back to 1975. I suppose I don’t know my prog rock as well as I should.
Little River Band‘s Light of Day was equally new to me, and is nearly as old, dating from 1978, and is also very good indeed. It has a certain timeless quality, and really does fit on here very well – Röyksopp seemingly have extremely good taste!
Or perhaps not – I’m really not convinced by Tuxedomoon‘s version of In a Manner of Speaking, with its awful vocal delivery and almost total loss of the haunting quality that the song can hold. For me, this is definitely the low point of the album.
Vangelis turns up to pick things up with his Blade Runner Blues, but it isn’t until the next track that things really hot up, as Röyksopp themselves turn up with their latest collaborator Susanne Sundfør to cover Depeche Mode‘s Ice Machine in very stylish fahsion. If nothing else, it’s worth owning this compilation for a copy of this one track.
From this point onwards, things enter decidedly chilled mode, with Jóhann Jóhannsson‘s bizarrely sweet and evocative Odi et Amo, followed by F.R. David‘s Music, another track I hadn’t heard before, but one which is really quite exceptional. It actually sounds even older than it turns out to be (released in 1982), but that’s OK.
Prelude‘s bizarre folk sound (with a very heady level of reverb) works rather nicely on After the Goldrush, and then Richard Schneider Jr. turns up for Hello Beach Girls, which is enjoyable, despite being totally bizarre in every conceivable way.
Next comes Mr. Acker Bilk‘s 1961 number 2 (or 1, depending which chart you’re looking at) hit Stranger on the Shore, apparently the best selling instrumental single of all time. Then it’s forward a couple of decades to the 1980s for Thomas Dolby‘s strangely evocative Budapest by Blimp. Clearly Röyksopp‘s taste is not only good, but also eclectic, and also a little bit odd.
Byrne & Barnes‘s Love You Out of Your Mind is a pleasant – if very easy – song, but is probably the last of the highlights for me. Later tracks by John Martyn, XTC, and others are nice enough, but the night has clearly got very late indeed. The album closes with a section of a story read by Sherlock Benedict Cumberbatch, which is ultimately fun, but probably means rather more if you’ve heard the previous chapter.
But overall, Röyksopp‘s Late Night Tales is an extremely enjoyable compilation – both as an introduction to music that you might not have heard before (although admittedly probably should have), and also just as a chillout album. It delivers a wide variety of sounds, mixed together largely seamlessly, and definitely deserves to be extremely well regarded.
You can find the download version of Röyksopp‘s Late Night Tales at all major music retailers, such as Amazon, where you can also enjoy some funny reviews by morons.