The BRIT Awards 2005

On 9th February 2005, Chris Evans hosted what was billed as the 25th anniversary BRIT Awards show (history seems to prefer to pretend that the first show was in 1981, rather than 1977). The venue was Earls Court in London, and an average of 6.3 million people watched the coverage the following day on ITV.

This post is part of a series about the history of the BRIT Awards. You can read about the 2004 ceremony here, and the 2006 ceremony next time.

MasterCard British Album

Presented by Clive Owen. Nominees:

  • Franz Ferdinand – Franz Ferdinand
  • Keane – Hopes and Fears
  • Muse – Absolution
  • Snow Patrol – Final Straw
  • The Streets – A Grand Don’t Come for Free

Winner: Keane

Best British Single

Voted for by listeners of independent radio, and presented by Minnie Driver. Nominees:

  • Band Aid 20 – Do They Know It’s Christmas?
  • Jamelia – Thank You
  • LMC vs. U2 – Take Me to the Clouds Above
  • Shapeshifters – Lola’s Theme
  • Will Young – Your Game

Winner: Will Young

Best British Male

Presented by Naomi Harris. Nominees:

  • Jamie Cullum
  • Lemar
  • Morrissey
  • The Streets
  • Will Young

Winner: The Streets

Best British Female

Presented by Lisa Stansfield. Nominees:

  • Natasha Bedingfield
  • Jamelia
  • PJ Harvey
  • Joss Stone
  • Amy Winehouse

Winner: Joss Stone

Best British Group

Presented by Sharon and Kelly Osbourne. Nominees:

  • Franz Ferdinand
  • Kasabian
  • Keane
  • Muse
  • Snow Patrol

Winner: Franz Ferdinand

Best British Breakthrough Act

Voted for by listeners of BBC Radio 1, and presented by Jo Whiley. Nominees:

  • Natasha Bedingfield
  • Franz Ferdinand
  • Keane
  • Joss Stone
  • The Zutons

Winner: Keane

Best British Rock Act

Voted for by viewers of Kerrang TV, and presented by Brian May. Nominees:

  • Franz Ferdinand
  • Kasabian
  • The Libertines
  • Muse
  • Snow Patrol

Winner: Franz Ferdinand

Best British Urban Act

Voted for by viewers of MTV Base, and presented by Jazzy B. Nominees:

  • Dizzee Rascal
  • Jamelia
  • Lemar
  • Joss Stone
  • The Streets

Winner: Joss Stone

Best British Live Act

Voted for by The Live Music Forum, and presented by Shirley Manson from Garbage. Nominees:

  • Jamie Cullum
  • Franz Ferdinand
  • Kasabian
  • The Libertines
  • Muse

Winner: Muse

Best Pop Act

Voted for by viewers of CD:UK and readers of The Sun, and presented by Jodie Kidd. Nominees:

  • Natasha Bedingfield
  • Girls Aloud
  • Avril Lavigne
  • McFly
  • Westlife

Winner: McFly

Best International Album

Presented by Siouxsie Sioux. Nominees:

  • The Killers – Hot Fuss
  • Maroon 5 – Songs About Jane
  • Outkast – Speakerboxxx/The Love Below
  • Scissor Sisters – Scissor Sisters
  • U2 – How To Dismantle An Atomic Bomb

Winner: Scissor Sisters

Best International Male

Presented by Natalie Imbruglia. Nominees:

  • Eminem
  • Usher
  • Tom Waits
  • Kanye West
  • Brian Wilson

Winner: Eminem

Best International Female

Presented by Charlie Creed Miles. Nominees:

  • Anastacia
  • Kelis
  • Alicia Keys
  • Kylie Minogue
  • Gwen Stefani

Winner: Gwen Stefani

Best International Group

Nominees:

  • Green Day
  • Maroon 5
  • Outkast
  • Scissor Sisters
  • U2

Winner: Scissor Sisters

Best International Breakthrough Act

Presented by Simon Pegg. Nominees:

  • Jet
  • The Killers
  • Maroon 5
  • Scissor Sisters
  • Kanye West

Winner: Scissor Sisters

Outstanding Contribution to Music

Presented by Jools Holland.

Winner: Bob Geldof

BRITS 25 Best Song Award

Chosen by listeners of BBC Radio 2. Presented by Matt Lucas and David Walliams in character as Mark Owen and Howard Donald from Take That respectively. Nominees:

  • ABC – The Look of Love
  • Bee Gees – Night Fever
  • David Bowie – Heroes
  • Kate Bush – Wuthering Heights
  • The Clash – London Calling
  • Coldplay – Yellow
  • Peter Gabriel – Sledgehammer
  • David Gray – Babylon
  • The Jam – That’s Entertainment
  • Elton John – Sacrifice
  • Joy Division – Love Will Tear Us Apart
  • Annie Lennox – Why?
  • Massive Attack – Unfinished Sympathy
  • George Michael – Careless Whisper
  • Oasis – Wonderwall
  • Queen – We are the Champions
  • Seal – Kiss from a Rose
  • Simply Red – Holding Back the Years
  • Spandau Ballet – True
  • Rod Stewart – I Don’t Want to Talk About it
  • Sting – Fields of Gold
  • The Stranglers – Golden Brown
  • The Streets – Dry Your Eyes
  • Robbie Williams – Angels
  • Will Young – Leave Right Now

The top five entries made it from round 1 to the final list of nominees, leaving:

  • Kate Bush – Wuthering Heights
  • Joy Division – Love Will Tear Us Apart
  • Queen – We are the Champions
  • Robbie Williams – Angels
  • Will Young – Leave Right Now

Winner: Robbie Williams

Performances

Further Reading / Viewing

Introducing Rance Garrison

A bit of a change of genre for this week’s unsigned act. Rance Garrison has been writing and recording songs for “almost as long as he has been able to talk.” His debut album Black Crow came out last year, and he’s currently working on his second. Here’s a picture of Black Crow:

Cover Photo Edit 2

Rance “hails,” rather dramatically, from the Appalachian foothills of southwest Virginia. As usual, I asked him to pick just three tracks as a little demo to share. First up is It Still Moves:

“The night is silent like a tomb,” he tells us. I think it’s the haunting piano sound that makes this track rather beautiful. Bonus points for the rather flamboyant ending – I think this is probably my favourite of the three.

Next up is The Last Question:

I’d struggle slightly to categorise this one – it seems darker and altogether more apocalyptic than the previous track, and yet there’s also something decidedly chirpy about it.

Finally from this set, we have Seven Trumpets:

This is the most gentle of the trio, driven mainly by a piano and softer sounds. Things all go a bit discordant towards the end, reminding me – perhaps unintentionally – of Scottish bagpipe music! See what you think…

Rance points out, incidentally, that these tracks are best heard in the context of the album Black Crow, which you can find on Amazon, iTunes, Google Play, CDBaby, and also on Bandcamp with bonus tracks and a booklet.

What’s your source of inspiration?

These particular songs (and the album as a whole, really) were written in the wake of several deaths that occurred in my family from 2008 to 2009. It was a sort of dark stretch, but death wasn’t ever far from my mind, and by extension, you could say that my personal spiritual beliefs about God and my understanding of faith and the meaning of life were never far from my mind, either, though I prefer not to think of these songs as an endorsement of any particular religion or of myself as an explicitly “religious artist.” In any case, the themes I was dealing with in my songwriting were at that time, and continue to be, pretty heavy stuff, I suppose.

As far as musical inspiration, I’m inspired by a bit of everything. Bob Dylan, Leonard Cohen, and Tom Waits have been big influences on my lyrics. Musically, I’ve been influenced by Pink Floyd, Waits, Dylan, Neil Young, The Twilight Singers, Bon Iver, and a host of other bands from the 1960s up to modern times. I’ve recently gotten pretty into Phosphorescent, but discovered that band after these tracks were written and recorded.

A lot of Radiohead‘s work also really resonates with me, especially from the Kid A and Amnesiac era of 1999 to around 2001. Basically, if it’s memorable and unique, and not afraid to go out on a limb and be a little experimental, I’m gonna dig it.

How long does it normally take to record a track?

I work out of a home studio since I live in a rural area that’s not exactly known as a center of musical creativity and since, at this point anyway, I couldn’t afford professional studio time even if that weren’t the case. On average, I would say that I can record a single track over a period of two to three days, sometimes less than that, and sometimes taking as long as a week or even a month to put the finishing touches on. If I recall correctly, It Still Moves was the last song I recorded for Black Crow, and it was done over a weekend. The Last Question was the first song that was finished, I think, and was recorded here and there over the course of about two weeks. Seven Trumpets was recorded over the course of about a week, I think.

It’s hard to say exactly how much time went into each track just because I’m also a full-time college student and have to do a sort of catch-as-catch-can style. All of the songs were recorded in the late night/early morning hours between work, school, spending time with my fiance, and other responsibilities.

If you could go back and change one thing in your life, what would it be?

On a deeply personal level, I would love to go back and stop the car crash that claimed the life of my little cousin, Stephanie, in 2008. I’m an only child, and she was the closest thing I ever had to a sister, rest her soul. Her death, and the deaths of her father and my great-grandmother that occurred later in 2009 that turned my life upside down (I was living in Nashville at the time and moved back home to rural southwest Virginia to care for family) inspired all of this music, but I’d trade that to have her in my life again.

Also I wish I would have taken greater advantage of the music scene in Nashville while I was there, but again, if that stuff hadn’t happened, these songs wouldn’t exist and I wouldn’t be where I am now, about to finish my bachelor’s degree at the ripe old age of twenty-seven and engaged to a wonderful woman who is my best friend. I met her when I came back home, and I wouldn’t change that, either. Life is funny. The things you wish you could change lead you to where you are, and even if you are happy with the way things are, every man and woman has their regrets. Such is the way of life, I suppose.

Visit Rance Garrison‘s Bandcamp page for more information and to hear more.