NME Poll Winners 1952-1992 (Part Two)

Finally, having worked through all the other categories, let’s take a look at the artist winners for the NME Polls from 1952 to 1992. As I mentioned last week, it’s hard to trace the winners of a particular category through time, so I’ve taken a few liberties. Essentially anything that seems to be roughly the same category has been treated as the same thing. Also, for the year ranges, there are a few missing years here and there, so for instance 1967-1970 could mean anything between 2 and 3 wins.

Best Newcomer

For thirty-five years, the NME Poll included a newcomer award, variously titled “World’s Most Promising New Name”, “Best New Group”, and various other things. It’s an amazing time capsule of new acts throughout the ages – who would have thought that Cliff Richard and The Stone Roses could appear on the same list?

Best New Artist

  • 1956 – Ronnie Scott
  • 1958 – Cliff Richard
  • 1959 – Craig Douglas
  • 1960 – Emile Ford
  • 1961 – John Leyton
  • 1962 – Frank Ifield
  • 1963 – Gerry Marsden
  • 1964 – Mick Jagger
  • 1965 – Seekers (group) & Donovan (solo)
  • 1966 – Spencer Davis Group (group) & Stevie Winwood (solo)
  • 1967 – Bee Gees (group) & Engelbert Humperdinck (solo)
  • 1968 – Love Affair (group & Mary Hopkins (solo)
  • 1970 – Jethro Tull
  • 1971 – McGuinness Flint (group) & Elton John (solo)
  • 1972 – New Seekers (group) & Rod Stewart (solo)
  • 1973 – Golden Earring (World) & Leo Sayer (British)
  • 1975 – Bad Company
  • 1976 – Eddie and the Hot Rods
  • 1977 – Tom Robinson
  • 1978 – Public Image Ltd.
  • 1979 – The Specials
  • 1980 – UB40
  • 1981 – Altered Images
  • 1983 – The Smiths
  • 1984 – Bronski Beat
  • 1985 – The Jesus and Mary Chain
  • 1986 – The Housemartins
  • 1987 – The Proclaimers
  • 1988 – The House of Love
  • 1989 – The Stone Roses
  • 1990 – The Charlatans
  • 1991 – Kingmaker
  • 1992 – Suede

Technical Categories

A lot of categories seem to have come and gone throughout the history of the awards to celebrate particular types of performer. Here are some of the highlights!

Musician of the Year

  • 1952 – Ronnie Scott
  • 1954 – Eric Delaney
  • 1957 – Eddie Calvert

Best Guitarist

  • 1954 – Bert Weedon
  • 1973 – Eric Clapton
  • 1976 – Jimmy Page
  • 1978 – Mick Jones
  • 1979-1982 – Paul Weller
  • 1983 – The Edge

Best Bassist

  • 1973, 1976 – Paul McCartney
  • 1978 – Jean Jacques Burnel
  • 1979-1982 – Bruce Foxton
  • 1983 – Peter Hook

Best Keyboardist/Electronics

  • 1973, 1976-1977 – Rick Wakeman
  • 1978-1981 – Dave Greenfield
  • 1982 – Vince Clarke
  • 1983 – Steve Nieve

Best Drummer

  • 1973, 1975 – Carl Palmer
  • 1976 – John Bonham
  • 1977 – Paul Cook
  • 1978 – Keith Moon
  • 1979-1982 – Rick Buckler
  • 1983 – Budgie

Best Instrumentalist

  • 1962-1963 – Jet Harris
  • 1973 – Roy Wood
  • 1975-1977 – Mike Oldfield
  • 1981 – Saxa
  • 1982 – The Emerald Express, Violin
  • 1983 – The TKO Horns
  • 1985 – Johnny Marr

Best Producer

  • 1973 – David Bowie
  • 1975 – Eddie Offord

Best Songwriter/Composer

  • 1973 – Elton John / Bernie Taupin
  • 1976 – Bob Dylan
  • 1978 – Elvis Costello
  • 1979-1982 – Paul Weller
  • 1983 – Elvis Costello
  • 1984-1985 – Morrissey / Johnny Marr

Best Solo Artist

Curiously, the solo artist categories were for the longest time broken up into “world”, “British”, and even “US” for a while.

Best Female Singer

  • 1952-1954 – Lita Roza
  • 1957 – Ruby Murray
  • 1958 – Alma Cogan
  • 1959-1961 – Connie Francis
  • 1962-1964 – Brenda Lee
  • 1965-1967 – Dusty Springfield
  • 1968 – Lulu
  • 1970 – Dusty Springfield
  • 1971-1973 – Diana Ross
  • 1975 – Joni Mitchell
  • 1976 – Linda Ronstadt
  • 1977 – Julie Covington
  • 1978 – Debbie Harry
  • 1979 – Kate Bush
  • 1981-1983 – Siouxsie Sioux
  • 1984-1986 – Elizabeth Fraser
  • 1987 – Suzanne Vega

Best British Female Singer

  • 1955, 1957 – Alma Cogan
  • 1959-1960 – Shirley Bassey
  • 1961-1962 – Helen Shapiro
  • 1963 – Kathy Kirby
  • 1964-1966 – Dusty Springfield
  • 1968, 1970 – Lulu
  • 1971-1972 – Cilla Black
  • 1973 – Maggie Bell
  • 1975 – Kiki Dee

Best US Female Singer

  • 1955-1957 – Doris Day
  • 1958 – Connie Francis

Best Male Singer

  • 1952-1954 – Dickie Valentine
  • 1955 – Frank Sinatra
  • 1956 – Dickie Valentine
  • 1958 – Frankie Vaughan
  • 1959-1962 – Elvis Presley
  • 1963 – Cliff Richard
  • 1964-1972 – Elvis Presley
  • 1973 – David Bowie
  • 1975-1976 – Robert Plant
  • 1977-1978 – David Bowie
  • 1979 – Sting
  • 1980 – Paul Weller
  • 1981 – David Bowie
  • 1982 – Paul Weller
  • 1983 – David Bowie
  • 1984 – Bono
  • 1985-1992 – Morrissey

Best British Male Singer

  • 1955, 1957 – Dickie Valentine
  • 1959-1967 – Cliff Richard
  • 1968-1970 – Tom Jones
  • 1971-1972 – Cliff Richard
  • 1973 – David Bowie
  • 1975 – Paul Rodgers

Best US Male Singer

  • 1955-1956 – Frank Sinatra
  • 1957 – Pat Boone
  • 1958 – Elvis Presley

Outstanding Popular Singer

  • 1955 – Frank Sinatra
  • 1957 – Pat Boone
  • 1958 – Elvis Presley

Best Instrumental Personality

  • 1958 – Eddie Calvert
  • 1959-1960 – Russ Conway
  • 1961 – Bert Weedon

Best Musical Personality

  • 1955 – Bill Haley
  • 1956 – Dickie Valentine
  • 1957-1959 – Elvis Presley
  • 1960 – Duane Eddy
  • 1961-1972 – Elvis Presley

Best British Musical Personality

  • 1956 – Dickie Valentine
  • 1957 – Tommy Steele
  • 1958-1959 – Frankie Vaughan
  • 1960 – Lonnie Donegan
  • 1961 – Adam Faith
  • 1962-1963 – Joe Brown
  • 1964 – Cliff Richard
  • 1965 – John Lennon
  • 1966-1972 – Cliff Richard

Genre-Specific Categories

These are just a selection of the categories that relate to a particular genre of music.

Best Soul / Funk Act

  • 1973, 1975 – Stevie Wonder
  • 1984 – Womack & Womack
  • 1985 – Cameo

Best Reggae Act

  • 1984 – Smiley Culture
  • 1985 – UB40

Best R&B / Blues Act

  • 1964-1965 – The Rolling Stones
  • 1966 – Spencer Davis Group
  • 1967-1968 – The Rolling Stones
  • 1970 – Fleetwood Mac

Best Traditional Jazz Act

  • 1961 – Acker Bilk
  • 1962-1963 – Kenny Ball

Best Group

Finally, we reach the categories for best group – of which there are a few.

Best Group

  • 1954 – Stargazers
  • 1955 – Four Aces
  • 1956 – Stargazers
  • 1957 – The Platters
  • 1958-1962 – Everly Brothers
  • 1963-1965 – The Beatles
  • 1966 – The Beach Boys
  • 1967-1970 – The Beatles
  • 1971 – Creedence Clearwater Revival
  • 1972 – T. Rex
  • 1973 – Yes
  • 1975 – Roxy Music
  • 1976 – Led Zeppelin
  • 1977 – Sex Pistols
  • 1978 – The Clash
  • 1979-1982 – The Jam
  • 1983 – New Order
  • 1984-1987 – The Smiths
  • 1988 – The Wedding Present
  • 1989 – The Stone Roses
  • 1990 – Happy Mondays
  • 1991-1992 – R.E.M.

Best British Group

  • 1955 – Stargazers
  • 1957 – King Brothers
  • 1958-1959 – The Mudlarks
  • 1960 – King Brothers
  • 1961-1962 – The Springfields
  • 1963-1971 – The Beatles
  • 1972 – T. Rex
  • 1973 – Yes

Best British Small Band

  • 1952 – Johnny Dankworth Seven
  • 1954 – Ronnie Scott and His Orchestra
  • 1955-1957 – The Kirchins
  • 1958-1959 – Lonnie Donegan
  • 1960-1963 – The Shadows

Best British Large Band or Orchestra

  • 1952-1961 – Ted Heath and His Music
  • 1962-1963 – Joe Loss

Best British Instrumental Unit

  • 1964-1971 – The Shadows
  • 1972 – Collective Consciousness Society

Best Live Act

  • 1973 – Alice Cooper (World) & Genesis (British)
  • 1975 – Genesis
  • 1982 – The Jam
  • 1985 – The Pogues

That’s it for now – we’ll continue our journey through the NME Awards soon.

Advertisements

NME Poll Winners 1952-1992 (Part One)

If you’ve been paying attention, you’ll know that we’ve spent the last few weeks working through the history of the NME Polls, from 1952 to 1992. It’s a long and complicated history, and one that pretty much encapsulates the first forty years of modern popular music in the UK. So as a side-step, it’s worth taking a couple of posts to look at them, award by award.

With such a complex history, it’s hard to trace the winners of a particular category through time, so I’ve taken a few liberties here. Essentially anything that seems to be roughly the same category has been treated as the same thing. Also, for the year ranges, there are a few missing years here and there, so for instance 1967-1970 could mean anything between 2 and 3 wins, but it definitely isn’t 4, as we have no information for the poll results from 1969, or even any meaningful confirmation that the poll took place.

Best and Worst Single, Video and Album Categories

Here are all the winners for specific singles, videos, and albums, including the wonderful “Best Dressed Album” (later “Best Dressed Sleeve”) award.

Best British Disc / Single

  • 1959 – Cliff Richard – Living Doll
  • 1960 – The Shadows – Apache
  • 1961 – John Leyton – Johnny Remember Me
  • 1962 – Frank Ifield – I Remember You
  • 1963 – The Beatles – She Loves You
  • 1964 – The Animals – The House of the Rising Sun
  • 1965 – The Rolling Stones – (I Can’t Get No) Satisfaction
  • 1966 – The Beatles – Eleanor Rigby
  • 1968 – The Beatles – Hey Jude
  • 1971 – Mungo Jerry – In the Summertime
  • 1972 – George Harrison – My Sweet Lord
  • 1973 – Golden Earring – Radar Love (World) & The Who – 5.15 (British)
  • 1975 – Bad Company – Can’t Get Enough
  • 1976 – Thin Lizzy – The Boys are Back in Town
  • 1977 – Sex Pistols – God Save the Queen
  • 1978 – The Clash – (White Man) In Hammersmith Palais
  • 1979 – The Specials – Gangsters
  • 1980 – The Jam – Going Underground
  • 1981 – The Specials – Ghost Town
  • 1982 – The Jam – Town Called Malice
  • 1983 – New Order – Blue Monday
  • 1984 – Frankie Goes to Hollywood – Relax
  • 1985 – The Jesus and Mary Chain – Never Understand
  • 1986 – The Smiths – Panic
  • 1987 – Prince – Sign O The Times
  • 1988 – The House of Love – Destroy the Heart
  • 1989 – The Stone Roses – Fool’s Gold
  • 1990 – The Charlatans – The Only One I Know
  • 1991 – Nirvana – Smells Like Teen Spirit
  • 1992 – Suede – The Drowners

Best Dance Record

  • 1982 – Wham! – Young Guns (Go for It)
  • 1986 – Cameo – Word Up
  • 1987 – M/A/R/R/S – Pump Up the Volume
  • 1989 – Happy Mondays – WFL

Worst Record

  • 1991 – Bryan Adams – Everything I Do (I Do It for You)
  • 1992 – The Shamen – Ebeneezer Goode

Best Music Video

  • 1982 – Madness – House of Fun
  • 1983 – Michael Jackson – Thriller
  • 1984 – Frankie Goes to Hollywood – Two Tribes
  • 1985 – Talking Heads – Road to Nowhere

Best Long Player / Album

  • 1971 – The Beatles – Let it Be
  • 1972 – T. Rex – Electric Warrior & John Lennon – Imagine (tie)
  • 1973 – Pink Floyd – The Dark Side of the Moon
  • 1975 – Rod Stewart – Smiler
  • 1976 – Led Zeppelin – The Song Remains the Same
  • 1977 – Sex Pistols – Never Mind the Bollocks
  • 1978 – The Jam – All Mod Cons
  • 1979 – The Jam – Setting Sons
  • 1980 – The Jam – Sound Affects
  • 1981 – Echo and the Bunnymen – Heaven Up Here
  • 1982 – The Jam – The Gift
  • 1983 – Elvis Costello – Punch the Clock
  • 1984 – Cocteau Twins – Treasure
  • 1985 – The Smiths – Meat is Murder
  • 1986 – The Smiths – The Queen is Dead
  • 1987 – The Smiths – Strangeways Here We Come
  • 1988 – R.E.M. – Green
  • 1989 – The Stone Roses – The Stone Roses
  • 1990 – Happy Mondays – Pills ‘n’ Thrills and Bellyaches
  • 1991 – Primal Scream – Screamadelica
  • 1992 – R.E.M. – Automatic for the People

Best Dressed Album / Sleeve

  • 1973 – Yes – Yessongs
  • 1975 – Yes – Relayer
  • 1976 – Led Zeppelin – The Song Remains the Same
  • 1978 – The Rolling Stones – Some Girls
  • 1980 – The Jam – Sound Affects
  • 1981 – Echo and the Bunnymen – Heaven Up Here
  • 1982 – Siouxsie and the Banshees – A Kiss in the Dreamhouse
  • 1983 – New Order – Power, Corruption and Lies
  • 1984 – Frankie Goes to Hollywood – Welcome to the Pleasuredome
  • 1985 – The Pogues – Rum, Sodomy and the Lash

Media Categories

The group of media awards, for radio, TV, films, and venues, are particularly fascinating, since other award ceremonies

Best Disc Jockey

  • 1955-1957 – Jack Jackson
  • 1958-1959 – Pete Murray
  • 1960-1963 – David Jacobs
  • 1965-1972 – Jimmy Savile
  • 1973 – John Peel
  • 1975 – Noel Edmonds
  • 1976-1980 – John Peel

Best Music Radio Show

  • 1975-1976 – Alan Freeman
  • 1977-1992 – John Peel

Best TV Show

  • 1965-1972 – Top of the Pops
  • 1973-1977 – The Old Grey Whistle Test
  • 1978 – Revolver
  • 1979 – Fawlty Towers
  • 1980 – Not the Nine O’Clock News
  • 1981 – Coronation Street
  • 1982 – The Young Ones
  • 1983-1984 – The Tube
  • 1985 – The Old Grey Whistle Test
  • 1986 – The Singing Detective
  • 1987-1988 – Brookside
  • 1989 – Blackadder
  • 1990-1991 – Vic Reeves’ Big Night Out
  • 1992 – Have I Got News for You

Best Film

  • 1978 – Close Encounters of the Third Kind
  • 1979 – Quadrophenia
  • 1980 – The Elephant Man
  • 1981 – Gregory’s Girl
  • 1982 – E.T. The Extra-Terrestrial
  • 1983 – Merry Christmas, Mr. Lawrence
  • 1984 – Nineteen Eighty-Four
  • 1985 – Letter to Brezhnev
  • 1986 – Mona Lisa
  • 1987 – Angel Heart
  • 1988 – A Fish Called Wanda
  • 1989 – Dead Poets’ Society
  • 1990 – Wild at Heart
  • 1991 – The Silence of the Lambs
  • 1992 – Wayne’s World

Best Club / Venue

  • 1986 – Town and Country Club
  • 1989 – The Haçienda
  • 1990-1992 – Town and Country Club

Best Fashion Item

  • 1989 – Flares
  • 1990-1992 – Dr. Marten Boots

People Categories

In later years, the poll included some odd nominations for people, often outside of the world of music, which provide an interesting window on the past.

Most Wonderful Human Being

  • 1976-1977 – Johnny Rotten
  • 1978 – Sid Vicious
  • 1979 – John Peel
  • 1980-1983 – Paul Weller
  • 1984 – Arthur Scargill
  • 1985 – Bob Geldof
  • 1986-1988 – Morrissey

Klutz/Prat/Creep/Bastard of the Year

  • 1975 – Steve Harley
  • 1977 – Freddie Mercury
  • 1978 – John Travolta
  • 1979 – Gary Numan
  • 1980 – Margaret Thatcher
  • 1981 – Adam Ant
  • 1982-1989 – Margaret Thatcher
  • 1990-1991 – Saddam Hussein
  • 1992 – John Major

Best Dressed Male

  • 1979 – Gary Numan
  • 1980 – Adam Ant
  • 1981 – Michael Foot
  • 1982 – Paul Weller
  • 1983 – David Bowie
  • 1984 – Paul Weller
  • 1985 – Morrissey

Best Dressed Female

  • 1982-1983 – Siouxsie Sioux

Worst Dressed Person

  • 1985 – Bob Geldof

Most missed Dead Person

  • 1976 – Jimi Hendrix
  • 1981 – John Lennon

Political and Real World Categories

These are some of the oddest categories – I’m honestly not sure what the “Hype of the Year” category was all about, but it is interesting to see just what was catching people’s eyes at the time.

Event of the Year

  • 1977 – Death of Elvis Presley
  • 1980 – Death of John Lennon
  • 1982 – The Jam Split
  • 1986 – 1986 FIFA World Cup
  • 1987 – Nuclear Agreement
  • 1988 – Nelson Mandela’s Birthday Bash
  • 1989 – Revolution in Eastern Europe
  • 1990 – Margaret Thatcher’s Resignation
  • 1991 – The release of the hostages
  • 1992 – Bill Clinton winning the US election

Pin-Up/Sex SYmbol/Object of Desire

  • 1978 – Debbie Harry
  • 1986 – Joanne Whalley
  • 1988-1989 – Wendy James
  • 1990 – Betty Boo
  • 1991-1992 – Toni Halliday

Bad News of the Year

  • 1987 – Another Conservative Victory at the General Election
  • 1988 – US Election Result

Hype of the Year

  • 1985 – The Jesus and Mary Chain
  • 1989 – Batman
  • 1990 – Teenage Mutant Ninja Turtles
  • 1992 – Madonna – Sex

That concludes part one of the summary of NME Poll Winners. Next week, we’ll look at the artist categories.

NME Poll Winners – The 1980s

Throughout the 1980s, the NME Poll Winners suffered without an annual ceremony where they could drink lots and vomit on the politicians of the day. Overshadowed by the more popular BPI Awards and British Rock & Pop Awards, it’s notable by the late eighties that contemporary pop has been eschewed altogether by NME’s readership.

Oh, and you might enjoy the slightly questionable choices for “human being of the year”…

1980

  • Best Group: The Jam
  • Best New Act: UB40
  • Best Male Singer: Paul Weller
  • Best Guitarist: Paul Weller
  • Best Drummer: Rick Buckler
  • Best Songwriter: Paul Weller
  • Best Bassist: Bruce Foxton
  • Best Keyboardist: Dave Greenfield
  • Best Other Instrumentalist: Saxa
  • Best Single: The Jam, for Going Underground
  • Best Album: The Jam, for Sound Affects
  • Best Dressed Sleeve: The Jam, for Sound Affects
  • Best Disc Jockey: John Peel
  • Best Dressed Person: Adam Ant
  • Haircut of the Year: Eugene Reynolds
  • Most Wonderful Human Being: Paul Weller
  • Creep of the Year: Margaret Thatcher
  • Event of the Year: Death of John Lennon
  • TV Programme: Not the Nine O’Clock News
  • Movie of the Year: The Elephant Man

1981

  • Best Group: The Jam
  • Best New Act: Altered Images
  • Most Missed Person: John Lennon
  • Best Songwriter: Paul Weller
  • Best Female Singer: Siouxsie Sioux
  • Best Male Singer: David Bowie
  • Best Single: The Specials, for Ghost Town
  • Best LP: Echo and the Bunnymen, for Heaven Up Here
  • Best Dressed Sleeve: Echo and the Bunnymen, for Heaven Up Here
  • Best Guitarist: Paul Weller
  • Best Bassist: Bruce Foxton
  • Best Drummer: Rick Buckler
  • Best Keyboardist: Dave Greenfield
  • Best TV Programme: Coronation Street
  • Best Radio Show: John Peel
  • Best Film: Gregory’s Girl
  • Most Wonderful Human Being: Paul Weller
  • Best Dressed Person: Michael Foot
  • Creep of the Year: Adam Ant*

* The NME website says “Adam Andy” but I suspect this must be a typo – please correct me if you disagree!

1982

  • Best Group: The Jam
  • Best Male Singer: Paul Weller
  • Best Female Singer: Siouxsie Sioux
  • Creep of the Year: Margaret Thatcher
  • Most Wonderful Human Being: Paul Weller
  • Best Songwriter: Paul Weller
  • Best Single: The Jam, for Town Called Malice
  • Best Longplayer: The Jam, for The Gift
  • Best Live Act: The Jam
  • Best Dancefloor Favourite: Wham!, for Young Guns (Go for It)
  • Best Dressed Sleeve: Siouxsie and the Banshees – A Kiss in the Dreamhouse
  • Event of the Year: The Jam Split
  • Best Dressed Male: Paul Weller
  • Best Dressed Female: Siouxsie Sioux
  • Best Haircut: Paul Weller
  • Best Electronics: Vince Clarke
  • Best Guitarist: Paul Weller
  • Best Bassist: Bruce Foxton
  • Best Drummer: Rick Buckler
  • Best Miscellaneous Instrument: The Emerald Express, Violin
  • Best Radio Show: John Peel
  • Best Music Video: Madness, for House of Fun
  • Best TV Show: The Young Ones
  • Best Film: E.T. The Extra-Terrestrial

1983

  • Best Group: New Order
  • Best New Act: The Smiths
  • Best Dressed Female: Siouxsie Sioux
  • Female Singer: Siouxsie Sioux
  • Songwriter: Elvis Costello
  • Male Singer: David Bowie
  • Best Dressed Male: David Bowie
  • Best Long Player: Elvis Costello, for Punch the Clock
  • Best Single: New Order, for Blue Monday
  • Best Film: Merry Christmas, Mr. Lawrence
  • Best Promo Video: Michael Jackson, for Thriller
  • Most Wonderful Human Being: Paul Weller
  • Creep of the Year: Margaret Thatcher
  • TV Show: The Tube
  • Best Dressed Sleeve: New Order, for Power, Corruption and Lies
  • Best Radio Programme: John Peel
  • Best Guitarist: The Edge
  • Best Drummer: Budgie
  • Best Miscellaneous Musician: The TKO Horns
  • Best Bassist: Peter Hook
  • Best Keyboardist: Steve Nieve

1984

  • Best Group: The Smiths
  • Best New Act: Bronski Beat
  • Best Reggae Act: Smiley Culture
  • Best Soul Act: Womack & Womack
  • Best TV Show: The Tube
  • Best Radio Show: John Peel
  • Best Single: Frankie Goes to Hollywood, for Relax
  • Best LP: Cocteau Twins, for Treasure
  • Best Dressed Sleeve: Frankie Goes to Hollywood, for Welcome to the Pleasuredome
  • Promo Video: Frankie Goes to Hollywood, for Two Tribes
  • Best Film: Nineteen Eighty-Four
  • Best Male Singer: Bono
  • Best Songwriter: Morrissey / Johnny Marr
  • Best Female Singer: Elizabeth Fraser
  • Best Instrumentalist: Johnny Marr
  • Best Dressed Person: Paul Weller
  • Creep of the Year: Margaret Thatcher
  • Most Wonderful Human Being: Arthur Scargill

1985

  • Best Group: The Smiths
  • Best New Act: The Jesus and Mary Chain
  • Best Male Singer: Morrissey
  • Best Female Singer: Elizabeth Fraser
  • Best Songwriter: Morrissey / Johnny Marr
  • Best Single: The Jesus and Mary Chain, for Never Understand
  • LP of the Year: The Smiths, for Meat is Murder
  • Best Soul/Funk Band: Cameo
  • Best Reggae Act: UB40
  • Best Live Act: The Pogues
  • Most Wonderful Human Being: Bob Geldof
  • Creep of the Year: Margaret Thatcher
  • Best Dressed: Morrissey
  • Worst Dressed: Bob Geldof
  • Best Haircut: Morrissey
  • Worst Haircut: Feargal Sharkey
  • Biggest Mouth: Bob Geldof
  • Best Film: Letter to Brezhnev
  • Best TV Programme: The Old Grey Whistle Test
  • Best Radio Show: John Peel
  • Best Video: Talking Heads, for Road to Nowhere
  • Best Dressed Sleeve: The Pogues, for Rum, Sodomy and the Lash
  • Best Hype: The Jesus and Mary Chain

1986

  • Best Single: The Smiths, for Panic
  • Best LP: The Smiths, for The Queen is Dead
  • Best Male Singer: Morrissey
  • Best Female Singer: Elizabeth Fraser
  • Best Group: The Smiths
  • Most Wonderful Human Being: Morrissey
  • Best Club/Venue: Town & Country Club
  • Best Dance Record: Cameo, for Word Up
  • Threat of the Year: AIDS
  • Sex Symbol: Joanne Whalley
  • Event of the Year: 1986 FIFA World Cup
  • Best Film: Mona Lisa
  • Best TV Show: The Singing Detective
  • Creep of the Year: Margaret Thatcher
  • Best New Music: The Housemartins
  • Best Radio Show: John Peel

1987

  • Best Group: The Smiths
  • Best Single: Prince, for Sign O The Times
  • Best LP: The Smiths, for Strangeways Here We Come
  • Male Singer: Morrissey
  • Best Female Singer: Suzanne Vega
  • Best New Act: The Proclaimers
  • Best Dance Record: M/A/R/R/S, for Pump Up the Volume
  • Most Wonderful Human Being: Morrissey
  • Creep of the Year: Margaret Thatcher
  • Bad News of the Year: Another Conservative Victory at the General Election
  • Safe Sex: Morrissey
  • Radio: John Peel
  • Best TV Programme: Brookside
  • Best Film: Angel Heart
  • Event of the Year: Nuclear Agreement

1988

  • Best Band: The Wedding Present
  • Solo Artist: Morrissey
  • Best New Band/Act: The House of Love
  • Best Single: The House of Love, for Destroy the Heart
  • Best LP: R.E.M., for Green
  • Best TV Show: Brookside
  • Ugly Bastard of the Year: Bros (collective award)
  • Object of Desire of the Year: Wendy James
  • Film of the Year: A Fish Called Wanda
  • Favourite NME Cover of 1988: Morrissey
  • Best Night Out: The Wedding Present
  • Radio Show of the Year: John Peel
  • Stimulant of the Year: Acid
  • Event of the Year: Nelson Mandela‘s Birthday Bash
  • Bad News of the Year: US Election Result
  • Most Wonderful Human Being: Morrissey
  • Creep of the Year: Margaret Thatcher

1989

  • Band of the Year: The Stone Roses
  • LP of the Year: The Stone Roses, for The Stone Roses
  • Single of the Year: The Stone Roses, for Fool’s Gold
  • Best New Band/Artist: The Stone Roses
  • Best Solo Artist: Morrissey
  • Best Dance Record: Happy Mondays, for WFL
  • Hype of the Year: Batman
  • Object of Desire: Wendy James
  • Radio Show: John Peel
  • TV Show: Blackadder
  • Film of the Year: Dead Poets’ Society
  • Fashion of the Year: Flares
  • Club/Venue of the Year: The Haçienda
  • Event of the Year (Music): Reading Festival
  • Event of the Year (Real Life): Revolution in Eastern Europe
  • Bastard of the Year: Margaret Thatcher

See also

Artist of the Week – The Beloved

Many moons ago, there was a radio show called Music for the Masses, which I presented on and off between 1999 and 2005. I’ve talked about it here plenty of times. One of the features was the Artist of the Week, and contained various errors, incorrect opinions, and the following information:

Jon Marsh originally formed a band called The Journey Through in 1984 with fellow Cambridge students Guy Gausden, Tim Havard, and Steve Waddington. After some demos, they evolved into The Beloved, and started making music not a million miles away from the style of Joy Division, early New Order, or even, occasionally, The Smiths.

After a number of minor singles, they released their debut album Where it Is, but following little success and disagreements with the record company, they left, dropped two members, and reappeared in 1988 with their first commercial release Loving Feeling.

It was at the end of 1989 that they saw their first major hit, with the release of The Sun Rising. Further singles from the first successful album Happiness were also hits, including Hello and Your Love Takes Me Higher. A remixed album Blissed Out also saw some success.

The third album Conscience followed in 1993, including the smash hit Sweet Harmony, and saw them starting to explore deeper dance territory with more house-based tracks and remixes. The fourth album in 1996 was in many ways a transitional piece, with the tracks starting to show great signs of depth.

Since then, they’ve done naff all… (that is genuinely what it says here!)

Beginner’s guide to Electronic

One of the most interesting – and best named – supergroups, as New Order‘s Bernard Sumner and The Smiths‘ Johnny Marr teamed up variously with Pet Shop Boys, Karl Bartos and others to create some truly brilliant electronic music.

Key moments

Get the MessageGetting Away with It, and Disappointed are the three that most people will remember, but there are a lot of other special moments hidden away.

Where to start

Buying a “best of” from an act who have only released may seem like an odd step, but Get the Message (2006) actually makes a pretty good collection – plus it includes Disappointed, which doesn’t appear on any of the studio albums, and a couple of the better b-sides.

What to buy

Start with the brilliant debut Electronic (1991) – get the 2013 reissue with the bonus disc, if you can, as it contains instrumental highlights of the rest of their career. Then move on in chronological order to Raise the Pressure (1997).

Don’t bother with

Sadly, the third album Twisted Tenderness lacks the charm, inventiveness, and even the songwriting of its predecessors. Anything that’s worth hearing on here is on either Get the Message or the bonus disc of Electronic.

Hidden treasure

Many of the b-sides are surprisingly good, notably Free Will and Imitation of Life, and there are some particularly good remixes hidden away on the singles too.

For stowaways

Electronic – Electronic (Reissue)

Sometimes you have to wonder whether remastered reissues are entirely necessary – even for a relatively old album, if the original sounded good, do you really need to hear a cleaned up version?

Electronic, the debut album from Electronic, is not one of those cases. The original 1991 release sounds absolutely awful. It’s so bad, in fact, in its sub-FM radio fidelity, that it’s almost surprising this album is as well loved as it is. The 2013 remastered reissue was, therefore, very welcome indeed.

To me, Idiot Country has always seemed an odd choice of album opener. It sounds so completely unlike anything that Bernard Sumner or Johnny Marr had ever released previously that it must have come as a bit of a surprise to listeners. And with that in mind, it’s a rather clever album opener too.

Reality should sound a little more familiar, but this album was never without its surprises. There are less good moments, such as third track Tighten Up, but even they sound considerably better now than they ever did before – somehow a whole load of orchestral hits sound a lot better remastered than they did the first time around. And then there are exceptional moments such as The Patience of a Saint.

The Patience of a Saint is, of course, the moment where Pet Shop Boys appear without warning. The collaboration is pretty much perfect, and is definitely one of the best tracks on this album – if you had to guess what a cross between Chris Lowe, Bernard Sumner, Neil Tennant, and Johnny Marr might sound like, you probably wouldn’t be too far off.

The original 1991 release on Factory Records even omitted the debut single Getting Away with It, and so it was left to subsequent reissues to put it back at the halfway point where it definitely belongs. Without it, this is still a good album, but somehow it feels as though it’s missing its soul. And Getting Away with It is also one of the tracks to really benefit from the remaster – it sounds infinitely better than it ever would have sounded on its original release in 1989.

The orchestral hits return with Gangster, no longer sounding tinny and empty, but now full of dark FM synth sounds – it still sounds very dated, but it’s a much more mournful and meaningful piece thanks to the remaster. Similarly Soviet, which you could easily be forgiven for dismissing as a silly little filler track, is now transformed into one of the most atmospheric and moving pieces on the entire album.

Next up is the killer single Get the Message, which always sounded brilliant, so its inclusion here is less essential. It’s still one of the best singles of the early 1990s, and really deserved to spend several months at number one.

Later tracks Try All You Want and Some Distant Memory still start to feel a little more like filler, but it’s difficult to overstate just how much better this album sounds thanks to having been revisited. The closing track, the final single Feel Every Beat, is totally brilliant though. With little more than a minute to go at the end of the album, it collapses into a whirl of piano chords, and makes for a perfect album closer.

The other thing that Electronic is lacking is their finest moment, 1992’s Disappointed, which on this release kicks off the bonus disc. That’s an acceptable compromise, but on this reissue it’s among slightly strange company. The new bonus disc is now a collection of instrumental versions and exclusive edits of b-sides and later album tracks. It’s a welcome collection, even if some of the inclusions are a little incongruous, and if nothing else it’s a timely reminder that Electronic was more than just a brief side project for New Order and The Smiths.

Some remasters may be pointless means for record companies to shift more copies, but this is far from being one of those. It’s a great album, and for the first time it sounds truly exceptional. This is, without a doubt, the essential version of Electronic, and every home should have one.

You can find the new reissue of Electronic at all major retailers.