After eight long years of compilations and oddities, New Order came back in 2001 with Crystal. Reinvigorated by their recent side projects with Electronic, Monaco, and The Other Two (all of whom had managed exactly one very good album since 1993; two had also thrown out a less good one too), now they were back together to show the indie music scene how it was done.
Admittedly, they were a little late – they missed the bulk of the indie explosion by a comfortable margin – but they were just in time to turn up, show anyone else who was hanging around that they were largely recording dirges, and then disappear back into whatever hole it is that New Order hide in whenever they’re not releasing things. Well, except of course that the following year actually brought us the brilliant 24 Hour Party People and Here to Stay, but let’s leave that for that another time.
Get Ready is, though, like most of New Order‘s albums, a bit of a rollercoaster ride. Crystal is great, and accessible to many, and 60 Miles an Hour is a competent second track and second single too. Unlike the first, it was probably never going to find them too many new fans, but it kept plenty of people coming back for more.
However, it really is hard to imagine the collaboration with The Smashing Pumpkins‘s Billy Corgan really making too many people happy – it mainly seems to mean that New Order have gained another guitar line and another slightly questionable singing talent. Neither of which was exactly lacking anyway.
New Order being back together was really more than enough of a novelty, and the four-piece proved their brilliance with such understated works of genius as Vicious Streak, which, while not unexpectedly long, somehow seems as though it’s going to last forever. Primitive Notion is good too – much more of a rock piece than New Order ever used to present their fans with, but let’s just agree to see that as another string to their bow.
Admittedly, by Slow Jam you might find yourself dreaming of the beats of Blue Monday. There’s nothing wrong with this one, or Rock the Shack, the collaboration with The Jesus and Mary Chain‘s Bobby Gillespie, but New Order‘s sound was always so unique, whereas on Get Ready they just seem to be trying to find their feet again by trying to imitate what all the indie acts had been doing for the preceding five or six years. It’s not the most comfortable place for New Order to sit.
Get Ready does feel as though they were trying to practice what they preached – the instruction in the title is less for us, and more for them, as they learnt again what they were meant to sound like. When they get it right, as on Someone Like You, they’re absolutely brilliant, but a lot of this album falls a little short. For now, just enjoy how great they are when all the ingredients are right.
Close Range is good – but far from perfect. There are moments on here when it seems as though they’re just dialling it in. Bernard Sumner‘s lyrics are distinctly average (at the low end of the spectrum, it has been pointed out before that Crystal‘s somewhat confusing wording about buying honey with money could have done with a little more work, and there’s nothing on this whole CD that really grabs you and makes you think he’s pushing himself. Peter Hook‘s bass “hooks” seem a bit lacklustre here too.
So it’s really no major disappointment that Run Wild is the last track on here, closing things off with an unusually religious, Midwest American piece. It’s not great, but neither is it too bad either. Like the entirety of Get Ready, really. After Crystal, pretty much the best thing you can say about it is this: we had New Order back.
You can still find the original release of Get Ready at all major retailers.