Record Companies – Virgin Records

All of the major labels are big enough that they have, at times at least, been able to boast an impressive range of artists, but few are as interesting as Virgin Records. Formed in 1972 by Richard Branson, Simon Draper, Nik Powell, and Tom Newman, they went on to become one of the most influential labels in the music business.

Famously, Mike Oldfield‘s Tubular Bells was the label’s first release, and in the early 1970s, they became well known for their prog rock releases, also becoming an early home to Tangerine Dream, but then in 1977, hit the mainstream by signing the Sex Pistols. Major releases from Culture Club, The Human League, Simple Minds, XTC, and others followed, making the label a household name throughout the 1980s.

That was essentially it – in 1992, Richard Branson sold Virgin to EMI, and while the list of signed artists continued to grow, including such huge names as The Future Sound of London, the Spice Girls, and Meat Loaf, its heyday as an influential brand really seems to have passed by this time.

You can read more about Virgin Records here:
https://www.virginrecords.com/

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The Ultimate Guide to the BRIT Awards

This year’s BRIT Awards will be the 39th ever, and due to the gap between the first and second, it’s over forty years since the first ceremony was held in October 1977. There’s no particular reason for a celebration, but let’s take a moment anyway to look back at the previous 38 ceremonies and the history of the awards!

Artists they love

We calculated the top twenty artists at the BRITs just last year, and – spoiler alert – the top five British acts, in ascending order, were Annie LennoxTake ThatAdeleColdplay, and Robbie Williams. Comparison with the top-selling British acts of all time puts Annie Lennox and Take That nowhere on the list, Adele and Coldplay joint fourteenth alongside others, and Robbie Williams joint twenty-fifth.

Or you could compare with the top sixty singles acts of all timeAnnie Lennox still doesn’t make it, Take That are fifteenth, Adele is a bit too recent for the list, Coldplay are sixtieth, and Robbie Williams is twenty-second.

The BRIT Awards seem to have always struggled with the Female Solo Artist categories, obsessing for years on end over Annie LennoxAlison Moyet, Adele, and (internationally) Björk.

Artists they hate

Contemporary artists who haven’t done quite so well based on those lists include Elton JohnQueen, and David Bowie, who came 15th, off the chart, and 11th respectively, although much of their heyday would have been in the 1970s, and OasisSpice Girls, and George Michael, who have never quite made the cut, appearing 10th, 17th, and somewhere just off the list respectively.

Famously, Radiohead have never won anything despite plenty of nominations, and Jamiroquai also inexplicably got lots of nominations but sanity prevailed on the night, and they never quite won.

Nominated in the wrong category

U2 seem to have caused a bit of confusion about whether they were British or International, having been nominated for awards in both. Solo artists have got a bit confused at times as well, with Roland Gift of Fine Young Cannibals receiving a solo nomination in 1990, despite not releasing anything on his own for another decade. Fortunately, his group returned their awards after a particularly vomit-inducing appearance from Margaret Thatcher as part of the ceremony. Mick Hucknall also seems to have caused some confusion in 1997 about whether he was a solo act or group, as did.

Trouble at the top

Plenty of drama happens on and off stage at the awards, most of which is well-documented. A new one that I hadn’t come across previously was that somewhat amusingly, Rick Astley apparently couldn’t quite make it up to the stage in time, so wasn’t able to accept his own award.

There have been some very odd choices of presenters – after Michael Aspel presented the first, and Samantha Fox and Mick Fleetwood were never invited back, a lot of odd people were, including Tim RiceNoel EdmondsSimon Bates, and Russell BrandAnt & Dec have presented three times (2001, 2015, and 2016), Chris Evans has done four (1995, 1996, 2005, and 2006), and astonishingly James Corden

Nobody cares any more

The ceremony has had its ups and downs (Sam Fox, perhaps not unfairly, apparently blames everyone but herself for the 1989 event). Search online, and there are plenty of good articles about the better and worse moments in its history – this one is one of the better researched.

But in its heyday, the BRIT Awards ceremony was event TV, with a sixth of the country watching, but these days, barely five million people can be bothered tuning in.

Stay tuned for more coverage on the run-up to the 2018 BRIT Awards. There’s plenty of coverage on this blog from previous years, but one place to start might be this post from a couple of years ago.

Ivor Novello Awards – The 1990s

Ivor Novello Awards 1990

Grosvenor House in London hosted the Ivor Novello Awards on 2nd April 1990.

  • Best Contemporary Song: All Around the World, written by Lisa Stansfield, Ian Devaney and Andrew Morris. Also nominated: Back to Life (However Do You Want Me), performed by Soul II Soul, written by Jazzie B, Caron Wheeler, Nellee Hooper and Simon LawShe Drives Me Crazy, performed by Fine Young Cannibals, written by David Steele and Roland Gift
  • Best Song Musically and Lyrically: The Living Years, performed by Mike + The Mechanics, written by BA Robertson and Mike Rutherford. Also nominated: Another Day in Paradise, written by Phil Collins; Room in Your Heart, performed by Living in a Box, written by Marcus Vere, Richard Darbyshire and Albert Hammond
  • Best Theme from a TV/Radio Production: Ruth Rendell Mysteries, written by Brian Bennett. Also nominated: Sherlock Holmes, written by Patrick Gowers; Agatha Christie’s Poirot, written by Christopher Gunning
  • Best Film Theme or Song: Henry V Nons Nobis Domine, written by Patrick Doyle. Also nominated: Nothing Has Been Proved, written by Neil Tennant and Chris Lowe; Travelling East, written by Eric Clapton and Michael Kamen
  • The Jimmy Kennedy Award: Herbert Kretzmer
  • Best Selling ‘A’ Side: Too Many Broken Hearts, performed by Jason Donovan, written by Stock Aitken Waterman (Mike Stock, Matt Aitken and Pete Waterman). Also nominated: Back to Life (However Do You Want Me); Something’s Gotten Hold of My Heart, performed by Marc Almond and Gene Pitney, written by Roger Cook and Roger Greenaway
  • International Hit of the Year: She Drives Me Crazy. Also nominated: Buffalo Stance, written by Cameron Mcvey, Philip Ramacon, Neneh Cherry and Jamie Morgan; Another Day in Paradise, written by Phil Collins
  • Best Theme from a TV/Radio Commercial: Abbey Endings (Abbey National), written by Lionel Bart. Also nominated: Big Day (Maxwell House), written by David Mindel; Terry Keeps His Clips On (Toshiba), written by Viv Stanshall
  • The Best British Musical: Aspects of Love, written by: Don Black, Charles Hart and Andrew Lloyd Webber
  • Outstanding Contribution to British Music: David Bowie
  • Most Performed Work: This Time I Know It’s for Real, written by Stock Aitken Waterman and Donna Summer. Also nominated: Something’s Gotten Hold of My HeartToo Many Broken Hearts
  • Songwriters of the Year: Stock Aitken Waterman
  • Outstanding Services to British Music: The Kinks (Mick Avory, Dave Davies, Ray Davies, Ian Gibbons and Jim Rodford)

Ivor Novello Awards 1991

The 1991 ceremony took place at Grosvenor House in London on 2nd May 1991.

  • Best Contemporary Song: Killer, written by Adam ‘Adamski’ Tinley and Seal. Also nominated: Don’t Worry, written by Kim Appleby, Craig Logan and George Deangelis; Unbelievable, performed by EMF, written by James Atken, Ian Dench, Zachary Foley, Mark Decloedt and Deran Brownson
  • Best Song Musically and Lyrically: Sacrifice, written by Elton John and Bernie Taupin. Also nominated: We Let the Stars Go, performed by Prefab Sprout, written by Paddy McaloonNothing Ever Happens, performed by Del Amitri, written by Justin Currie
  • Best Theme from a TV/Radio Production: Victorian Kitchen, written by Paul Reade. Also nominated: Tidy Endings, written by Stanley Myers; The Green Man, written by Tim Souster
  • Best Film Theme or Song: Witches, written by Stanley Myers. Also nominated: Arachnophobia, written by Trevor Jones; Lily Was Here, written by Dave Stewart
  • The Jimmy Kennedy Award: John Barry
  • Best Selling ‘A’ Side: Sacrifice / Healing Hands, written by Elton John and Bernie Taupin. Also nominated: World in Motion, performed by Englandneworder (New Order), written by Bernard Sumner, Stephen Morris, Gillian Gilbert, Keith Allen and Peter Hook; Killer, written by Adam ‘Adamski’ Tinley and Seal
  • Best Theme from a TV/Radio Commercial: Only You (Fiat Tempra), written by Geoff MacCormack and Simon Goldenberg. Also nominated: Citric Bite (Schweppes Tonic), written by Don Gould and James LowtherNick of Time (Audi), written by Tony Sadler and Gaynor Sadler
  • International Hit of the Year: All Around the World, written by Lisa Stansfield, Ian Devaney and Andrew Morris. Also nominated: Close to You, performed by Maxi Priest, written by Gary Benson, Winston Sela and Maxi Elliott; I’ve Been Thinking About You, performed by Londonbeat, written by George Chandler, Jimmy Chambers, Jimmy Helms and Liam Henshall
  • Special Award for International Achievement: Albert Hammond
  • PRS Most Performed Work: Blue Savannah, performed by Erasure, written by Andy Bell and Vince Clarke. Also nominated: All I Wanna Do Is Make Love to You, performed by Heart, written by Robert John ‘Mutt’ LangeKiller, written by Adam ‘Adamski’ Tinley and Seal
  • Outstanding Services to British Music: Robert Farnon
  • Songwriter of the Year: Phil Collins
  • Outstanding Contribution to British Music: Mick Jagger, Keith Richards, Charlie Watts, Ronnie Wood and Bill Wyman

Ivor Novello Awards 1992

May 1992 saw Grosvenor House in London host the 37th Ivor Novello Awards ceremony.

  • Best Contemporary Song: Crazy, written by Seal. Also nominated: Walking Down Madison, written by Kirsty MacColl and Johnny Marr; Sit Down, written by Timothy Booth, Lawrence Gott, James Glennie and Gavan Whelan
  • Best Song Musically and Lyrically: The Whole of the Moon, performed by The Waterboys, written by Mike Scott. Also nominated: The Show Must Go On, performed by Queen, written by Freddie Mercury, Brian May, Roger Taylor and John Deacon; Stars, performed by Simply Red, written by Mick Hucknall
  • Best Theme from a TV/Radio Production: The Darling Buds of May, written by Philip Burley and Barrie Guard. Also nominated: Clarissa, written by Colin Towns; A Question of Attribution, written by Gerald Gouriet
  • Best Theme from a TV/Radio Commercial: Driven By You (Ford Motor Company), written by Brian May. Also nominated: Eagle Star – Reflections (Eagle Star Insurance), written by RAF Ravenscroft and Kevin Dillon-LambExcaliber (Carling Black Label), written by Rachel Portman
  • The Jimmy Kennedy Award: Tony Hatch and Jackie Trent
  • Best Selling ‘A’ Side: Bohemian Rhapsody / These are the Days of Our Lives, performed by Queen, written by Freddie Mercury, Brian May, Roger Taylor and John Deacon. Also nominated: Any Dream Will Do, performed by Jason Donovan, written by Andrew Lloyd Webber and Tim Rice; I’m Too Sexy, performed by Right Said Fred, written by Fred Fairbrass, Rob Manzoli and Richard Fairbrass
  • Best Film Theme or Song: Under Suspicion, written by Christopher Gunning. Also nominated: Dances with Wolves, written by John Barry; The One and Only, written by Nik Kershaw
  • International Hit of the Year: Crazy, written by Seal. Also nominated: Unbelievable; 3 AM Eternal, performed by The KLF, written by Bill Drummond, Jimmy Cauty and Ricky Lyte
  • Award in Recognition of the Exceptional Success of a Single Song: Everything I Do (I Do It For You), written by: Bryan Adams, Michael Kamen and Robert John ‘Mutt’ Lange
  • Best British Musical: Joseph and the Amazing Technicolor Dreamcoat, written by: Andrew Lloyd Webber and Tim Rice
  • PRS Most Performed Work: I’m Too Sexy. Also nominated: The One and Only, performed by Curtis Stigers, written by Nik Kershaw; Any Dream Will Do, written by Andrew Lloyd Webber and Tim Rice
  • Outstanding Contribution to British Music: David Gilmour, Nick Mason, Roger Waters and Richard Wright
  • Songwriter of the Year: Mick Hucknall
  • Special Award for International Achievement: Bernie Taupin
  • Lifetime Achievement Award: Eric Clapton

Ivor Novello Awards 1993

26th May 1993 saw Grosvenor House in London host the Ivor Novello Awards.

  • Best Contemporary Song: Would I Lie to You, performed by Charles and Eddie, written by Peter Vale and Mick Leeson. Also nominated: Stay, performed by Shakespears Sister, written by Marcella Detroit, Siobhan Fahey and Dave Stewart; Friday I’m In Love, performed by The Cure, written by Robert Smith, Simon Gallup, Porl Thompson, Boris Williams and Perry Bamonte
  • Best Song Musically and Lyrically: Why, written by Annie Lennox. Also nominated: The Disappointed, performed by XTC, written by Andy Partridge; Tears in Heaven, written by Eric Clapton and Will Jennings
  • Best Theme from a TV / Radio Production: Civvies, composed by Michael Storey. Also nominated: Blackheath Poisonings, written by Colin Towns; Kyrie Eleison, written by Christopher Gunning
  • Best Film Theme or Song: Tears in Heaven, written by Eric Clapton and Will Jennings. Also nominated: Final Analysis, written by George Fenton; Chaplin, written by John Barry
  • Songwriters of the Year: Colin Angus and Richard West
  • PRS Most Performed Work: Deeply Dippy, performed by Right Said Fred, written by Fred Fairbrass, Rob Manzoli and Richard Fairbrass. Also nominated: Would I Lie to You; Stay
  • Best Selling Song: Would I Lie to You. Also nominated: Goodnight Girl, performed by Wet Wet Wet, written by Marti Pellow, Neil Mitchell, Tom Cunningham and Graeme Clark; Ain’t No Doubt, written by Jimmy Nail, Danny Schogger, Charlie Dore and Guy Pratt; Stay
  • International Hit of the Year: Would I Lie to You. Also nominated: Stay; Tears in Heaven; Why
  • The Jimmy Kennedy Award: Les Reed
  • Outstanding Contemporary Song Collection: Marcella Detroit, Siobhan Fahey and Dave Stewart
  • Outstanding Contribution to British Music: Bernie Calvert, Allan Clarke, Bobby Elliott, Tony Hicks, Graham Nash and Terry Sylvester
  • Lifetime Achievement Award: George Shearing
  • Special Award for International Achievement: Rod Temperton

Ivor Novello Awards 1994

The 1994 ceremony took place at Grosvenor House on 25th May.

  • Best Contemporary Song: Pray, performed by Take That, written by Gary Barlow. Also nominated: Moving On Up, performed by M People, written by Paul Heard and Mike Pickering; Arranged Marriage, performed by Apache Indian, written by Stephen Kapur, Simon Duggal and Diamond Duggal
  • Best Song Musically and Lyrically: If I Ever Lose My Faith in You, written by Sting. Also nominated: Ordinary World, performed by Duran Duran, written by Simon Le Bon, Nick Rhodes, John Taylor and Warren Cuccurullo; I Don’t Wanna Fight, performed by Tina Turner, written by Steve Duberry, Billy Lawrie and Lulu
  • Best Theme from a TV/Radio Production: Stalag Luft, written by Stanley Myers. Also nominated: Harnessing Peacocks, written by Richard Holmes; Unnatural Causes, written by Richard Harvey
  • Best Film Theme or Song: The Piano, written by Michael Nyman. Also nominated: Into the West, written by Patrick Doyle; Indochine, written by Patrick Doyle
  • The PRS Most Performed Work: Ordinary World. Also nominated: Little Bird, written by Annie Lennox; Tears in Heaven
  • Best Selling Song: Mr Blobby, written by David Rogers and Paul Shaw. Also nominated: Dreams, written by Timothy Laws and Gabrielle; Babe, performed by Take That, written by Gary Barlow
  • The International Hit of the Year: Living on My Own, written by Freddie Mercury. Also nominated: I Feel You, performed by Depeche Mode, written by Martin Gore; Ordinary World, written by Simon Le Bon, Nick Rhodes, John Taylor and Warren Cuccurullo
  • The Outstanding Contemporary Song Collection: Paul Weller
  • The Jimmy Kennedy Award: Roger Cook and Roger Greenaway
  • Lifetime Achievement Award: Ron Goodwin
  • Outstanding Contribution to British Music: Tim Rice
  • Special Award for International Achievement: Bono, Adam Clayton, Larry Mullen Jnr and The Edge
  • Outstanding Contribution to British Musical Theatre: Andrew Lloyd Webber
  • Songwriter of the Year: Gary Barlow

Ivor Novello Awards 1995

Forty years into its history, the 1995 ceremony took place at Grosvenor House on 23rd May.

  • Outstanding Contribution to British Music: Lonnie Donegan
  • Best Contemporary Song: You Gotta Be, written by Des’ree Weekes and Ashley Ingram. Also nominated: Parklife, performed by Blurwritten by Damon Albarn, Graham Coxon, Alex James and Dave RowntreeZombieperformed by The Cranberrieswritten by Delores O’Riordan
  • Best Song Musically & Lyrically: Think Twice, performed by Celine Dion, written by Andy Hill and Peter Sinfield. Also nominated: Patience of Angels, performed by Eddi Reader, written by Boo Hewerdine; Dear John, written by Mark Nevin and Kirsty McColl
  • Best Theme from a TV/Radio Production: Middlemarch, written by Stanley Myers. Also nominated: Crocodile Shoes, written by Tony McAnaney; Beyond the Clouds, written by George Fenton
  • Best Commissioned Film Score: Shadowlands, written by George Fenton. Also nominated: Deadly Advice, written by Richard HarveyThe Joy Luck Club, written by Rachel Portman
  • Best Song Included in a Film: Circle of Life, written by Elton John and Tim Rice. Also nominated: Love is All Around, performed by Wet Wet Wet, written by Reg Presley; In the Name of Our Father, performed by U2, written by Bono, Gavin Friday and Maurice Roycroft
  • The Radio 1 Award for Continuing Innovation in Music: Brian Eno
  • The Best Selling Song: Love is All Around. Also nominated: Baby Come Back, performed by Pato Banton, written by Eddy GrantStay Another Day, performed by East 17, written by Tony Mortimer, Dominic Hawken and Robert Kean
  • International Hit of the Year: Love is All Around. Also nominated: 7 Seconds, written by Cameron McVey, Jonathan Peter Sharp, Youssou N’Dour and Neneh Cherry; Baby I Love Your Way, performed by Big Mountain, written by Peter Frampton; Without You, performed by Mariah Carey, written by Pete Ham and Tom Evans
  • The PRS Most Performed Work: Love is All Around. Also nominated: Stay Another DayBaby Come Back
  • The Jimmy Kennedy Award: Don Black
  • Lifetime Achievement Award: Van Morrison
  • The Outstanding Contemporary Song Collection: Elvis Costello
  • Songwriter of the Year: Tony Mortimer

Ivor Novello Awards 1996

Grosvenor House in London hosted the Ivor Novello Awards on 30th May 1996.

  • The PRS Most Performed Work: Back for Good, performed by Take That, written by Gary Barlow. Also nominated: No More I Love Yous, performed by Annie Lennox, written by David Freeman and Joseph Hughes; A Girl Like You, written by Edwyn Collins
  • The Best Selling Song: Back for Good. Also nominated: Fairground, performed by Simply Red, written by Mick Hucknall; Missing, performed by Everything But The Girl, written by Tracey Thorn and Ben Watt
  • International Hit of the Year: Kiss from a Rose, written by Seal. Also nominated: Back for Good; No More I Love Yous
  • Best Contemporary Song: Alright, performed by Supergrass, written by Danny Goffrey, Gaz Coombes and Michael Quinn. Also nominated: Wonderwall, performed by Oasis, written by Noel Gallagher; A Girl Like You, written by Edwyn Collins
  • Best Song Musically and Lyrically: Common People, performed by Pulp, written by Jarvis Cocker, Nick Banks, Candida Doyle, Steve Mackey and Russell Senior. Also nominated: No More I Love Yous; Back for Good
  • Best Commissioned Film Score: Don Juan De Marco, composed by Michael Kamen. Also nominated: Pin for the Butterfly, composed by Ilona SekaczNostradamus, composed by Barrington Pheloung
  • Best Commissioned Score from a TV/Radio Production: The Hanging Gale, written by Shaun Davey. Also nominated: Pride & Prejudice, written by Carl Davis; Yugoslavia, written by Debbie Wiseman
  • Best Song Included in a Film or Television Programme: Have You Ever Really Loved a Woman, composed by Robert John ‘Mutt’ Lange, Michael Kamen and Bryan Adams. Also nominated: Kiss from a Rose, composed by SealGoldeneye, performed by Tina Turner, composed by Bono and The Edge
  • The Jimmy Kennedy Award: Tony Macaulay
  • Outstanding Contribution to British Musical Theatre: Cameron Mackintosh
  • An Outstanding Contemporary Song Collection: Joan Armatrading
  • Songwriters of the Year: Blur (Damon Albarn, Graham Coxon, Alex James, Dave Rowntree) and Noel Gallagher (presented jointly)
  • PRS Outstanding Contribution to British Music: Small Faces (Kenney Jones, Ronnie Lane, Steve Marriott and Ian McLagan)
  • Outstanding Services to British Music: Jeff Lynne

Ivor Novello Awards 1997

London’s Grosvenor House hosted the 1997 ceremony on 19th May.

  • PRS Award for Most Performed Work of 1996: Fast Love, written by George Michael. Also nominated: Give Me a Little More Time, written by Gabrielle, Benjamin Wolff, Andrew Dean, Ben BarsonDon’t Look Back in Anger, performed by Oasis, written by Noel Gallagher
  • Best Commissioned Film Score: 101 Dalmatians, composed by Michael Kamen. Also nominated: Independence Day, composed by David ArnoldTwelfth Night, composed by Shaun Davey
  • Best Selling British Written Single in the UK: Hetty Wainthropp Investigates, composed by Nigel Hess. Also nominated: Wannabe, performed by Spice Girls, written by Victoria Adams, Melanie Brown, Emma Bunton, Melanie Chisholm, Geri Halliwell, Matt Rowe and Richard Stannard
  • Best Music Commissioned for a Broadcast Production: Cold Lazurus, composed by Christopher GunningRhodes, composed by Alan Parker
  • Best Contemporary Song: A Design for Life, performed by Manic Street Preachers, written by James Dean Bradfield, Sean Moore and Nicky Wire. Also nominated: Lifted, performed by Lighthouse Family, written by Paul Tucker, Martin Brammer and Tunde BaiyewuFirestarter, performed by The Prodigy, written by Liam Howlett and Keith Flint
  • Outstanding Song Collection: Richard Thompson
  • Best Song Musically and Lyrically: Too Much Love Will Kill You, performed by Queen, written by Brian May, Frank Musker and Elizabeth Lamers. Also nominated: I Am I Feel, performed by Alisha’s Attic, written by Terence Martin, Karen Poole and Michelle PooleNeighbourhood, performed by Space, written by Thomas Scott, Andrew Parle, James Edwards and Francis Griffiths
  • International Achievement: The Cranberries (Noel Hogan and Dolores O’Riordan)
  • The Jimmy Kennedy Award: Mike Chapman and Nicky Chinn
  • International Hit of the Year: Wannabe
  • Songwriter of the Year: George Michael
  • PRS Outstanding Contribution to British Music Award: Elvis Costello
  • Lifetime Achievement: Led Zeppelin (John Bonham, John Paul Jones, Jimmy Page and Robert Plant)

Ivor Novello Awards 1998

The 1998 Ivor Novello ceremony took place on 28th May 1998 at Grosvenor House, London.

  • PRS Most Performed Work: I’ll Be Missing You (Every Breath You Take), performed by Puff Daddy, written by Sting. Also nominated: Say What you Want, performed by Texas, written by Sharleen Spiteri and Johnny McElhoneBlack Eyed Boy, performed by Texas, written by Sharleen Spiteri, Johnny McElhone, Edward Campbell, Richard Hynd and Robert Hodgens
  • Best Original Film Score: William Shakespeare’s Romeo + Juliet, composed by Craig Armstrong, Marius De Vries and Nellee Hooper. Also nominated: Tomorrow Never Dies, composed by David ArnoldWilde, composed by Debbie Wiseman
  • Best Selling UK Single: Candle in the Wind 1997, written by Elton John and Bernie Taupin. Also nominated: Teletubbies Say Eh-Oh!, written by Andrew McCrorie-Shand; I’ll Be Missing You (Every Breath You Take)
  • Best Original Music For A Broadcast: Rebecca, composed by Christopher Gunning. Also nominated: Melissa, composed by Richard Harvey and Steve BakerCrime Traveller, composed by Anne Dudley
  • Best Contemporary Song: Karma Police, written by Thom Yorke, Jonny Greenwood, Phil Selway, Colin Greenwood and Ed O’Brien. Also nominated: Smile, written by James McColl, Ken McAlpine and Alan TilstonThe Drugs Don’t Work, written by Richard Ashcroft
  • Best Song Collection: Johnny McElhone and Sharleen Spiteri
  • Best Original Song for a Film or Broadcast: Picture of You, written by Paul Wilson, Andy Watkins, Ronan Keating and Eliot Kennedy. Also nominated: Step By Step, written by Annie LennoxSurrender, written by David Arnold, David McAlmont and Don Black
  • Best Song Musically and Lyrically: Paranoid Android, performed by Radiohead, written by Thom Yorke, Jonny Greenwood, Phil Selway, Colin Greenwood and Ed O’Brien. Also nominated: Brimful of Asha, written by Tjinder Singh; Angels, written by Robbie Williams and Guy Chambers
  • International Achievement: Enya, Nicky Ryan and Roma Ryan
  • Best Dance Music: You’re Not Alone, performed by Olive, written by Tim Kellett and Robin Taylor-Firth. Also nominated: Gunman, performed by 187 Lockdown, written by Julian Jonah and Danny HarrisonSunchyme, performed by Dario G, written by Gilbert Gabriel, Nick Laird Clowes, Stephen Spencer, Paul Spencer and Scott Rosser
  • PRS Outstanding Contribution to British Music: Morrissey
  • International Hit of the Year: Candle in the Wind 1997. Also nominated: I’ll Be Missing You (Every Breath You Take); Spice Up Your Life, performed by Spice Girls, written by Richard Stannard, Matt Rowe, Melanie Brown, Victoria Adams, Geri Halliwell, Emma Bunton and Melanie Chisholm
  • Songwriter of the Year: Richard Ashcroft
  • The Jimmy Kennedy Award: Barry Mason

Ivor Novello Awards 1999

The 1999 Ivor Novello Awards were presented on 27th May 1999 at Grosvenor House, London.

  • PRS Most Performed Work: Angels, written by Robbie Williams and Guy Chambers. Also nominated: High, performed by Lighthouse Family, written by Paul Tucker and Tunde BaiyewuNever Ever, performed by All Saints, written by Shaznay Lewis, Sean Mather and Esmail Jazayeri
  • Best Selling UK Single: Believe, performed by Cher, written by Brian Higgins, Steve Torch, Paul Barry, Stuart McLennan, Tim Powell and Matt Gray. Also nominated: No Matter What, performed by Boyzone, written by Andrew Lloyd Webber and Jim SteinmanC’est La Vie, performed by B*Witched, written by Tracy Ackerman, Ray Hedges, Martin Brannigan, Edele Lynch, Keavy Lynch, Lindsay Armaou and Sinéad O’Carroll
  • Best Original Film Score: Firelight, composed by Christopher Gunning. Also nominated: Dancing at Lughnasa, composed by Bill WhelanEver After, composed by George Fenton
  • Best Contemporary Song: Here’s Where the Story Ends, performed by Tin Tin Out, written by Harriet Wheeler and David Gavurin. Also nominated: Road Rage, performed by Catatonia, written by Mark Roberts, Cerys Matthews, David Jones, Aled Richards and Owen PowellWhat Can I Do, performed by The Corrs, written by Andrea Corr, Caroline Corr, Sharon Corr and James Corr
  • Best Original Music for a Television / Radio Broadcast: Close Relations, composed by Rob Lane. Also nominated: Life of Birds, composed by Steven Faux and Ian ButcherSelfridges: The Shop, composed by Barrie Bignold
  • Best Song Commissioned for a Film or Broadcast: The Flame Still Burns, written by Chris Difford, Marti Frederiksen and Mick Jones. Also nominated: Why Won’t You Shag Me, written by Owen Vyse and Guy PrattKipper, written by Robert Heatlie
  • Best Song Musically and Lyrically: Believe. Also nominated: C’est La Vie; A Little Soul, performed by Pulp, written by Jarvis Cocker, Nick Banks, Candida Doyle, Steve Mackey and Mark Webber
  • Outstanding Song Collection: Jamiroquai (Wallis Buchanan, Simon Katz, Jay Kay, Derrick McKenzie, Toby Smith and Stuart Zender)
  • The Ivors Dance Award: Horny, written by Mousse T and Errol Rennalls. Also nominated: Sing It Back, performed by Moloko, written by Mark Brydon and Róisín Murphy; I Can’t Help Myself, performed by Lucid, written by Mark Hadfield and Adam Ryan Carter
  • International Achievement: Martin Gore
  • The Jimmy Kennedy Award: Peter Callander and Mitch Murray
  • International Hit of the Year: Believe, written by Brian Higgins, Stuart McLennan, Paul Barry, Steve Torch, Matt Gray and Tim Powell. Also nominated: Life, written by Des’ree Weekes and Prince Sampson; No Matter What, written by Andrew Lloyd Webber and Jim Steinman
  • PRS Outstanding Contribution to British Music: Chrissie Hynde
  • The Special International Award: Hal David
  • Songwriters of the Year: Guy Chambers and Robbie Williams
  • Lifetime Achievement: Rod Stewart

Further Reading

NME Award Winners 1994-2018 (Part One)

The final step we need to take with the NME Awards is to summarise all the winners in one single, easy-to-digest place. So, continuing with the part one of two-part NME Poll Winners 1952-1992, let’s do that!

Best and Worst Single, Video and Album Categories

Here are all the winners for specific singles, videos, albums, films, and books!

Best Single / Track

  • 1994 – Radiohead – Creep
  • 1995 – Oasis – Live Forever (Best Single), Blur – Girls and Boys (NME Single of the Year)
  • 1996 – Oasis – Wonderwall (Best Single), Black Grape – Reverend Black Grape (NME Single of the Year)
  • 1997 – Manic Street Preachers – A Design for Life (Best Single), Underworld – Born Slippy (NME Single of the Year)
  • 1998 – The Verve – Bittersweet Symphony
  • 1999 – Manic Street Preachers – If You Tolerate This Your Children Will Be Next
  • 2000 – Blur – Tender (Best Single), Aphex Twin – Windowlicker (NME Single of the Year)
  • 2001 – Coldplay – Yellow
  • 2002 – Ash – Burn Baby Burn
  • 2003 – The Vines – Get Free (Best Single), Doves – There Goes the Fear (NME Single of the Year)
  • 2004 – The White Stripes – Seven Nation Army
  • 2005 – Franz Ferdinand – Take Me Out
  • 2006 – Arctic Monkeys – I Bet You Look Good on the Dancefloor
  • 2007 – The View – Wasted Little DJs
  • 2008 – Arctic Monkeys – Fluorescent Adolescent
  • 2009 – MGMT – Time to Pretend
  • 2010 – The Big Pink – Dominos
  • 2011 – Foals – Spanish Sahara
  • 2012 – Florence + the Machine – Shake it Out
  • 2013 – Foals – Inhaler
  • 2014 – Disclosure – White Noise
  • 2015 – Jamie T – Zombie
  • 2016 – Wolf Alice – Giant Peach
  • 2017 – Christine and the Queens – Tilted
  • 2018 – Charli XCX – Boys

Best Single Ever

  • 2000 – Nirvana – Smells Like Teen Spirit

Best Dance Single / Dancefloor filler / Anthem

  • 1998 – The Prodigy – Smack My Bitch Up
  • 1999 – Fatboy Slim – The Rockafeller Skank
  • 2008 – The Wombats – Let’s Dance to Joy Division
  • 2009 – Dizzee Rascal and Calvin Harris – Dance Wiv Me
  • 2010 – La Roux – In for the Kill (Skream Remix)
  • 2011 – Professor Green – Jungle
  • 2012 – Katy B – Broken Record
  • 2013 – Calvin Harris feat. Florence Welch – Sweet Nothing
  • 2015 – Iggy Azalea feat. Charli XCX – Fancy

Worst Single

  • 1994 – Meat Loaf – I’d Do Anything for Love (But I Won’t Do That)
  • 1995 – Whigfield – Saturday Night
  • 1996 – Robson Green and Jerome Flynn – I Believe
  • 1997 – Spice Girls – Wannabe
  • 1998 – Aqua – Barbie Girl
  • 1999 – Billie Piper – Because We Want To
  • 2000 – The Vengaboys – We’re Going to Ibiza
  • 2003 – Robbie Williams – Feel
  • 2004 – Fast Food Rockers – Fast Food Song

Best Music Video

  • 1995 – Blur – Parklife
  • 1996 – Pulp – Common People
  • 1997 – The Prodigy – Firestarter
  • 1998 – The Verve – Bittersweet Symphony
  • 1999 – Manic Street Preachers – If You Tolerate This Your Children Will Be Next
  • 2000 – Blur – Coffee and TV
  • 2002 – Radiohead – Pyramid Song
  • 2003 – Black Rebel Motorcycle Club – Whatever Happened to My Rock and Roll (Punk Song)
  • 2004 – Radiohead – There There
  • 2005 – Green Day – American Idiot
  • 2006 – Oasis – The Importance of Being Idle
  • 2007 – The Killers – Bones
  • 2008 – Arctic Monkeys – Teddy Picker
  • 2009 – The Last Shadow Puppets – My Mistakes Were Made for You
  • 2010 – Biffy Clyro – The Captain
  • 2011 – My Chemical Romance – Na Na Na (Na Na Na Na Na Na Na Na Na)
  • 2012 – Hurts – Sunday
  • 2013 – Arctic Monkeys – R U Mine?
  • 2014 – Eagulls – Nerve Endings
  • 2015 – Jamie T – Zombie
  • 2016 – Slaves – Cheer Up London
  • 2017 – Slaves – Consume or Be Consumed
  • 2018 – The Big Moon – Sucker

Best Album / LP

  • 1994 – The Boo Radleys – Giant Steps
  • 1995 – Blur – Parklife (Best Album), Oasis – Definitely Maybe (NME Album of the Year)
  • 1996 – Oasis – (What’s the Story) Morning Glory? (Best Album), Tricky – Maxinquaye (NME Album of the Year)
  • 1997 – Manic Street Preachers – Everything Must Go (Best Album), Beck – Odelay (NME Album of the Year)
  • 1998 – Radiohead – OK Computer
  • 1999 – Manic Street Preachers – This is My Truth, Tell Me Yours
  • 2000 – The Flaming Lips – The Soft Bulletin (Best Album and NME Album of the Year)
  • 2001 – Primal Scream – XTRMNTR
  • 2002 – The Strokes – This is It
  • 2003 – Coldplay – A Rush of Blood to the Head (Best Album and NME Album of the Year)
  • 2004 – Radiohead – Hail to the Thief
  • 2005 – Franz Ferdinand – Franz Ferdinand
  • 2006 – Kaiser Chiefs – Employment
  • 2007 – Arctic Monkeys – Whatever People Say I Am, That’s What I’m Not
  • 2008 – Klaxons – Myths of the Near Future
  • 2009 – Kings of Leon – Only by the Night
  • 2010 – Kasabian – West Ryder Pauper Lunatic Asylum
  • 2011 – Arcade Fire – The Suburbs
  • 2012 – The Horrors – Skying
  • 2013 – The Maccabees – Given to the Wild
  • 2014 – Arctic Monkeys – AM
  • 2015 – Kasabian – 48:13
  • 2016 – Foals – What Went Down
  • 2017 – Bastille – Wild World
  • 2018 – J Hus – Common Sense

Best Album Ever

  • 2000 – The Stone Roses – The Stone Roses

Worst Album

  • 2003 – Robbie Williams – Escapology
  • 2005 – Insane Clown Posse – Carnival of Carnage
  • 2006 – James Blunt – Back to Bedlam
  • 2007 – Robbie Williams – Rudebox
  • 2008 – Britney Spears – Blackout
  • 2009 – Jonas Brothers – A Little Bit Longer
  • 2010 – Jonas Brothers – Lines, Vines, and Trying Times
  • 2011 – Justin Bieber – My World
  • 2012 – Justin Bieber – Under the Mistletoe

Best Album Artwork

  • 2004 – Radiohead – Hail to the Thief
  • 2008 – The Good, The Bad & The Queen – The Good, The Bad & The Queen
  • 2009 – Muse – HAARP
  • 2010 – Kasabian – West Ryder Pauper Lunatic Asylum
  • 2011 – Klaxons – Surfing the Void
  • 2012 – Friendly Fires – Pala

Best Reissue

  • 2012 – The Smiths – The Complete Re-issues
  • 2013 – Blur – 21
  • 2014 – The Clash – Sound System
  • 2015 – Manic Street Preachers – The Holy Bible
  • 2016 – David Bowie – Five Years (1969-1973)
  • 2017 – Oasis – Be Here Now
  • 2018 – Radiohead – OK NOT OK

Best DVD / Best Music DVD / Best Music Film

  • 2005 – Oasis – Definitely Maybe
  • 2006 – Various Artists – Live 8
  • 2007 – Arctic Monkeys – Scrummy Man
  • 2008 – Nirvana – MTV Unplugged in New York
  • 2009 – Arctic Monkeys – Live at the Apollo
  • 2010 – The Mighty Boosh Live – Future Sailors Tour
  • 2012 – Foo Fighters – Back and Forth
  • 2013 – The Rolling Stones – Crossfire Hurricane
  • 2014 – The Stone Roses – Made of Stone
  • 2015 – Pulp – A Film About Life, Death and Supermarkets
  • 2016 – Blur – New World Towers
  • 2017 – Oasis – Supersonic
  • 2018 – Lady Gaga – Five Foot Two

Best Mixtape

  • 2018 – Avelino – No Bullshit

Best Book

  • 2011 – John Lydon – Mr. Rotten’s Scrapbook
  • 2012 – Noel Fielding – The Scribblings of a Madcap Shambleton
  • 2013 – Mike Skinner – The Story of the Streets
  • 2014 – Morrissey – Autobiography
  • 2015 – Viv Albertine – Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys
  • 2016 – Patti Smith – M Train
  • 2017 – Johnny Marr – Set the Boy Free
  • 2018 – Wiley – Eskiboy

Media Categories

The group of media awards, for radio, TV, films, and venues.

Best Radio Show

  • 1994 – John Peel (BBC Radio 1)
  • 1996-1997 – The Evening Session (BBC Radio 1)
  • 1998-1999 – Mark and Lard (BBC Radio 1)
  • 2000-2002 – The Evening Session (BBC Radio 1)
  • 2003 – The Evening Session / Lamacq Live (BBC Radio 1)
  • 2005-2008 – Zane Lowe (BBC Radio 1)

Best TV Show

  • 1995 – Knowing Me, Knowing You with Alan Partridge
  • 1996-1998 – Shooting Stars
  • 1999 – South Park
  • 2000 – The Royle Family
  • 2001 – The League of Gentlemen
  • 2002 – The Office
  • 2003 – The Osbournes
  • 2004 – The Office
  • 2005 – Little Britain
  • 2006 – Gonzo
  • 2007-2009 – The Mighty Boosh
  • 2010 – The Inbetweeners
  • 2011 – Skins
  • 2012-2013 – Fresh Meat
  • 2014 – Breaking Bad
  • 2015 – Game of Thrones
  • 2016 – This is England ’90
  • 2017 – Fleabag
  • 2018 – Stranger Things

Worst TV Show

  • 2009 – Big Brother

Best Film

  • 1994 – Reservoir Dogs
  • 1995 – Pulp Fiction
  • 1996 – The Usual Suspects
  • 1997 – Trainspotting
  • 1998 – The Full Monty
  • 1999 – Lock, Stock and Two Smoking Barrels
  • 2000 – The Blair Witch Project
  • 2001 – Gladiator
  • 2002 – Moulin Rouge
  • 2004 – The Lord of the Rings – The Return of the King
  • 2005 – Shaun of the Dead
  • 2006 – Harry Potter and the Goblet of Fire
  • 2007 – Pirates of the Caribbean – Dead Man’s Chest
  • 2008 – Control
  • 2010 – Inglourious Basterds
  • 2011 – Inception
  • 2012 – Submarine
  • 2013 – The Hobbit – An Unexpected Journey
  • 2015 – Northern Soul
  • 2016 – Beasts of No Nation
  • 2017 – My Scientology Movie
  • 2018 – Baby Driver

Best Website

  • 2000 – NME
  • 2003 – NME
  • 2004 – NME
  • 2005 – NME
  • 2006 – NME
  • 2007 – YouTube
  • 2008 – Facebook
  • 2009 – YouTube
  • 2010 – Muse

Best Band Blog / Twitter / Social Media

  • 2008 – The Modern Age (Best Music Blog), Radiohead (Best Band Blog)
  • 2009 – Noel Gallagher / Oasis
  • 2010 – Radiohead
  • 2011 – Hayley Williams
  • 2012 – Lady Gaga
  • 2013 – Alana Haim
  • 2014 – Alana Haim
  • 2015 – Liam Gallagher

People Categories

Continuing the odd and eclectic categories from 1954-1992, the NME Awards still give slightly odd awards out to individuals.

Genius/HERO of the Year

  • 2000 – Ali G
  • 2001 – Liam Gallagher
  • 2003 – Ozzy Osbourne
  • 2004 – Pete Doherty
  • 2005 – John Peel
  • 2006 – Bob Geldof
  • 2007 – Gerard Way
  • 2008 – Pete Doherty
  • 2009 – Barack Obama
  • 2010 – Rage Against the Machine
  • 2011 – Lady Gaga
  • 2012 – Matt Bellamy
  • 2013 – Barack Obama
  • 2014-2015 – Alex Turner
  • 2016 – Dave Grohl
  • 2017 – Beyoncé
  • 2018 – Ariana Grande

Bastard/Git/Arse/Dickhead/Waster/Villain of the Year

  • 1994 – John Major
  • 1996 – Damon Albarn
  • 1997-1999 – Liam Gallagher
  • 2000, 2001, 2003 – Robbie Williams
  • 2004 – George W. Bush, (Villain of the Year), Pete Doherty (Waster of the Year)
  • 2005-2009 – George W. Bush
  • 2010 – Kanye West
  • 2011 – David Cameron
  • 2012 – Justin Bieber
  • 2013-2014 – Harry Styles
  • 2015 – Nigel Farage
  • 2016 – Donald Trump
  • 2017 – Nigel Farage
  • 2018 – Piers Morgan

Best Dressed / Most Stylish

  • 1996 – Jarvis Cocker
  • 2003 – The Hives
  • 2005 – Brandon Flowers
  • 2006 – Ricky Wilson
  • 2007 – Faris Rotter
  • 2008 – Noel Fielding
  • 2009 – Alexa Chung
  • 2010 – Lady Gaga
  • 2011 – Brandon Flowers

Worst Dressed / Least Stylish

  • 1996 – Jarvis Cocker
  • 1997 – Liam Gallagher
  • 2003 – Christina Aguilera
  • 2005 – Jonathan Ross
  • 2006 – Justin Hawkins
  • 2007 – Jonathan Ross
  • 2008-2009 – Amy Winehouse
  • 2010 – Lady Gaga
  • 2011 – Justin Bieber

Best Comedian

  • 1995-1996 – Steve Coogan

Political and Real World Categories

Continuing some of the odder categories from the earlier NME Polls. For clarity, I’ve separated the “live” events from the other “musical” events, although I think the award category was sometimes the same.

Musical Moment / Event of the Year

  • 1996 – Skinner, Baddiel and The Lightning Seeds – Three Lions
  • 2012 – The Stone Roses reunite
  • 2013 – Olympics opening ceremony
  • 2014 – Noel Gallagher and Damon Albarn come together for Teenage Cancer Trust
  • 2015 – Jamie T’s comeback
  • 2016 – The Libertines’ secret Glastonbury set
  • 2017 – Coldplay’s Viola Beach tribute at Glastonbury
  • 2018 – One Love Manchester

Greatest Musical Event Ever

  • 2000 – Woodstock

Non-Musical Event of the Year

  • 1994 – Unity March
  • 1995 – Glastonbury Festival
  • 1996 – French Nuclear Testing

Bummer / Disappointment

  • 1995 – Kurt Cobain’s Suicide
  • 1997 – The Stone Roses breaking up

Hype of the Year

  • 1994 – Jurassic Park

Object of Desire / Most Desirable / Hottest / Sexiest Woman

  • 1994 – Björk (Object of Desire)
  • 1995 – Kylie Minogue (Object of Desire)
  • 1997 – Louise (Most Desirable Human Being)
  • 1998 – Louise (Most Desirable Human Being)
  • 1999 – Natalie Imbruglia (Most Desirable Human Being)
  • 2003 – Avril Lavigne
  • 2004 – Brody Dalle
  • 2005 – Barbara Knox
  • 2006 – Madonna
  • 2007 – Kate Moss
  • 2008 – Kylie Minogue
  • 2009 – Hayley Williams
  • 2010 – Karen O
  • 2011 – Alison Mosshart
  • 2012 – Hayley Williams
  • 2013 – Amy Lee

Most Desirable / Hottest / Sexiest Man

  • 1996 – Liam Gallagher (Most Desirable Human Being)
  • 2003 – Chris Martin
  • 2004 – Har Mar Superstar
  • 2005 – Brandon Flowers
  • 2006 – Pete Doherty
  • 2007 – Matt Bellamy
  • 2008 – Noel Fielding
  • 2009-2011 – Matt Bellamy
  • 2012 – Jared Leto
  • 2013 – Matt Bellamy

Best Haircut

  • 2003 – Liam Gallagher
  • 2004 – Caleb Followill

Worst Haircut

  • 2003 – Jack Osbourne

Join us again next week, when we’ll finish this list off!

NME Awards – The 1990s

In 1994, the NME Awards suddenly went public, relaunching for the first time in twenty years as an annual awards ceremony, The NME Brat Awards. I’d always thought as the NME of the 1990s as being rather closed-minded, but they do seem to have been remarkably aware of non-indie forms of music, presenting awards to the likes of Tricky and Goldie towards the end of the decade.

NME Brat Awards 1994

After taking a break in 1993, the NME Poll finally reinvented itself as an actual awards ceremony in early 1994. Presenters: Vic Reeves and Bob Mortimer.

  • Best New Band: Elastica
  • Best Single: Radiohead, for Creep
  • Best Band: Suede
  • Best Album: The Boo Radleys, for Giant Steps
  • Best Dance Act: Orbital
  • Godlike Genius Award: John Peel
  • Live Event: Megadog
  • Rap Act: Cypress Hill
  • Best Film: Reservoir Dogs
  • Worst Record: Meat Loaf, for I’d Do Anything for Love (But I Won’t Do That)
  • Best Venue: The Forum
  • Event of 1993: Unity March
  • Best Radio Show: John Peel
  • Hype: Jurassic Park
  • Best Solo Artist: Björk
  • Best New Act: Credit to the Nation
  • Bastard: John Major
  • Object of Desire: Björk

NME Awards 1995

Presenters: Tip Top TV

  • Best LP: Blur, for Parklife
  • Best Single: Oasis, for Live Forever
  • Best New Band: Oasis
  • Best Solo Artist: Paul Weller
  • Worst Record: Whigfield, for Saturday Night
  • Film of the Year: Pulp Fiction
  • Best TV Show: Knowing Me Knowing You with Alan Partridge
  • Best Comedian: Steve Coogan
  • Most Desirable Human Being: Kylie Minogue
  • Best Club/Venue: Brixton Academy
  • NME Album of the Year: Oasis, for Definitely Maybe
  • NME Singles of the Year: Blur, for Girls and Boys
  • Philip Hall/On Award for Best New Act: Gene
  • Godlike Genius Award for Services to Music: Alan McGee, Creation Records
  • Live Act of the Year: Blur
  • Best Rap Artist: Warren G
  • Event of the Year: Glastonbury Festival
  • Bummer of the Year: Kurt Cobain‘s Suicide
  • Best Video: Blur, for Parklife
  • Best Band: Blur
  • Best Live Event: Orbital at Glastonbury

NME Awards 1996

Presenters: Vic Reeves and Bob Mortimer

  • Best Live Act: Oasis
  • Best Band: Oasis
  • Best LP: Oasis, for (What’s the Story) Morning Glory?
  • Best Single: Oasis, for Wonderwall
  • Vibes Award for Best Dance Act: Goldie
  • Best Dance Act: The Prodigy
  • Best Solo Artist: Paul Weller
  • The Special Award for Services Beyond the Call of Duty: Tony Crean for organising the War Child LP
  • Album of the Year: Tricky, for Maxinquaye
  • Single of the Year: Black Grape, for Reverend Black Grape
  • Worst Record: Robson Green and Jerome Flynn, for I Believe
  • Godlike Genius Award: Michael Eavis
  • Best Musical Event: Glastonbury Festival
  • Non-Musical Event: French Nuclear Testing
  • Best Dressed Person: Jarvis Cocker
  • Worst Dressed Person: Jarvis Cocker
  • Best Video: Pulp, for Common People
  • Live Act of the Year: Pulp
  • Best TV Programme: Shooting Stars
  • Best New Band: Supergrass
  • The Philip Hall Radar Award: Rocket from the Crypt
  • Best Radio Show: Radio 1’s Evening Session
  • Best Film: The Usual Suspects
  • Best Comedian: Steve Coogan
  • Most Desirable Human Being: Liam Gallagher
  • Git of the Year: Damon Albarn
  • Best Venue: Brixton Academy

NME Awards 1997

Took place on 28 January 1997.

  • Best LP: Manic Street Preachers, for Everything Must Go
  • Best Single: Manic Street Preachers, for A Design for Life
  • Best Live Act: Manic Street Preachers
  • Musical Moment of the Year: Skinner, Baddiel and The Lightning Seeds , for Three Lions
  • Best LP: Beck, for Odelay
  • Best Single: Underworld, for Born Slippy
  • Worst Single: Spice Girls, for Wannabe
  • Best Solo Artist: Beck
  • Best Radio Show: Radio 1 Evening Session
  • Most Desirable Person: Louise Wener
  • Best Video: The Prodigy, for Firestarter
  • Biggest Disappointment: The Stone Roses breaking up
  • Best Club/Venue: Brixton Academy
  • Best Band: Oasis
  • Worst Dressed Person: Liam Gallagher
  • Worst Band: Oasis
  • Arse of the Year: Liam Gallagher
  • Musical Event of the Year: Oasis at Knebworth
  • Radio 1 Evening Session Of The Year: Suede
  • Best New Band/Artist: Kula Shaker
  • Philip Hall/On Award for Best New Act: Super Furry Animals
  • Best Dance Act: The Prodigy
  • Vibes Award for Best Dance Act: Orbital
  • Best Film: Trainspotting
  • Best TV Show: Shooting Stars

NME Awards 1998

Took place on 27 January 1998. Presenter: Eddie Vedder

  • Best Band: The Verve
  • Best LP: Radiohead, for OK Computer
  • God Like Genius: Mark E. Smith of The Fall
  • Best Single: The Verve, for Bitter Sweet Symphony
  • Best Solo Artist: Beck
  • Worst Single: Aqua, for Barbie Girl
  • Best Film: The Full Monty
  • Musical Event Of 1997: Glastonbury Festival
  • Radio 1 Evening Session of the Year: Radiohead
  • Best TV Show: Shooting Stars
  • Best Dance Act: The Prodigy
  • Best Radio Show: Mark Radcliffe and Lard (Mark Riley)
  • Best New Band: Embrace
  • Best Club/Venue: Brixton Academy
  • Best Music Video: The Verve, for Bittersweet Symphony
  • Best Dance Single: The Prodigy, for Smack My Bitch Up
  • Dickhead Of The Year: Liam Gallagher
  • Most Desirable Person: Louise Nurding (Louise)

NME Premier Awards 1999

  • Best Single: Manic Street Preachers, for If You Tolerate This, Your Children Will Be Next
  • Best Band: Manic Street Preachers
  • Best Music Video: Manic Street Preachers, for If You Tolerate This, Your Children Will Be Next
  • Best Album: Manic Street Preachers, for This Is My Truth Tell Me Yours
  • Best New Band: Gomez
  • Best Radio Show: Mark Radcliffe
  • Best Dance Act: Fatboy Slim
  • Best Dance Record: Fatboy Slim, for The Rockafeller Skank
  • Godlike Genius: Massive Attack
  • Best TV Show: South Park
  • Best Film: Lock, Stock And Two Smoking Barrels
  • Musical Event of the Year: Glastonbury Festival
  • Best Solo Artist: Robbie Williams
  • Most Desirable Person: Natalie Imbruglia
  • Worst Record: Billie Piper, for Because We Want to
  • Dickhead of the Year: Liam Gallagher
  • Best Venue: Brixton Academy
  • The Pop Personality’s Brain That Should Be Kept Alive for Posterity: Nicky Wire
  • The Pop Personality Who Would Make the Best Drugs Czar: Shaun Ryder
  • The Pop Personality You Would To See On A Blind Date: Marilyn Manson and Billie Piper
  • The Pop Personality You Would Most Like as Your Doctor: Natalie Imbruglia
  • The Pop Personality You Would Most Like to Go Shopping with: Brian Molko
  • The Pop Personality You Would Most Like to Cook You a Meal: Tiny Woods
  • The Pop Personality You Would Most Like to Be Marooned on a Desert Island with: Louise
  • The Pop Personality You Would Most Like as Prime Minister: Nicky Wire
  • The Pop Personality That You’d Most Like as Your Driving Instructor: Jay Kay
  • The Pop Personality You Would Most Like to See in a Ring with Mike Tyson: Billie Piper

See also

Edited 12 Jun 2018 – clarified some formatting.

The Updated Top Twenty BRIT Award Artists

It’s really difficult to work out what the most successful BRIT Awards artists of all time are, so this took me several hours, and I’m still not too confident in the results. But anyway, here it is – an updated list of the top twenty artists at the BRIT Awards.

The number of wins and nominations are shown in brackets, and I’ve ranked the people who won them first higher on the list.

  1. Robbie Williams (13-12)
  2. Coldplay (9-17)
  3. Adele (9-3)
  4. Take That (8-10)
  5. U2 (7-19)
  6. Annie Lennox (7-5)
  7. One Direction (7-5)
  8. Prince (7-4)
  9. Arctic Monkeys (7-2)
  10. Oasis (6-12)
  11. David Bowie (6-8)
  12. Michael Jackson (6-2)
  13. Björk (5-5)
  14. Blur (5-12)
  15. Elton John (5-10)
  16. Paul Weller (5-4)
  17. Spice Girls (5-4)
  18. Phil Collins (4-6)
  19. Eminem (4-6)
  20. Ed Sheeran (4-6)

Just for the record, the next few are: R.E.M.Manic Street PreachersFoo FightersEmeli SandéThe BeatlesDidoGeorge MichaelKylie MinoguePet Shop Boys, and Beck.

Yazoo – Upstairs at Eric’s

After his shock departure from Depeche Mode just a matter of months earlier, the young Vince Clarke wasted no time by partnering with the incredible vocalist Alison Moyet to form Yazoo (or Yaz, if you were in the US). Their debut release Upstairs at Eric’s first appeared an incredible thirty-five years ago this week.

It opens with the glorious single Don’t Go. Could anything really be better than this? Where Depeche Mode‘s debut Speak and Spell was naïve and at times a bit silly, this has all the confidence of a group that might have been around for decades. They hadn’t – Clarke and Moyet were still barely in their twenties.

This isn’t a perfect album, by any means – Too Pieces, for example, is nice but doesn’t quite sound fully formed. But at worst, everything on here is pleasant – and a lot of the time, as with Bad Connection, it’s actually pretty good. Taking heavy influence from the soul and Motown tracks of the preceding decade or so, there’s a lot to enjoy about it.

Curiously, the longest track on here is the experimental instrumental I Before E Except After C. Understandably omitted from the early CD versions (it was replaced with a couple of non-album tracks), it’s a bit of an oddity. As a minimum, it does include the famous Alison Moyet laugh that would be sampled by the Spice Girls a decade and a half later. You can appreciate this a lot more if you try to remember just how young sampling technology was at this point.

Midnight is the first of four Moyet-penned tracks, and does show a very different songwriting style. It’s a brilliant combination, actually – maybe Clarke found it difficult initially to work his synthesiser sounds around someone else’s song, but he seems to have taken to it extremely well.

Side A closes with the brilliantly experimental In My Room, which could easily have been a catchy pop song, but is instead haunting and eerie, punctuated by Vince’s sampled vocals and essentially only one or two instrumental sounds at any given time.

Then Side B opens with the fantastic debut single Only You, a song which Clarke had famously offered to Depeche Mode as a leaving present. It goes without saying that this is a fantastic song, far and away the best thing on here, although it’s difficult to imagine what it might have sounded like on A Broken Frame.

Goodbye 70’s is a rather brilliant period piece, in which Moyet tells us she’s tired of fighting in their fashion war. Ironic, to say the least, given the many best-forgotten looks that the 1980s would give us. Great song though.

Tuesday is a fantastic template for modern pop music, but Winter Kills might actually be the best thing on here. There’s so little to it – much of it is just a rippling piano, a single soaring synth line, and a bit of low percussion, of course alongside Moyet’s evocative vocal – but somehow it’s delivered quite beautifully.

The first album closes with Bring Your Love Down (Didn’t I), which might lack the strength of its predecessor, but it’s still pretty catchy. There’s a lot to enjoy on this album, and at its worst it’s at least an interesting listen. A lot may have happened in the thirty-five years that have followed, but it’s still a great debut release.

You can find the 2008 remastered version of Upstairs at Eric’s at all major retailers.