Record Companies – Virgin Records

All of the major labels are big enough that they have, at times at least, been able to boast an impressive range of artists, but few are as interesting as Virgin Records. Formed in 1972 by Richard Branson, Simon Draper, Nik Powell, and Tom Newman, they went on to become one of the most influential labels in the music business.

Famously, Mike Oldfield‘s Tubular Bells was the label’s first release, and in the early 1970s, they became well known for their prog rock releases, also becoming an early home to Tangerine Dream, but then in 1977, hit the mainstream by signing the Sex Pistols. Major releases from Culture Club, The Human League, Simple Minds, XTC, and others followed, making the label a household name throughout the 1980s.

That was essentially it – in 1992, Richard Branson sold Virgin to EMI, and while the list of signed artists continued to grow, including such huge names as The Future Sound of London, the Spice Girls, and Meat Loaf, its heyday as an influential brand really seems to have passed by this time.

You can read more about Virgin Records here:
https://www.virginrecords.com/

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NME Poll Winners 1952-1992 (Part Two)

Finally, having worked through all the other categories, let’s take a look at the artist winners for the NME Polls from 1952 to 1992. As I mentioned last week, it’s hard to trace the winners of a particular category through time, so I’ve taken a few liberties. Essentially anything that seems to be roughly the same category has been treated as the same thing. Also, for the year ranges, there are a few missing years here and there, so for instance 1967-1970 could mean anything between 2 and 3 wins.

Best Newcomer

For thirty-five years, the NME Poll included a newcomer award, variously titled “World’s Most Promising New Name”, “Best New Group”, and various other things. It’s an amazing time capsule of new acts throughout the ages – who would have thought that Cliff Richard and The Stone Roses could appear on the same list?

Best New Artist

  • 1956 – Ronnie Scott
  • 1958 – Cliff Richard
  • 1959 – Craig Douglas
  • 1960 – Emile Ford
  • 1961 – John Leyton
  • 1962 – Frank Ifield
  • 1963 – Gerry Marsden
  • 1964 – Mick Jagger
  • 1965 – Seekers (group) & Donovan (solo)
  • 1966 – Spencer Davis Group (group) & Stevie Winwood (solo)
  • 1967 – Bee Gees (group) & Engelbert Humperdinck (solo)
  • 1968 – Love Affair (group & Mary Hopkins (solo)
  • 1970 – Jethro Tull
  • 1971 – McGuinness Flint (group) & Elton John (solo)
  • 1972 – New Seekers (group) & Rod Stewart (solo)
  • 1973 – Golden Earring (World) & Leo Sayer (British)
  • 1975 – Bad Company
  • 1976 – Eddie and the Hot Rods
  • 1977 – Tom Robinson
  • 1978 – Public Image Ltd.
  • 1979 – The Specials
  • 1980 – UB40
  • 1981 – Altered Images
  • 1983 – The Smiths
  • 1984 – Bronski Beat
  • 1985 – The Jesus and Mary Chain
  • 1986 – The Housemartins
  • 1987 – The Proclaimers
  • 1988 – The House of Love
  • 1989 – The Stone Roses
  • 1990 – The Charlatans
  • 1991 – Kingmaker
  • 1992 – Suede

Technical Categories

A lot of categories seem to have come and gone throughout the history of the awards to celebrate particular types of performer. Here are some of the highlights!

Musician of the Year

  • 1952 – Ronnie Scott
  • 1954 – Eric Delaney
  • 1957 – Eddie Calvert

Best Guitarist

  • 1954 – Bert Weedon
  • 1973 – Eric Clapton
  • 1976 – Jimmy Page
  • 1978 – Mick Jones
  • 1979-1982 – Paul Weller
  • 1983 – The Edge

Best Bassist

  • 1973, 1976 – Paul McCartney
  • 1978 – Jean Jacques Burnel
  • 1979-1982 – Bruce Foxton
  • 1983 – Peter Hook

Best Keyboardist/Electronics

  • 1973, 1976-1977 – Rick Wakeman
  • 1978-1981 – Dave Greenfield
  • 1982 – Vince Clarke
  • 1983 – Steve Nieve

Best Drummer

  • 1973, 1975 – Carl Palmer
  • 1976 – John Bonham
  • 1977 – Paul Cook
  • 1978 – Keith Moon
  • 1979-1982 – Rick Buckler
  • 1983 – Budgie

Best Instrumentalist

  • 1962-1963 – Jet Harris
  • 1973 – Roy Wood
  • 1975-1977 – Mike Oldfield
  • 1981 – Saxa
  • 1982 – The Emerald Express, Violin
  • 1983 – The TKO Horns
  • 1985 – Johnny Marr

Best Producer

  • 1973 – David Bowie
  • 1975 – Eddie Offord

Best Songwriter/Composer

  • 1973 – Elton John / Bernie Taupin
  • 1976 – Bob Dylan
  • 1978 – Elvis Costello
  • 1979-1982 – Paul Weller
  • 1983 – Elvis Costello
  • 1984-1985 – Morrissey / Johnny Marr

Best Solo Artist

Curiously, the solo artist categories were for the longest time broken up into “world”, “British”, and even “US” for a while.

Best Female Singer

  • 1952-1954 – Lita Roza
  • 1957 – Ruby Murray
  • 1958 – Alma Cogan
  • 1959-1961 – Connie Francis
  • 1962-1964 – Brenda Lee
  • 1965-1967 – Dusty Springfield
  • 1968 – Lulu
  • 1970 – Dusty Springfield
  • 1971-1973 – Diana Ross
  • 1975 – Joni Mitchell
  • 1976 – Linda Ronstadt
  • 1977 – Julie Covington
  • 1978 – Debbie Harry
  • 1979 – Kate Bush
  • 1981-1983 – Siouxsie Sioux
  • 1984-1986 – Elizabeth Fraser
  • 1987 – Suzanne Vega

Best British Female Singer

  • 1955, 1957 – Alma Cogan
  • 1959-1960 – Shirley Bassey
  • 1961-1962 – Helen Shapiro
  • 1963 – Kathy Kirby
  • 1964-1966 – Dusty Springfield
  • 1968, 1970 – Lulu
  • 1971-1972 – Cilla Black
  • 1973 – Maggie Bell
  • 1975 – Kiki Dee

Best US Female Singer

  • 1955-1957 – Doris Day
  • 1958 – Connie Francis

Best Male Singer

  • 1952-1954 – Dickie Valentine
  • 1955 – Frank Sinatra
  • 1956 – Dickie Valentine
  • 1958 – Frankie Vaughan
  • 1959-1962 – Elvis Presley
  • 1963 – Cliff Richard
  • 1964-1972 – Elvis Presley
  • 1973 – David Bowie
  • 1975-1976 – Robert Plant
  • 1977-1978 – David Bowie
  • 1979 – Sting
  • 1980 – Paul Weller
  • 1981 – David Bowie
  • 1982 – Paul Weller
  • 1983 – David Bowie
  • 1984 – Bono
  • 1985-1992 – Morrissey

Best British Male Singer

  • 1955, 1957 – Dickie Valentine
  • 1959-1967 – Cliff Richard
  • 1968-1970 – Tom Jones
  • 1971-1972 – Cliff Richard
  • 1973 – David Bowie
  • 1975 – Paul Rodgers

Best US Male Singer

  • 1955-1956 – Frank Sinatra
  • 1957 – Pat Boone
  • 1958 – Elvis Presley

Outstanding Popular Singer

  • 1955 – Frank Sinatra
  • 1957 – Pat Boone
  • 1958 – Elvis Presley

Best Instrumental Personality

  • 1958 – Eddie Calvert
  • 1959-1960 – Russ Conway
  • 1961 – Bert Weedon

Best Musical Personality

  • 1955 – Bill Haley
  • 1956 – Dickie Valentine
  • 1957-1959 – Elvis Presley
  • 1960 – Duane Eddy
  • 1961-1972 – Elvis Presley

Best British Musical Personality

  • 1956 – Dickie Valentine
  • 1957 – Tommy Steele
  • 1958-1959 – Frankie Vaughan
  • 1960 – Lonnie Donegan
  • 1961 – Adam Faith
  • 1962-1963 – Joe Brown
  • 1964 – Cliff Richard
  • 1965 – John Lennon
  • 1966-1972 – Cliff Richard

Genre-Specific Categories

These are just a selection of the categories that relate to a particular genre of music.

Best Soul / Funk Act

  • 1973, 1975 – Stevie Wonder
  • 1984 – Womack & Womack
  • 1985 – Cameo

Best Reggae Act

  • 1984 – Smiley Culture
  • 1985 – UB40

Best R&B / Blues Act

  • 1964-1965 – The Rolling Stones
  • 1966 – Spencer Davis Group
  • 1967-1968 – The Rolling Stones
  • 1970 – Fleetwood Mac

Best Traditional Jazz Act

  • 1961 – Acker Bilk
  • 1962-1963 – Kenny Ball

Best Group

Finally, we reach the categories for best group – of which there are a few.

Best Group

  • 1954 – Stargazers
  • 1955 – Four Aces
  • 1956 – Stargazers
  • 1957 – The Platters
  • 1958-1962 – Everly Brothers
  • 1963-1965 – The Beatles
  • 1966 – The Beach Boys
  • 1967-1970 – The Beatles
  • 1971 – Creedence Clearwater Revival
  • 1972 – T. Rex
  • 1973 – Yes
  • 1975 – Roxy Music
  • 1976 – Led Zeppelin
  • 1977 – Sex Pistols
  • 1978 – The Clash
  • 1979-1982 – The Jam
  • 1983 – New Order
  • 1984-1987 – The Smiths
  • 1988 – The Wedding Present
  • 1989 – The Stone Roses
  • 1990 – Happy Mondays
  • 1991-1992 – R.E.M.

Best British Group

  • 1955 – Stargazers
  • 1957 – King Brothers
  • 1958-1959 – The Mudlarks
  • 1960 – King Brothers
  • 1961-1962 – The Springfields
  • 1963-1971 – The Beatles
  • 1972 – T. Rex
  • 1973 – Yes

Best British Small Band

  • 1952 – Johnny Dankworth Seven
  • 1954 – Ronnie Scott and His Orchestra
  • 1955-1957 – The Kirchins
  • 1958-1959 – Lonnie Donegan
  • 1960-1963 – The Shadows

Best British Large Band or Orchestra

  • 1952-1961 – Ted Heath and His Music
  • 1962-1963 – Joe Loss

Best British Instrumental Unit

  • 1964-1971 – The Shadows
  • 1972 – Collective Consciousness Society

Best Live Act

  • 1973 – Alice Cooper (World) & Genesis (British)
  • 1975 – Genesis
  • 1982 – The Jam
  • 1985 – The Pogues

That’s it for now – we’ll continue our journey through the NME Awards soon.

NME Poll Winners 1952-1992 (Part One)

If you’ve been paying attention, you’ll know that we’ve spent the last few weeks working through the history of the NME Polls, from 1952 to 1992. It’s a long and complicated history, and one that pretty much encapsulates the first forty years of modern popular music in the UK. So as a side-step, it’s worth taking a couple of posts to look at them, award by award.

With such a complex history, it’s hard to trace the winners of a particular category through time, so I’ve taken a few liberties here. Essentially anything that seems to be roughly the same category has been treated as the same thing. Also, for the year ranges, there are a few missing years here and there, so for instance 1967-1970 could mean anything between 2 and 3 wins, but it definitely isn’t 4, as we have no information for the poll results from 1969, or even any meaningful confirmation that the poll took place.

Best and Worst Single, Video and Album Categories

Here are all the winners for specific singles, videos, and albums, including the wonderful “Best Dressed Album” (later “Best Dressed Sleeve”) award.

Best British Disc / Single

  • 1959 – Cliff Richard – Living Doll
  • 1960 – The Shadows – Apache
  • 1961 – John Leyton – Johnny Remember Me
  • 1962 – Frank Ifield – I Remember You
  • 1963 – The Beatles – She Loves You
  • 1964 – The Animals – The House of the Rising Sun
  • 1965 – The Rolling Stones – (I Can’t Get No) Satisfaction
  • 1966 – The Beatles – Eleanor Rigby
  • 1968 – The Beatles – Hey Jude
  • 1971 – Mungo Jerry – In the Summertime
  • 1972 – George Harrison – My Sweet Lord
  • 1973 – Golden Earring – Radar Love (World) & The Who – 5.15 (British)
  • 1975 – Bad Company – Can’t Get Enough
  • 1976 – Thin Lizzy – The Boys are Back in Town
  • 1977 – Sex Pistols – God Save the Queen
  • 1978 – The Clash – (White Man) In Hammersmith Palais
  • 1979 – The Specials – Gangsters
  • 1980 – The Jam – Going Underground
  • 1981 – The Specials – Ghost Town
  • 1982 – The Jam – Town Called Malice
  • 1983 – New Order – Blue Monday
  • 1984 – Frankie Goes to Hollywood – Relax
  • 1985 – The Jesus and Mary Chain – Never Understand
  • 1986 – The Smiths – Panic
  • 1987 – Prince – Sign O The Times
  • 1988 – The House of Love – Destroy the Heart
  • 1989 – The Stone Roses – Fool’s Gold
  • 1990 – The Charlatans – The Only One I Know
  • 1991 – Nirvana – Smells Like Teen Spirit
  • 1992 – Suede – The Drowners

Best Dance Record

  • 1982 – Wham! – Young Guns (Go for It)
  • 1986 – Cameo – Word Up
  • 1987 – M/A/R/R/S – Pump Up the Volume
  • 1989 – Happy Mondays – WFL

Worst Record

  • 1991 – Bryan Adams – Everything I Do (I Do It for You)
  • 1992 – The Shamen – Ebeneezer Goode

Best Music Video

  • 1982 – Madness – House of Fun
  • 1983 – Michael Jackson – Thriller
  • 1984 – Frankie Goes to Hollywood – Two Tribes
  • 1985 – Talking Heads – Road to Nowhere

Best Long Player / Album

  • 1971 – The Beatles – Let it Be
  • 1972 – T. Rex – Electric Warrior & John Lennon – Imagine (tie)
  • 1973 – Pink Floyd – The Dark Side of the Moon
  • 1975 – Rod Stewart – Smiler
  • 1976 – Led Zeppelin – The Song Remains the Same
  • 1977 – Sex Pistols – Never Mind the Bollocks
  • 1978 – The Jam – All Mod Cons
  • 1979 – The Jam – Setting Sons
  • 1980 – The Jam – Sound Affects
  • 1981 – Echo and the Bunnymen – Heaven Up Here
  • 1982 – The Jam – The Gift
  • 1983 – Elvis Costello – Punch the Clock
  • 1984 – Cocteau Twins – Treasure
  • 1985 – The Smiths – Meat is Murder
  • 1986 – The Smiths – The Queen is Dead
  • 1987 – The Smiths – Strangeways Here We Come
  • 1988 – R.E.M. – Green
  • 1989 – The Stone Roses – The Stone Roses
  • 1990 – Happy Mondays – Pills ‘n’ Thrills and Bellyaches
  • 1991 – Primal Scream – Screamadelica
  • 1992 – R.E.M. – Automatic for the People

Best Dressed Album / Sleeve

  • 1973 – Yes – Yessongs
  • 1975 – Yes – Relayer
  • 1976 – Led Zeppelin – The Song Remains the Same
  • 1978 – The Rolling Stones – Some Girls
  • 1980 – The Jam – Sound Affects
  • 1981 – Echo and the Bunnymen – Heaven Up Here
  • 1982 – Siouxsie and the Banshees – A Kiss in the Dreamhouse
  • 1983 – New Order – Power, Corruption and Lies
  • 1984 – Frankie Goes to Hollywood – Welcome to the Pleasuredome
  • 1985 – The Pogues – Rum, Sodomy and the Lash

Media Categories

The group of media awards, for radio, TV, films, and venues, are particularly fascinating, since other award ceremonies rarely have anything like this.

Best Disc Jockey

  • 1955-1957 – Jack Jackson
  • 1958-1959 – Pete Murray
  • 1960-1963 – David Jacobs
  • 1965-1972 – Jimmy Savile
  • 1973 – John Peel
  • 1975 – Noel Edmonds
  • 1976-1980 – John Peel

Best Music Radio Show

  • 1975-1976 – Alan Freeman
  • 1977-1992 – John Peel

Best TV Show

  • 1965-1972 – Top of the Pops
  • 1973-1977 – The Old Grey Whistle Test
  • 1978 – Revolver
  • 1979 – Fawlty Towers
  • 1980 – Not the Nine O’Clock News
  • 1981 – Coronation Street
  • 1982 – The Young Ones
  • 1983-1984 – The Tube
  • 1985 – The Old Grey Whistle Test
  • 1986 – The Singing Detective
  • 1987-1988 – Brookside
  • 1989 – Blackadder
  • 1990-1991 – Vic Reeves’ Big Night Out
  • 1992 – Have I Got News for You

Best Film

  • 1978 – Close Encounters of the Third Kind
  • 1979 – Quadrophenia
  • 1980 – The Elephant Man
  • 1981 – Gregory’s Girl
  • 1982 – E.T. The Extra-Terrestrial
  • 1983 – Merry Christmas, Mr. Lawrence
  • 1984 – Nineteen Eighty-Four
  • 1985 – Letter to Brezhnev
  • 1986 – Mona Lisa
  • 1987 – Angel Heart
  • 1988 – A Fish Called Wanda
  • 1989 – Dead Poets’ Society
  • 1990 – Wild at Heart
  • 1991 – The Silence of the Lambs
  • 1992 – Wayne’s World

Best Club / Venue

  • 1986 – Town and Country Club
  • 1989 – The Haçienda
  • 1990-1992 – Town and Country Club

Best Fashion Item

  • 1989 – Flares
  • 1990-1992 – Dr. Marten Boots

People Categories

In later years, the poll included some odd nominations for people, often outside of the world of music, which provide an interesting window on the past.

Most Wonderful Human Being

  • 1976-1977 – Johnny Rotten
  • 1978 – Sid Vicious
  • 1979 – John Peel
  • 1980-1983 – Paul Weller
  • 1984 – Arthur Scargill
  • 1985 – Bob Geldof
  • 1986-1988 – Morrissey

Klutz/Prat/Creep/Bastard of the Year

  • 1975 – Steve Harley
  • 1977 – Freddie Mercury
  • 1978 – John Travolta
  • 1979 – Gary Numan
  • 1980 – Margaret Thatcher
  • 1981 – Adam Ant
  • 1982-1989 – Margaret Thatcher
  • 1990-1991 – Saddam Hussein
  • 1992 – John Major

Best Dressed Male

  • 1979 – Gary Numan
  • 1980 – Adam Ant
  • 1981 – Michael Foot
  • 1982 – Paul Weller
  • 1983 – David Bowie
  • 1984 – Paul Weller
  • 1985 – Morrissey

Best Dressed Female

  • 1982-1983 – Siouxsie Sioux

Worst Dressed Person

  • 1985 – Bob Geldof

Most missed Dead Person

  • 1976 – Jimi Hendrix
  • 1981 – John Lennon

Political and Real World Categories

These are some of the oddest categories – I’m honestly not sure what the “Hype of the Year” category was all about, but it is interesting to see just what was catching people’s eyes at the time.

Event of the Year

  • 1977 – Death of Elvis Presley
  • 1980 – Death of John Lennon
  • 1982 – The Jam Split
  • 1986 – 1986 FIFA World Cup
  • 1987 – Nuclear Agreement
  • 1988 – Nelson Mandela’s Birthday Bash
  • 1989 – Revolution in Eastern Europe
  • 1990 – Margaret Thatcher’s Resignation
  • 1991 – The release of the hostages
  • 1992 – Bill Clinton winning the US election

Pin-Up/Sex SYmbol/Object of Desire

  • 1978 – Debbie Harry
  • 1986 – Joanne Whalley
  • 1988-1989 – Wendy James
  • 1990 – Betty Boo
  • 1991-1992 – Toni Halliday

Bad News of the Year

  • 1987 – Another Conservative Victory at the General Election
  • 1988 – US Election Result

Hype of the Year

  • 1985 – The Jesus and Mary Chain
  • 1989 – Batman
  • 1990 – Teenage Mutant Ninja Turtles
  • 1992 – Madonna – Sex

That concludes part one of the summary of NME Poll Winners. Next week, we’ll look at the artist categories.

NME Poll Winners – The 1970s

In 1972, NME celebrated its twentieth birthday, with the same anniversary of its poll winners awards ceremony the following year. Their readership seems to have been fascinatingly obsessed with Cliff Richard and Elvis Presley during the first half of the decade, and then in 1976 seem to have been very dismissive of the early Sex Pistols, before falling very deeply in love with them the following year.

1970

The NME website (and consequently Wikipedia, which definitely doesn’t include material copied from other websites) includes the 1971 results here by mistake, so I’ve tried to transcribe what I can read on the article scan. Apologies for the omissions:

  • British Male Singer: Tom Jones
  • World Vocal Group: The Beatles
  • British Vocal Group: The Beatles
  • World Musical Personality: Elvis Presley
  • World Female Singer: Dusty Springfield
  • British Female Singer: Lulu
  • Best TV/Radio Show: Top of the Pops, followed in second place by Top Gear
  • Top Disc Jockey: Jimmy Savile
  • Best Instrumental Unit: [illegible]
  • British Vocal Personality: Cliff Richard
  • Best New Group: Jethro Tull
  • World Male Singer: Elvis Presley
  • New Disc Singer: [illegible]
  • British Blues Group: Fleetwood Mac

Due to the public’s obsession with Elvis and Cliff not entirely matching the contents of the magazine, this was the last of the live shows until 1994.

1971

There was no ceremony show from 1971 onwards, but there was still a poll, with the following winners:

  • World Male Singer: Elvis Presley
  • World Female Singer: Diana Ross
  • World Musical Personality: Elvis Presley
  • World Vocal Group: Creedence Clearwater Revival
  • British Male Singer: Cliff Richard
  • British Female Singer: Cilla Black
  • Best British Single: Mungo Jerry, for In the Summertime
  • Best TV/Radio Show: Top of the Pops
  • British Vocal Personality: Cliff Richard
  • New Disc Singer: Elton John
  • Best New Group: McGuinness Flint
  • Top British Group: The Beatles
  • British Instrumental Unit: The Shadows
  • Top Disc Jockey: Jimmy Savile
  • Best British LP: The Beatles, for Let It Be

1972

  • World Male Singer: Elvis Presley
  • World Female Singer: Diana Ross
  • World Musical Personality: Elvis Presley
  • World Vocal Group: T. Rex
  • British Male Singer: Cliff Richard
  • British Female Singer: Cilla Black
  • British Vocal Group: T. Rex
  • British Vocal Personality: Cliff Richard
  • British New Group: New Seekers
  • British Instrumental Unit: Collective Consciousness Society
  • TV or Radio Show: Top of the Pops
  • Disc Jockey: Jimmy Savile
  • New Disc Singer: Rod Stewart
  • Best 1971 Single Disc: George Harrison, for My Sweet Lord
  • Best 1971 Album: tied between T. Rex, for Electric Warrior and John Lennon, for Imagine

1973

  • British Male Singer: David Bowie
  • British Female Singer: Maggie Bell
  • British Group: Yes
  • British Stage Band: Genesis
  • Most Promising New Name (British): Leo Sayer
  • Disc Jockey: John Peel
  • TV Show: Old Grey Whistle Test
  • British Single: The Who, for 5.15
  • British Album: Pink Floyd, for The Dark Side of the Moon
  • Best Guitarist: Eric Clapton
  • Best Keyboardist: Rick Wakeman
  • Best Bass Guitarist: Paul McCartney
  • Best Drummer: Carl Palmer
  • Best Producer: David Bowie
  • Best Instrumentalist: Roy Wood
  • Best Songwriters: Elton John / Bernie Taupin
  • Best Soul Act: Stevie Wonder
  • Best Dressed Album: Yes, for Yessongs
  • World Singer: David Bowie
  • World Female Singer: Diana Ross
  • World Group: Yes
  • World Stage Band: Alice Cooper
  • World Album: Pink Floyd, for The Dark Side of the Moon
  • World Single: Golden Earring, for Radar Love
  • World’s Most Promising New Name: Golden Earring

1974

Again, the NME website and Wikipedia have repeated the 1973 results here by mistake, but this time unfortunately there is no alternative source for the results.

1975

  • British Male Singer: Paul Rodgers
  • British Female Singer: Kiki Dee
  • British Group: Roxy Music
  • British Stage Band: Genesis
  • British Disc Jockey: Noel Edmonds
  • British Music TV Show: The Old Grey Whistle Test
  • Most Promising New Name: Bad Company
  • Music Radio Show: Alan Freeman Show
  • World Male Singer: Robert Plant
  • World Female Singer: Joni Mitchell
  • Drummer: Carl Palmer
  • Misc. Instrument: Mike Oldfield
  • Producer: Eddie Offord
  • Album: Rod Stewart, for Smiler
  • Single: Bad Company, for Can’t Get Enough
  • Best Dressed LP: Yes, for Relayer
  • Soul Act: Stevie Wonder
  • Klutz of the Year: Steve Harley

1976

  • Best Group: Led Zeppelin
  • Best Female Singer: Linda Ronstadt
  • Turkey of the Year: Sex Pistols, with Johnny Rotten in second place, and “punk rock” in third
  • Best Male Singer: Robert Plant
  • Most Promising Emergent Act: Eddie and the Hot Rods
  • Best Keyboardist: Rick Wakeman
  • Best Drummer: John Bonham
  • Best Songwriter/Composer: Bob Dylan
  • Best Television Show: The Old Grey Whistle Test
  • Best Disc Jockey: John Peel
  • Most Missed Dead Act: Jimi Hendrix
  • Best Guitarist: Jimmy Page
  • Best Single: Thin Lizzy, for The Boys Are Back In Town
  • Best Album: Led Zeppelin, for The Song Remains The Same
  • Most Wonderful Human Being: Johnny Rotten
  • Best Miscellaneous Instrumentalist: Mike Oldfield
  • Best Radio Show: Alan Freeman‘s Saturday Show
  • Best Dressed Sleeve: Led Zeppelin, for The Song Remains The Same
  • Best Bassist: Paul McCartney

1977

  • Best Group: Sex Pistols
  • Best New Group/Act: Tom Robinson
  • Male Singer: David Bowie
  • Female Singer: Julie Covington
  • Best Album: Sex Pistols, for Never Mind the Bollocks
  • Best Single: Sex Pistols, for God Save the Queen
  • Keyboards: Rick Wakeman
  • Drummer: Paul Cook
  • Misc. Instrument: Mike Oldfield
  • Disc Jockey: John Peel
  • Radio Show: John Peel Show
  • TV Show: The Old Grey Whistle Test
  • Event of the Year: Elvis dying
  • Most Wonderful Human Being: Johnny Rotten
  • Prat of the Year: Freddie Mercury

1978

  • Best Male Singer: David Bowie
  • Best Female Singer: Debbie Harry
  • Best Album: The Jam, for All Mod Cons
  • Best Single: The Clash, for (White Man) In Hammersmith Palais
  • Best Songwriter: Elvis Costello
  • Best Dressed Sleeve: The Rolling Stones, for Some Girls
  • Best Group: The Clash
  • Best New Group: Public Image Ltd.
  • Best Guitarist: Mick Jones
  • Best Bassist: Jean Jacques Burnel
  • Best Keyboardist: Dave Greenfield
  • Best Drummer: Keith Moon
  • Best DJ: John Peel
  • Best Radio Show: John Peel Show
  • Best TV Show: Revolver
  • Most Wonderful Human Being: Sid Vicious
  • Pin-Up of the Year: Debbie Harry
  • Film: Close Encounters of the Third Kind
  • Creep of the Year: John Travolta

1979

  • Male Singer: Sting
  • Songwriter: Paul Weller
  • Best Group: The Jam
  • Guitarist: Paul Weller
  • Bassist: Bruce Foxton
  • Keyboards: Dave Greenfield
  • Drums: Rick Buckler
  • Female Singer: Kate Bush
  • Best New Act: The Specials
  • Most Wonderful Human Being: John Peel
  • Image of the Year: Gary Numan
  • Creep of the Year: Gary Numan
  • Single: The Specials, for Gangsters
  • Album: The Jam, for Setting Sons
  • TV Programme: Fawlty Towers
  • Best Dressed Sleeve: Public Image Ltd., for Metal Box
  • Disc Jockey: John Peel
  • Radio Show: John Peel Show
  • Face of the Decade: Johnny Rotten
  • Farce of the Decade: Mod Revival
  • Film of the Year: Quadrophenia

See also

Various Artists – 24 Hour Party People

It’s time for the last of our movie soundtrack reviews for the time being, and this time for a film that I have actually seen, and as I recall enjoyed very much, the history of Factory Records, 24 Hour Party People.

Given the nature of the subject matter, you can obviously expect a lot of Joy Division, New Order, and Happy Mondays, but it begins back in 1977 with defining the Sex Pistols track Anarchy in the UK. Listening now, nearly forty years on, it’s surprising quite how tame it sounds – is this really the same record that got so many people worked up?

The first of three Happy Mondays tracks is next, with 24 Hour Party People, remixed by Jon Carter. Despite not knowing them particularly well as a band, I think it’s fair to say that this probably isn’t their finest hour – it’s era defining, and a great choice for title track, but it’s also a little bit overwrought at times.

Joy Division were really the act that defined Factory Records, and so it is only right that there would be four of their tracks on here – well, five, arguably. The first is the brilliant Transmission, representing the early sound of the record company.

It’s then time for a bit of a sidestep for some other music from the era, with The Buzzcocks‘ brilliant Ever Fallen in Love (With Someone You Shouldn’t Have), and then The Clash‘s Janie Jones, which is good, but less exciting. Either way, your transition to the late 1970s should be pretty solid by this stage.

The next track is exclusive, as Moby joins New Order for a live performance of the Joy Division track New Dawn Fades. Moby has long been a fan of this particular track, having recorded a cover version for the b-side of Feeling So Real back in 1996, and he gives it all he can on this version. But I’m not sure he really gives Ian Curtis‘s lyrics the performance they deserve. I wonder if anybody could.

Another slice of actual Joy Division follows, with Atmosphere, taking us into the 1980s, before time starts really jumping around to The Duruitti Column‘s brilliantly ethereal 1989 track Otis. Then comes A Guy Called Gerald‘s once iconic acid house piece Voodoo Ray, which has to now be one of the most dated tracks on this entire album.

New Order always had their ups and downs, and I’ve never been entirely convinced by Temptation. The lyrics are among Bernard Sumner‘s weakest, the vocal isn’t particularly well delivered, and the instrumentation is a little uninspired. What it does do is represent its era perfectly – few tracks would represent the Factory Records of 1987 in the way this one does.

Next up is a great moment from Happy Mondays, with Loose Fit from 1990, again very much reflecting its age, but somehow sounding really good for it. And the era-defining sound of Pacific State by 808 State follows. It feels as though this is a soundtrack for an era of music more than a film – a particular type of music, admittedly.

We’re then briefly transported back to 1983 for the superlative Blue Monday by New Order, without a doubt their finest hour, before house music arrives with a vengeance in the form of Marshall Jefferson‘s Move Your Body.

The tail end of this soundtrack is probably either unnecessary or euphoric, depending on how you feel about the Factory Records roster of artists, as it basically just retreads the ground we’ve been treading for the last hour or so. Not having had any Joy Division for a while, it’s about time we heard the brilliant She’s Lost Control, and then more Happy Mondays with the fantastic Hallelujah, which surely never sounded this good?

There’s then an exclusive new track from New Order, Here to Stay, which was subsequently also a single. It’s good – it’s got all the iconic pieces of New Order, particularly in this longer version where it does sound like one of their 1980s 12″ versions. But somehow it isn’t entirely satisfying. Not in the way that the last track, the essential Love Will Tear Us Apart is, anyway. Quite why Joy Division never included it on either of their albums was always a bit of a mystery to me – it’s such an amazing song, and so well delivered.

I don’t think it’s an exaggeration to say that 24 Hour Party People is the best of the movie soundtracks which we’ve reviewed recently – it has some weaker moments, but they are few and far between, and every track is clearly there with good reason. If you’re in the market for an album to introduce you to the world of music, this wouldn’t be a bad place to start.

You can find 24 Hour Party People – Music from the Motion Picture at all major retailers, such as this one.

Various Artists – Control

The story of Joy Division is, of course, a particularly fascinating one, which is why it’s been told in two very good films already. The second came out in 2007, was directed by music video genius Anton Corbijn, and was entitled Control.

One of my personal claims to fame is that I accidentally went to the premiere of the film in Manchester, which was a real privilege. In particular, meeting Corbijn (in his gold trainers) and seeing what turned out to be quite an exceptional film.

The soundtrack is something of a journey too. The three little new tracks from New Order, at the time on yet another of their regular hiatuses, open, close, and form the centrepiece of the album. The rest of the album is often a dark and experimental exploration of the kinds of music that influenced – or in some cases was influenced by – the sound of Joy Division.

The first full track is The Velvet Underground‘s What Goes On from their debut album in 1969. The Killers‘ cover of Shadowplay follows, with a very strong Joy Division flavour, and is followed by The Buzzcocks with a lively and slightly chaotic live version of Boredom from 1977.

Even at their weakest, every track on the album is an interesting listen, and you can definitely hear how Joy Division may have been influenced by them. Dutch prog rock band Supersister‘s She Was Naked and Iggy Pop‘s Sister Midnight are both good examples of the sort of unusual experimental recording and songwriting which clearly helped make them the band they were.

In many ways the whole album is just a compilation of the more interesting music from the 1970s. Sex Pistols crop up with a live version of Problems. Roxy Music are on there with the pleasant Hammond Organ rumblings of 2HBDavid Bowie turns up a couple of times, with Drive-in Saturday from 1973’s Aladdin Sane and Warszawa from Low (1977).

The inevitable high point of the album apart from the competent live cast recording of Transmission is an exclusive edit of Kraftwerk‘s essential 1974 hit Autobahn, as well as a few reminders of why exactly Joy Division were so special in the first place.

In summary, then, Music from the Motion Picture Control, to give its full name, is a perfect companion to an exceptionally good “motion picture”, and comes highly recommended if you haven’t heard it yet.