Unsigned, but not forgotten

One of the things I really wanted to do when I started this blog five years ago was to try to do anything I could to help unsigned artists. I had tried previously, actually, on a radio show, and had found that a lot of unsigned acts couldn’t get their, um, “act” together to make it work as a cohesive feature, and so it only really ran three of four times before falling in flames.

The unsigned feature on this blog lasted a little longer, and did showcase some interesting acts, but it also opened me up to a lot of artists who for one reason or another weren’t appropriate for the blog, and one or two people who didn’t take that news too well. These are the perils of doing anything on the internet.

But let’s take a look at those who did make it, and see what they have been up to!

Blue Swan

First covered on my radio show in February 2005, and then subsequently looked at in detail on this blog in November 2012, this Danish duo seem to have entered a quiet phase in their career. Looking at their Soundcloud, their last new tracks were the ones we covered here five years ago, and there have been a few DJ mixes since then, but not a lot of activity.

Hugh Doolan

We covered this Irish acoustic act back in November 2012, and looking at his Soundcloud account he’s been very busy recently. His Bandcamp page includes ten releases since we last spoke to him, including acoustic tracks and film soundtracks.

Rance Garrison

Covered back in August 2013, when he was between albums, he seems to have released three new albums in the last few years, all of which are available on his Bandcamp page.

Jonteknik

We first covered Jon’s debut album in November 2012, and when we visited him again the following year, he had just released another album. He’s now part of a label that I need to look into further called The People’s Electric, and recently released an album called Skylines.

Kyma

Introduced to this blog back in November 2012, this UK-based act was still busy a year or so later, including proudly posting one of his songs that was played on BBC Essex, but he hasn’t pushed much to his Soundcloud recently.

mindXpander

An old favourite of mine from the mp3.com days of the early internet, I first covered them here back in 2013. Things seem to have been quiet for them for a couple of decades now, but you can still enjoy their back catalogue at Soundcloud.

Movement Ten

This Brighton-based duo were first covered here back in December 2012 when they had just released their debut album. The following year when we looked again, they had just released another album, but things seem to have been quieter since then.

Subculture

Featured on my radio show in 2005, unfortunately I don’t have any record any more of who they were, how they got in touch, or where they are now. If you know, please ask them to get in touch!

Devin Tait

First covered in August 2013, then revisited later that year when he was in the middle of touring, this flamboyant LA-based artist is now working on his next solo album The White Tomato. More at his official website.

Finally, I think a few more people had filled in the form on the website and asked for coverage. I’ll sit down and actually read those messages and do a feature on them very soon – apologies for the lack of responses if you’re feeling impatient.

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Introducing Rance Garrison

A bit of a change of genre for this week’s unsigned act. Rance Garrison has been writing and recording songs for “almost as long as he has been able to talk.” His debut album Black Crow came out last year, and he’s currently working on his second. Here’s a picture of Black Crow:

Cover Photo Edit 2

Rance “hails,” rather dramatically, from the Appalachian foothills of southwest Virginia. As usual, I asked him to pick just three tracks as a little demo to share. First up is It Still Moves:

“The night is silent like a tomb,” he tells us. I think it’s the haunting piano sound that makes this track rather beautiful. Bonus points for the rather flamboyant ending – I think this is probably my favourite of the three.

Next up is The Last Question:

I’d struggle slightly to categorise this one – it seems darker and altogether more apocalyptic than the previous track, and yet there’s also something decidedly chirpy about it.

Finally from this set, we have Seven Trumpets:

This is the most gentle of the trio, driven mainly by a piano and softer sounds. Things all go a bit discordant towards the end, reminding me – perhaps unintentionally – of Scottish bagpipe music! See what you think…

Rance points out, incidentally, that these tracks are best heard in the context of the album Black Crow, which you can find on Amazon, iTunes, Google Play, CDBaby, and also on Bandcamp with bonus tracks and a booklet.

What’s your source of inspiration?

These particular songs (and the album as a whole, really) were written in the wake of several deaths that occurred in my family from 2008 to 2009. It was a sort of dark stretch, but death wasn’t ever far from my mind, and by extension, you could say that my personal spiritual beliefs about God and my understanding of faith and the meaning of life were never far from my mind, either, though I prefer not to think of these songs as an endorsement of any particular religion or of myself as an explicitly “religious artist.” In any case, the themes I was dealing with in my songwriting were at that time, and continue to be, pretty heavy stuff, I suppose.

As far as musical inspiration, I’m inspired by a bit of everything. Bob Dylan, Leonard Cohen, and Tom Waits have been big influences on my lyrics. Musically, I’ve been influenced by Pink Floyd, Waits, Dylan, Neil Young, The Twilight Singers, Bon Iver, and a host of other bands from the 1960s up to modern times. I’ve recently gotten pretty into Phosphorescent, but discovered that band after these tracks were written and recorded.

A lot of Radiohead‘s work also really resonates with me, especially from the Kid A and Amnesiac era of 1999 to around 2001. Basically, if it’s memorable and unique, and not afraid to go out on a limb and be a little experimental, I’m gonna dig it.

How long does it normally take to record a track?

I work out of a home studio since I live in a rural area that’s not exactly known as a center of musical creativity and since, at this point anyway, I couldn’t afford professional studio time even if that weren’t the case. On average, I would say that I can record a single track over a period of two to three days, sometimes less than that, and sometimes taking as long as a week or even a month to put the finishing touches on. If I recall correctly, It Still Moves was the last song I recorded for Black Crow, and it was done over a weekend. The Last Question was the first song that was finished, I think, and was recorded here and there over the course of about two weeks. Seven Trumpets was recorded over the course of about a week, I think.

It’s hard to say exactly how much time went into each track just because I’m also a full-time college student and have to do a sort of catch-as-catch-can style. All of the songs were recorded in the late night/early morning hours between work, school, spending time with my fiance, and other responsibilities.

If you could go back and change one thing in your life, what would it be?

On a deeply personal level, I would love to go back and stop the car crash that claimed the life of my little cousin, Stephanie, in 2008. I’m an only child, and she was the closest thing I ever had to a sister, rest her soul. Her death, and the deaths of her father and my great-grandmother that occurred later in 2009 that turned my life upside down (I was living in Nashville at the time and moved back home to rural southwest Virginia to care for family) inspired all of this music, but I’d trade that to have her in my life again.

Also I wish I would have taken greater advantage of the music scene in Nashville while I was there, but again, if that stuff hadn’t happened, these songs wouldn’t exist and I wouldn’t be where I am now, about to finish my bachelor’s degree at the ripe old age of twenty-seven and engaged to a wonderful woman who is my best friend. I met her when I came back home, and I wouldn’t change that, either. Life is funny. The things you wish you could change lead you to where you are, and even if you are happy with the way things are, every man and woman has their regrets. Such is the way of life, I suppose.

Visit Rance Garrison‘s Bandcamp page for more information and to hear more.