Ivor Novello Awards – The 1990s

Ivor Novello Awards 1990

Grosvenor House in London hosted the Ivor Novello Awards on 2nd April 1990.

  • Best Contemporary Song: All Around the World, written by Lisa Stansfield, Ian Devaney and Andrew Morris. Also nominated: Back to Life (However Do You Want Me), performed by Soul II Soul, written by Jazzie B, Caron Wheeler, Nellee Hooper and Simon LawShe Drives Me Crazy, performed by Fine Young Cannibals, written by David Steele and Roland Gift
  • Best Song Musically and Lyrically: The Living Years, performed by Mike + The Mechanics, written by BA Robertson and Mike Rutherford. Also nominated: Another Day in Paradise, written by Phil Collins; Room in Your Heart, performed by Living in a Box, written by Marcus Vere, Richard Darbyshire and Albert Hammond
  • Best Theme from a TV/Radio Production: Ruth Rendell Mysteries, written by Brian Bennett. Also nominated: Sherlock Holmes, written by Patrick Gowers; Agatha Christie’s Poirot, written by Christopher Gunning
  • Best Film Theme or Song: Henry V Nons Nobis Domine, written by Patrick Doyle. Also nominated: Nothing Has Been Proved, written by Neil Tennant and Chris Lowe; Travelling East, written by Eric Clapton and Michael Kamen
  • The Jimmy Kennedy Award: Herbert Kretzmer
  • Best Selling ‘A’ Side: Too Many Broken Hearts, performed by Jason Donovan, written by Stock Aitken Waterman (Mike Stock, Matt Aitken and Pete Waterman). Also nominated: Back to Life (However Do You Want Me); Something’s Gotten Hold of My Heart, performed by Marc Almond and Gene Pitney, written by Roger Cook and Roger Greenaway
  • International Hit of the Year: She Drives Me Crazy. Also nominated: Buffalo Stance, written by Cameron Mcvey, Philip Ramacon, Neneh Cherry and Jamie Morgan; Another Day in Paradise, written by Phil Collins
  • Best Theme from a TV/Radio Commercial: Abbey Endings (Abbey National), written by Lionel Bart. Also nominated: Big Day (Maxwell House), written by David Mindel; Terry Keeps His Clips On (Toshiba), written by Viv Stanshall
  • The Best British Musical: Aspects of Love, written by: Don Black, Charles Hart and Andrew Lloyd Webber
  • Outstanding Contribution to British Music: David Bowie
  • Most Performed Work: This Time I Know It’s for Real, written by Stock Aitken Waterman and Donna Summer. Also nominated: Something’s Gotten Hold of My HeartToo Many Broken Hearts
  • Songwriters of the Year: Stock Aitken Waterman
  • Outstanding Services to British Music: The Kinks (Mick Avory, Dave Davies, Ray Davies, Ian Gibbons and Jim Rodford)

Ivor Novello Awards 1991

The 1991 ceremony took place at Grosvenor House in London on 2nd May 1991.

  • Best Contemporary Song: Killer, written by Adam ‘Adamski’ Tinley and Seal. Also nominated: Don’t Worry, written by Kim Appleby, Craig Logan and George Deangelis; Unbelievable, performed by EMF, written by James Atken, Ian Dench, Zachary Foley, Mark Decloedt and Deran Brownson
  • Best Song Musically and Lyrically: Sacrifice, written by Elton John and Bernie Taupin. Also nominated: We Let the Stars Go, performed by Prefab Sprout, written by Paddy McaloonNothing Ever Happens, performed by Del Amitri, written by Justin Currie
  • Best Theme from a TV/Radio Production: Victorian Kitchen, written by Paul Reade. Also nominated: Tidy Endings, written by Stanley Myers; The Green Man, written by Tim Souster
  • Best Film Theme or Song: Witches, written by Stanley Myers. Also nominated: Arachnophobia, written by Trevor Jones; Lily Was Here, written by Dave Stewart
  • The Jimmy Kennedy Award: John Barry
  • Best Selling ‘A’ Side: Sacrifice / Healing Hands, written by Elton John and Bernie Taupin. Also nominated: World in Motion, performed by Englandneworder (New Order), written by Bernard Sumner, Stephen Morris, Gillian Gilbert, Keith Allen and Peter Hook; Killer, written by Adam ‘Adamski’ Tinley and Seal
  • Best Theme from a TV/Radio Commercial: Only You (Fiat Tempra), written by Geoff MacCormack and Simon Goldenberg. Also nominated: Citric Bite (Schweppes Tonic), written by Don Gould and James LowtherNick of Time (Audi), written by Tony Sadler and Gaynor Sadler
  • International Hit of the Year: All Around the World, written by Lisa Stansfield, Ian Devaney and Andrew Morris. Also nominated: Close to You, performed by Maxi Priest, written by Gary Benson, Winston Sela and Maxi Elliott; I’ve Been Thinking About You, performed by Londonbeat, written by George Chandler, Jimmy Chambers, Jimmy Helms and Liam Henshall
  • Special Award for International Achievement: Albert Hammond
  • PRS Most Performed Work: Blue Savannah, performed by Erasure, written by Andy Bell and Vince Clarke. Also nominated: All I Wanna Do Is Make Love to You, performed by Heart, written by Robert John ‘Mutt’ LangeKiller, written by Adam ‘Adamski’ Tinley and Seal
  • Outstanding Services to British Music: Robert Farnon
  • Songwriter of the Year: Phil Collins
  • Outstanding Contribution to British Music: Mick Jagger, Keith Richards, Charlie Watts, Ronnie Wood and Bill Wyman

Ivor Novello Awards 1992

May 1992 saw Grosvenor House in London host the 37th Ivor Novello Awards ceremony.

  • Best Contemporary Song: Crazy, written by Seal. Also nominated: Walking Down Madison, written by Kirsty MacColl and Johnny Marr; Sit Down, written by Timothy Booth, Lawrence Gott, James Glennie and Gavan Whelan
  • Best Song Musically and Lyrically: The Whole of the Moon, performed by The Waterboys, written by Mike Scott. Also nominated: The Show Must Go On, performed by Queen, written by Freddie Mercury, Brian May, Roger Taylor and John Deacon; Stars, performed by Simply Red, written by Mick Hucknall
  • Best Theme from a TV/Radio Production: The Darling Buds of May, written by Philip Burley and Barrie Guard. Also nominated: Clarissa, written by Colin Towns; A Question of Attribution, written by Gerald Gouriet
  • Best Theme from a TV/Radio Commercial: Driven By You (Ford Motor Company), written by Brian May. Also nominated: Eagle Star – Reflections (Eagle Star Insurance), written by RAF Ravenscroft and Kevin Dillon-LambExcaliber (Carling Black Label), written by Rachel Portman
  • The Jimmy Kennedy Award: Tony Hatch and Jackie Trent
  • Best Selling ‘A’ Side: Bohemian Rhapsody / These are the Days of Our Lives, performed by Queen, written by Freddie Mercury, Brian May, Roger Taylor and John Deacon. Also nominated: Any Dream Will Do, performed by Jason Donovan, written by Andrew Lloyd Webber and Tim Rice; I’m Too Sexy, performed by Right Said Fred, written by Fred Fairbrass, Rob Manzoli and Richard Fairbrass
  • Best Film Theme or Song: Under Suspicion, written by Christopher Gunning. Also nominated: Dances with Wolves, written by John Barry; The One and Only, written by Nik Kershaw
  • International Hit of the Year: Crazy, written by Seal. Also nominated: Unbelievable; 3 AM Eternal, performed by The KLF, written by Bill Drummond, Jimmy Cauty and Ricky Lyte
  • Award in Recognition of the Exceptional Success of a Single Song: Everything I Do (I Do It For You), written by: Bryan Adams, Michael Kamen and Robert John ‘Mutt’ Lange
  • Best British Musical: Joseph and the Amazing Technicolor Dreamcoat, written by: Andrew Lloyd Webber and Tim Rice
  • PRS Most Performed Work: I’m Too Sexy. Also nominated: The One and Only, performed by Curtis Stigers, written by Nik Kershaw; Any Dream Will Do, written by Andrew Lloyd Webber and Tim Rice
  • Outstanding Contribution to British Music: David Gilmour, Nick Mason, Roger Waters and Richard Wright
  • Songwriter of the Year: Mick Hucknall
  • Special Award for International Achievement: Bernie Taupin
  • Lifetime Achievement Award: Eric Clapton

Ivor Novello Awards 1993

26th May 1993 saw Grosvenor House in London host the Ivor Novello Awards.

  • Best Contemporary Song: Would I Lie to You, performed by Charles and Eddie, written by Peter Vale and Mick Leeson. Also nominated: Stay, performed by Shakespears Sister, written by Marcella Detroit, Siobhan Fahey and Dave Stewart; Friday I’m In Love, performed by The Cure, written by Robert Smith, Simon Gallup, Porl Thompson, Boris Williams and Perry Bamonte
  • Best Song Musically and Lyrically: Why, written by Annie Lennox. Also nominated: The Disappointed, performed by XTC, written by Andy Partridge; Tears in Heaven, written by Eric Clapton and Will Jennings
  • Best Theme from a TV / Radio Production: Civvies, composed by Michael Storey. Also nominated: Blackheath Poisonings, written by Colin Towns; Kyrie Eleison, written by Christopher Gunning
  • Best Film Theme or Song: Tears in Heaven, written by Eric Clapton and Will Jennings. Also nominated: Final Analysis, written by George Fenton; Chaplin, written by John Barry
  • Songwriters of the Year: Colin Angus and Richard West
  • PRS Most Performed Work: Deeply Dippy, performed by Right Said Fred, written by Fred Fairbrass, Rob Manzoli and Richard Fairbrass. Also nominated: Would I Lie to You; Stay
  • Best Selling Song: Would I Lie to You. Also nominated: Goodnight Girl, performed by Wet Wet Wet, written by Marti Pellow, Neil Mitchell, Tom Cunningham and Graeme Clark; Ain’t No Doubt, written by Jimmy Nail, Danny Schogger, Charlie Dore and Guy Pratt; Stay
  • International Hit of the Year: Would I Lie to You. Also nominated: Stay; Tears in Heaven; Why
  • The Jimmy Kennedy Award: Les Reed
  • Outstanding Contemporary Song Collection: Marcella Detroit, Siobhan Fahey and Dave Stewart
  • Outstanding Contribution to British Music: Bernie Calvert, Allan Clarke, Bobby Elliott, Tony Hicks, Graham Nash and Terry Sylvester
  • Lifetime Achievement Award: George Shearing
  • Special Award for International Achievement: Rod Temperton

Ivor Novello Awards 1994

The 1994 ceremony took place at Grosvenor House on 25th May.

  • Best Contemporary Song: Pray, performed by Take That, written by Gary Barlow. Also nominated: Moving On Up, performed by M People, written by Paul Heard and Mike Pickering; Arranged Marriage, performed by Apache Indian, written by Stephen Kapur, Simon Duggal and Diamond Duggal
  • Best Song Musically and Lyrically: If I Ever Lose My Faith in You, written by Sting. Also nominated: Ordinary World, performed by Duran Duran, written by Simon Le Bon, Nick Rhodes, John Taylor and Warren Cuccurullo; I Don’t Wanna Fight, performed by Tina Turner, written by Steve Duberry, Billy Lawrie and Lulu
  • Best Theme from a TV/Radio Production: Stalag Luft, written by Stanley Myers. Also nominated: Harnessing Peacocks, written by Richard Holmes; Unnatural Causes, written by Richard Harvey
  • Best Film Theme or Song: The Piano, written by Michael Nyman. Also nominated: Into the West, written by Patrick Doyle; Indochine, written by Patrick Doyle
  • The PRS Most Performed Work: Ordinary World. Also nominated: Little Bird, written by Annie Lennox; Tears in Heaven
  • Best Selling Song: Mr Blobby, written by David Rogers and Paul Shaw. Also nominated: Dreams, written by Timothy Laws and Gabrielle; Babe, performed by Take That, written by Gary Barlow
  • The International Hit of the Year: Living on My Own, written by Freddie Mercury. Also nominated: I Feel You, performed by Depeche Mode, written by Martin Gore; Ordinary World, written by Simon Le Bon, Nick Rhodes, John Taylor and Warren Cuccurullo
  • The Outstanding Contemporary Song Collection: Paul Weller
  • The Jimmy Kennedy Award: Roger Cook and Roger Greenaway
  • Lifetime Achievement Award: Ron Goodwin
  • Outstanding Contribution to British Music: Tim Rice
  • Special Award for International Achievement: Bono, Adam Clayton, Larry Mullen Jnr and The Edge
  • Outstanding Contribution to British Musical Theatre: Andrew Lloyd Webber
  • Songwriter of the Year: Gary Barlow

Ivor Novello Awards 1995

Forty years into its history, the 1995 ceremony took place at Grosvenor House on 23rd May.

  • Outstanding Contribution to British Music: Lonnie Donegan
  • Best Contemporary Song: You Gotta Be, written by Des’ree Weekes and Ashley Ingram. Also nominated: Parklife, performed by Blurwritten by Damon Albarn, Graham Coxon, Alex James and Dave RowntreeZombieperformed by The Cranberrieswritten by Delores O’Riordan
  • Best Song Musically & Lyrically: Think Twice, performed by Celine Dion, written by Andy Hill and Peter Sinfield. Also nominated: Patience of Angels, performed by Eddi Reader, written by Boo Hewerdine; Dear John, written by Mark Nevin and Kirsty McColl
  • Best Theme from a TV/Radio Production: Middlemarch, written by Stanley Myers. Also nominated: Crocodile Shoes, written by Tony McAnaney; Beyond the Clouds, written by George Fenton
  • Best Commissioned Film Score: Shadowlands, written by George Fenton. Also nominated: Deadly Advice, written by Richard HarveyThe Joy Luck Club, written by Rachel Portman
  • Best Song Included in a Film: Circle of Life, written by Elton John and Tim Rice. Also nominated: Love is All Around, performed by Wet Wet Wet, written by Reg Presley; In the Name of Our Father, performed by U2, written by Bono, Gavin Friday and Maurice Roycroft
  • The Radio 1 Award for Continuing Innovation in Music: Brian Eno
  • The Best Selling Song: Love is All Around. Also nominated: Baby Come Back, performed by Pato Banton, written by Eddy GrantStay Another Day, performed by East 17, written by Tony Mortimer, Dominic Hawken and Robert Kean
  • International Hit of the Year: Love is All Around. Also nominated: 7 Seconds, written by Cameron McVey, Jonathan Peter Sharp, Youssou N’Dour and Neneh Cherry; Baby I Love Your Way, performed by Big Mountain, written by Peter Frampton; Without You, performed by Mariah Carey, written by Pete Ham and Tom Evans
  • The PRS Most Performed Work: Love is All Around. Also nominated: Stay Another DayBaby Come Back
  • The Jimmy Kennedy Award: Don Black
  • Lifetime Achievement Award: Van Morrison
  • The Outstanding Contemporary Song Collection: Elvis Costello
  • Songwriter of the Year: Tony Mortimer

Ivor Novello Awards 1996

Grosvenor House in London hosted the Ivor Novello Awards on 30th May 1996.

  • The PRS Most Performed Work: Back for Good, performed by Take That, written by Gary Barlow. Also nominated: No More I Love Yous, performed by Annie Lennox, written by David Freeman and Joseph Hughes; A Girl Like You, written by Edwyn Collins
  • The Best Selling Song: Back for Good. Also nominated: Fairground, performed by Simply Red, written by Mick Hucknall; Missing, performed by Everything But The Girl, written by Tracey Thorn and Ben Watt
  • International Hit of the Year: Kiss from a Rose, written by Seal. Also nominated: Back for Good; No More I Love Yous
  • Best Contemporary Song: Alright, performed by Supergrass, written by Danny Goffrey, Gaz Coombes and Michael Quinn. Also nominated: Wonderwall, performed by Oasis, written by Noel Gallagher; A Girl Like You, written by Edwyn Collins
  • Best Song Musically and Lyrically: Common People, performed by Pulp, written by Jarvis Cocker, Nick Banks, Candida Doyle, Steve Mackey and Russell Senior. Also nominated: No More I Love Yous; Back for Good
  • Best Commissioned Film Score: Don Juan De Marco, composed by Michael Kamen. Also nominated: Pin for the Butterfly, composed by Ilona SekaczNostradamus, composed by Barrington Pheloung
  • Best Commissioned Score from a TV/Radio Production: The Hanging Gale, written by Shaun Davey. Also nominated: Pride & Prejudice, written by Carl Davis; Yugoslavia, written by Debbie Wiseman
  • Best Song Included in a Film or Television Programme: Have You Ever Really Loved a Woman, composed by Robert John ‘Mutt’ Lange, Michael Kamen and Bryan Adams. Also nominated: Kiss from a Rose, composed by SealGoldeneye, performed by Tina Turner, composed by Bono and The Edge
  • The Jimmy Kennedy Award: Tony Macaulay
  • Outstanding Contribution to British Musical Theatre: Cameron Mackintosh
  • An Outstanding Contemporary Song Collection: Joan Armatrading
  • Songwriters of the Year: Blur (Damon Albarn, Graham Coxon, Alex James, Dave Rowntree) and Noel Gallagher (presented jointly)
  • PRS Outstanding Contribution to British Music: Small Faces (Kenney Jones, Ronnie Lane, Steve Marriott and Ian McLagan)
  • Outstanding Services to British Music: Jeff Lynne

Ivor Novello Awards 1997

London’s Grosvenor House hosted the 1997 ceremony on 19th May.

  • PRS Award for Most Performed Work of 1996: Fast Love, written by George Michael. Also nominated: Give Me a Little More Time, written by Gabrielle, Benjamin Wolff, Andrew Dean, Ben BarsonDon’t Look Back in Anger, performed by Oasis, written by Noel Gallagher
  • Best Commissioned Film Score: 101 Dalmatians, composed by Michael Kamen. Also nominated: Independence Day, composed by David ArnoldTwelfth Night, composed by Shaun Davey
  • Best Selling British Written Single in the UK: Hetty Wainthropp Investigates, composed by Nigel Hess. Also nominated: Wannabe, performed by Spice Girls, written by Victoria Adams, Melanie Brown, Emma Bunton, Melanie Chisholm, Geri Halliwell, Matt Rowe and Richard Stannard
  • Best Music Commissioned for a Broadcast Production: Cold Lazurus, composed by Christopher GunningRhodes, composed by Alan Parker
  • Best Contemporary Song: A Design for Life, performed by Manic Street Preachers, written by James Dean Bradfield, Sean Moore and Nicky Wire. Also nominated: Lifted, performed by Lighthouse Family, written by Paul Tucker, Martin Brammer and Tunde BaiyewuFirestarter, performed by The Prodigy, written by Liam Howlett and Keith Flint
  • Outstanding Song Collection: Richard Thompson
  • Best Song Musically and Lyrically: Too Much Love Will Kill You, performed by Queen, written by Brian May, Frank Musker and Elizabeth Lamers. Also nominated: I Am I Feel, performed by Alisha’s Attic, written by Terence Martin, Karen Poole and Michelle PooleNeighbourhood, performed by Space, written by Thomas Scott, Andrew Parle, James Edwards and Francis Griffiths
  • International Achievement: The Cranberries (Noel Hogan and Dolores O’Riordan)
  • The Jimmy Kennedy Award: Mike Chapman and Nicky Chinn
  • International Hit of the Year: Wannabe
  • Songwriter of the Year: George Michael
  • PRS Outstanding Contribution to British Music Award: Elvis Costello
  • Lifetime Achievement: Led Zeppelin (John Bonham, John Paul Jones, Jimmy Page and Robert Plant)

Ivor Novello Awards 1998

The 1998 Ivor Novello ceremony took place on 28th May 1998 at Grosvenor House, London.

  • PRS Most Performed Work: I’ll Be Missing You (Every Breath You Take), performed by Puff Daddy, written by Sting. Also nominated: Say What you Want, performed by Texas, written by Sharleen Spiteri and Johnny McElhoneBlack Eyed Boy, performed by Texas, written by Sharleen Spiteri, Johnny McElhone, Edward Campbell, Richard Hynd and Robert Hodgens
  • Best Original Film Score: William Shakespeare’s Romeo + Juliet, composed by Craig Armstrong, Marius De Vries and Nellee Hooper. Also nominated: Tomorrow Never Dies, composed by David ArnoldWilde, composed by Debbie Wiseman
  • Best Selling UK Single: Candle in the Wind 1997, written by Elton John and Bernie Taupin. Also nominated: Teletubbies Say Eh-Oh!, written by Andrew McCrorie-Shand; I’ll Be Missing You (Every Breath You Take)
  • Best Original Music For A Broadcast: Rebecca, composed by Christopher Gunning. Also nominated: Melissa, composed by Richard Harvey and Steve BakerCrime Traveller, composed by Anne Dudley
  • Best Contemporary Song: Karma Police, written by Thom Yorke, Jonny Greenwood, Phil Selway, Colin Greenwood and Ed O’Brien. Also nominated: Smile, written by James McColl, Ken McAlpine and Alan TilstonThe Drugs Don’t Work, written by Richard Ashcroft
  • Best Song Collection: Johnny McElhone and Sharleen Spiteri
  • Best Original Song for a Film or Broadcast: Picture of You, written by Paul Wilson, Andy Watkins, Ronan Keating and Eliot Kennedy. Also nominated: Step By Step, written by Annie LennoxSurrender, written by David Arnold, David McAlmont and Don Black
  • Best Song Musically and Lyrically: Paranoid Android, performed by Radiohead, written by Thom Yorke, Jonny Greenwood, Phil Selway, Colin Greenwood and Ed O’Brien. Also nominated: Brimful of Asha, written by Tjinder Singh; Angels, written by Robbie Williams and Guy Chambers
  • International Achievement: Enya, Nicky Ryan and Roma Ryan
  • Best Dance Music: You’re Not Alone, performed by Olive, written by Tim Kellett and Robin Taylor-Firth. Also nominated: Gunman, performed by 187 Lockdown, written by Julian Jonah and Danny HarrisonSunchyme, performed by Dario G, written by Gilbert Gabriel, Nick Laird Clowes, Stephen Spencer, Paul Spencer and Scott Rosser
  • PRS Outstanding Contribution to British Music: Morrissey
  • International Hit of the Year: Candle in the Wind 1997. Also nominated: I’ll Be Missing You (Every Breath You Take); Spice Up Your Life, performed by Spice Girls, written by Richard Stannard, Matt Rowe, Melanie Brown, Victoria Adams, Geri Halliwell, Emma Bunton and Melanie Chisholm
  • Songwriter of the Year: Richard Ashcroft
  • The Jimmy Kennedy Award: Barry Mason

Ivor Novello Awards 1999

The 1999 Ivor Novello Awards were presented on 27th May 1999 at Grosvenor House, London.

  • PRS Most Performed Work: Angels, written by Robbie Williams and Guy Chambers. Also nominated: High, performed by Lighthouse Family, written by Paul Tucker and Tunde BaiyewuNever Ever, performed by All Saints, written by Shaznay Lewis, Sean Mather and Esmail Jazayeri
  • Best Selling UK Single: Believe, performed by Cher, written by Brian Higgins, Steve Torch, Paul Barry, Stuart McLennan, Tim Powell and Matt Gray. Also nominated: No Matter What, performed by Boyzone, written by Andrew Lloyd Webber and Jim SteinmanC’est La Vie, performed by B*Witched, written by Tracy Ackerman, Ray Hedges, Martin Brannigan, Edele Lynch, Keavy Lynch, Lindsay Armaou and Sinéad O’Carroll
  • Best Original Film Score: Firelight, composed by Christopher Gunning. Also nominated: Dancing at Lughnasa, composed by Bill WhelanEver After, composed by George Fenton
  • Best Contemporary Song: Here’s Where the Story Ends, performed by Tin Tin Out, written by Harriet Wheeler and David Gavurin. Also nominated: Road Rage, performed by Catatonia, written by Mark Roberts, Cerys Matthews, David Jones, Aled Richards and Owen PowellWhat Can I Do, performed by The Corrs, written by Andrea Corr, Caroline Corr, Sharon Corr and James Corr
  • Best Original Music for a Television / Radio Broadcast: Close Relations, composed by Rob Lane. Also nominated: Life of Birds, composed by Steven Faux and Ian ButcherSelfridges: The Shop, composed by Barrie Bignold
  • Best Song Commissioned for a Film or Broadcast: The Flame Still Burns, written by Chris Difford, Marti Frederiksen and Mick Jones. Also nominated: Why Won’t You Shag Me, written by Owen Vyse and Guy PrattKipper, written by Robert Heatlie
  • Best Song Musically and Lyrically: Believe. Also nominated: C’est La Vie; A Little Soul, performed by Pulp, written by Jarvis Cocker, Nick Banks, Candida Doyle, Steve Mackey and Mark Webber
  • Outstanding Song Collection: Jamiroquai (Wallis Buchanan, Simon Katz, Jay Kay, Derrick McKenzie, Toby Smith and Stuart Zender)
  • The Ivors Dance Award: Horny, written by Mousse T and Errol Rennalls. Also nominated: Sing It Back, performed by Moloko, written by Mark Brydon and Róisín Murphy; I Can’t Help Myself, performed by Lucid, written by Mark Hadfield and Adam Ryan Carter
  • International Achievement: Martin Gore
  • The Jimmy Kennedy Award: Peter Callander and Mitch Murray
  • International Hit of the Year: Believe, written by Brian Higgins, Stuart McLennan, Paul Barry, Steve Torch, Matt Gray and Tim Powell. Also nominated: Life, written by Des’ree Weekes and Prince Sampson; No Matter What, written by Andrew Lloyd Webber and Jim Steinman
  • PRS Outstanding Contribution to British Music: Chrissie Hynde
  • The Special International Award: Hal David
  • Songwriters of the Year: Guy Chambers and Robbie Williams
  • Lifetime Achievement: Rod Stewart

Further Reading

Random jukebox – Olive

Every so often, the random jukebox picks out something very special. I chose to delay this one a little, as we had Olive fairly recently, but you can’t really not love You’re Not Alone. Number 1 from 1997.

Olive – Extra Virgin

History – and probably a lot of the people reading this now – will remember Olive as a one-hit wonder. They brought us the fantastic You’re Not Alone in 1997, got to number one, and then faded away into obscurity.

Unfortunately, none of that is entirely true, and history has definitely dealt them a raw deal. The trio finally managed that number one on the song’s second release, and follow-up Miracle never even managed the upper reaches of the charts, despite coming out on three separate occasions and being, frankly, brilliant.

It’s Miracle that opens the album, in a slightly more subdued, seven-minute form, and it really is the massive hit that never was. Maybe the timing was wrong, or perhaps everybody had already had enough of Olive by the time this came out for the last time in late 1997, but it does feel like a great shame that this wasn’t more of a success than it was.

This Time comes next, a softer, more laid back piece. If you haven’t already, it will be around this time that you reach the inevitable realisation that singer Ruth-Ann Boyle is a truly excellent vocalist, and a couple of years later would lend a hand on Enigma‘s fourth and fifth albums before working on him with her solo album What About Us in 2003.

Chilled is definitely the mood here, but with some pleasant dub and slightly trippy influences from time to time as well, and so Safer Hands was hardly likely to break any particular boundaries, but it’s good nonetheless. Then Killing is strange in a way, both excellent and also very repetitive – there’s only one vocal line the whole way through, but accompanied by a whole lot of dub reverb and effects, it’s rather brilliant too.

After which it’s finally time for You’re Not Alone. Make no mistake, the singles are the best things on this album, but there is more than just one. Of course, if you bought this album wanting just thirteen renditions of that one song, you would inevitably be disappointed – you might even be disappointed that this one isn’t quite as lively as the single was, as the drums, much of the energy in this track, don’t actually turn up until nearly two minutes in.

But it’s still a fantastic song, and the album version is every bit as good as the single you remember, just in a slightly different way. This more spacious version allows you to appreciate Ruth-Ann’s vocals a lot more, and to really get to the bottom of just how great this song actually is. Twenty years old, and it really doesn’t sound it.

Falling is one of the stronger album tracks, a sweet and understated love song, which carries us through to the third single Outlaw. This one was only released once, as the follow-up to You’re Not Alone when that had finally reached the top of the charts, and apart from that, this is probably the most contemporary track on here, with its trippy drum and bass rhythm and catchy vocals.

There is also, despite the descriptions here, plenty of variety. Not in an in-your-face way, but the gentle trip-pop of Blood Red Tears is followed by the harder (but still soft) drum and bass of Curious. Then You Are Nothing is pure pop – and probably would have been the fourth single, if they hadn’t been concentrating so hard on trying to turn the same couple of tracks into hits again and again.

That just leaves two tracks – Muted, a trippy instrumental, and I Don’t Think So, a great little song driven by acoustic guitar. The lyrics are brilliant – love the life you lead, just lead the life you love? I don’t think so. It’s an excellent way to close the album.

Well, not quite – if you leave it playing for a few minutes, you get the accompanying version of You’re Not Alone to the single – this time, all the drums have been removed to create something rather ethereal and wonderful.

Twenty years on, Extra Virgin still sounds fantastic, and it’s a shame that history only leaves us with this, and its song-laden follow-up Trickle (which never even saw a proper release in the UK). But if you can find it, Extra Virgin is still worth a listen. Even if the title is a little on the silly side.

There are a number of versions of Extra Virgin available – the original release, which features a different version of Outlaw, a double CD release, and the Extra Virgin+ reissue which came out later. That’s probably the one to go for, although it omits the bonus track.

Greatest Hits – Volume 6

Time for a quick breather, and a chance to catch up on some of the previous posts that you might have missed. Remember these?

Music for the Masses 33 – 23 February 2005

Unfortunately the webcam wasn’t working this week, leaving us with very little documentary evidence of the show. Artist of the week was my long-time favourite act The Beloved, and other highlights included oddities from White Town and The Postal Service.

Show 33: Wed 23 Feb 2005, from 6:05pm-8:00pm

Broadcast on LSR FM, online only. Artist of the week: The Beloved.

  • Mylo – Valley of the Dolls
  • Robert Miles – Children
  • Olive – Miracle (Radio Mix)
  • Röyksopp – Poor Leno
  • New Order – True Faith
  • Enigma – The Eyes of Truth
  • The Beloved – Time After Time
  • Tony di Bart – The Real Thing (Joy Brothers Remake)
  • Sarah Cracknell – Anymore
  • The Shamen – Xochipili’s Return
  • Deep Forest – Yuki Song
  • The Beloved – Sweet Harmony
  • White Town – Duplicate
  • Fluke – Atom Bomb
  • Orbital – The Saint
  • The Postal Service – We Will Become Silhouettes
  • Dario G – Sunchyme
  • Orchestral Manoeuvres in the Dark – Electricity
  • The Beloved – A Dream within a Dream
  • Bent – Sunday 29th

Music for the Masses 23 – 24 October 2004

Three weeks in, and the newly reborn Music for the Masses radio show was finally starting to find a rhythm, even if it was just a week away from its end. Freed from the shackles of the playlists which dogged the show’s previous incarnation, there were now slots for forthcoming new releases, music news, and the new Artist of the Week slot. The laid back, late night nature of the music won the show a lot of praise – the fast talking of the presenter less so…

Show 23: Sun 24 Oct 2004, from 4:00am-6:00am

Broadcast on LSR FM, on FM and online. Artist of the week: Moby.

  • The Beloved – A Dream Within a Dream
  • Leftfield feat. Toni Halliday – Original
  • Monaco – What Do You Want from Me?
  • Moby – Porcelain
  • Röyksopp – Remind Me (Someone Else’s Radio Mix)
  • The Grid – Rollercoaster
  • Olive – Beyond the Fray
  • Depeche Mode – Enjoy the Silence (Reinterpreted)
  • Peach – From This Moment On
  • Moby – Heaven
  • Way Out West – Blue
  • Bent – Stay the Same
  • Alex Gold feat. Phil Oakey – LA Today
  • Gloworm – Carry Me Home
  • Dirty Vegas – Walk Into the Sun
  • Adamski (with Seal) – Killer
  • Erlend Øye – Sheltered Life (Radio Mix)
  • Beyer & Lenk feat. Tiga – Ananda
  • Moby – The Whispering Wind
  • 808 State – Pacific State
  • Jam & Spoon feat. Rea – Be Angeled

This show was recorded, and for the most part still exists. It will be posted as a Playlist for stowaways soon.

Olive – Trickle

The first thing that might come as a surprise here is that Olive actually recorded a second album. True, they shed a member after the enormous success of Extra Virgin (1996), or specifically the mega-hit You’re Not Alone, which peaked at number 1 the following year. But in 2000, they did return, with the much more pop-sounding Trickle. It was never released in the UK, and it wasn’t exactly successful, but surprisingly it is actually rather good.

The first track is one of the more subdued, the sweet Love Affair. Full of enormous pads and what might in another world be slide guitars, it’s also punctuated by some very lively drumming, coming together as a great mix.

The title track Trickle follows. If you’d only ever dipped into Olive, you might be forgiven for not having realised what an exceptionally good singer Ruth-Ann Boyle actually is. It’s songs like this one – which might have given another vocalist an excuse for a fairly mundane recording – on which she really comes to the fore.

Then comes the one and only single, which is something of a sad fact, although it was pumped full of largely dull remixes. The cover of I’m Not in Love is great though – Boyle’s vocal gives it a haunting quality which wasn’t entirely there in the original, while the slightly trippy pop backing endows it with energy too.

Songs like Smile might on any other album be rather dull, but on this one, it comes together beautifully, again allowing Boyle’s vocals to bring it to life explosively. All You Ever Needed, which follows, has less charm, but still has plenty to enjoy. Ultimately, it’s the slower pieces that grab you the most, as the lovely Indulge Me demonstrates, with its wavering Hammond organ and gentle beats, but ultimately songs like this were never going to be enormous hits.

This is perhaps where Trickle comes unstuck – it’s beautiful, and it is commercial, but it doesn’t quite fit with what the music industry wants us to be listening to – it’s that odd niche genre of relaxed pop music which radio DJs all insist is boring.

But it really isn’t boring, as the wonderful Speak to Me reminds you, and Liberty must be one of the best songs on here, despite the fact that practically nobody has ever heard it. It’s enough to make you very cross indeed.

The faux-orchestral introduction to Push is one of the odder moments now, fifteen years after this album originally saw the light of the day. If you picked up on the lack of Tim Kellett‘s legs on the front cover, you might be reading yourself for something more disturbing, but this is really as close as it comes, and only then because the synth string sounds have suffered the ravages of time somewhat. It’s still a great song.

No such fears for Thank You, with its enormous bass part, or the lovely Creature of Comfort, and then we’re nearly at the end already. The closing track Beyond the Fray, the closest to actual drum and bass that this album really gets, is brilliant, a perfect way to end an hour of music. If you don’t count the quieter and less exciting hidden track Take My Hand, that is.

So Trickle turns out to be a great second album, and a sadly overlooked gem. And sadder still, it would be the last we would see of Olive, save for a few side projects from each of the members. That’s definitely our loss.

Import and download copies of Trickle are still widely available and well worth owning.