French band M83 are back, with another new album, amazingly their eighth already. It’s called DSVII. Here’s Temple of Sorrow:
Here’s a lovely new piece of music from M83, from the Knife + Heart soundtrack, released this week. This is Karl:
This week’s top albums look like this:
- Sparks – Hippopotamus
- Orchestral Manoeuvres in the Dark – The Punishment of Luxury
- Tracey Thorn – Record
- The Radiophonic Workshop – Burials In Several Earths
- David Bowie – Legacy
- Pink Floyd – The Dark Side of the Moon
- The Human League – Anthology – A Very British Synthesizer Group
- The Chemical Brothers – We are the Night
- Alabama 3 – Exile on Coldharbour Lane
- M83 – Dead Cities, Red Seas & Lost Ghosts
I don’t know, you wait eight years for a new Jean-Michel Jarre album, and then three turn up at once. Sorry, I know that’s an obvious thing to say, but it is amusingly apposite. The fun but definitely questionable Téo & Téa (2007) left a slightly iffy taste in a lot of people’s mouths, and apart from the re-recorded and questionably legal version of Oxygène that followed the same year, there was then an extended silence until 2015.
What he was doing, it turns out, was working with every other electronic musician under the sun to create a two volume album, Electronica. The first opens with the sweet title track The Time Machine, with Boys Noize, and then comes one of the opening singles, Glory, with M83. So far, so pleasant.
Both of these albums have been criticised for being a bit disjointed, which, while not entirely unfair, seems a bit of an odd thing to say – of course they are, they’re effectively compilations of collaborations. But the sequence is generally logical, and there isn’t really anything particularly bad on here, so it’s hard to be too critical.
Fellow French musicians Air turn up next, for Close Your Eyes. Some tracks seem to have a lot more of Jarre, and others have a lot more of his collaborators on them, and in general, this one ends up sounding like Air might if they employed Jarre as a producer. That is to say, pretty good.
The first time you can really call something here “brilliant” is on the two parts of Automatic, both collaborations with Vince Clarke. For Clarke, this sounds a lot like his recent solo and collaborative electronic projects, but Jarre’s influence is clearly audible here too, particularly in Part 2, and both halves of the track really are excellent.
The increasingly great Little Boots turns up next, pretty much the only musician other than Jarre to make the laser harp part of their live show, and their collaboration is If..! (yes, two dots). While it’s certainly true that Jarre did something on this one, it’s difficult to know exactly what, but it’s a great song nonetheless.
They keep coming – Immortals, with Fuck Buttons, is an excellent meeting of minds, and while Suns Have Gone with Moby may not be the high point of either artist’s career, you have to be glad that it happened.
It is undeniably an odd list of collaborators though – which is not to say that Gesaffelstein shouldn’t be here – after all, why not? Few might put him in their top thirty living artists of all time list, but the resulting track Conquistador is pretty good. This isn’t so true of Travelator (Part 2) (there doesn’t appear to be a part 1), with Pete Townshend, which I’m not convinced does the legacy of either great musician any particular favours.
That isn’t true of what is apparently Edgar Froese‘s last recorded work, Zero Gravity, which after so many decades finally brings us the joint credit of Jean-Michel Jarre and Tangerine Dream, and it’s ever bit as excellent as it should be. It’s also nice to see Jarre revisiting his earlier musical partner Laurie Anderson for the decidedly odd Rely on Me.
Where these two albums both go a little astray for me is with the number of tracks – they’re varied, but after thirteen pieces of music and with no end in sight, you’re always going to be a little weary. Towards the end of the first volume, we get a fun trance excursion with Armin van Buuren, Stardust, followed by the weirdly dubby Watching You, with 3D from Massive Attack.
Right at the end, John Carpenter turns up for the appropriately creepy A Question of Blood, and finally pianist Lang Lang accompanies an atmospheric piece on album closer The Train & The River. It’s a long, varied, and complex album, but in general it stands well on its own, and if you consider yourself a fan of any sort of electronic music, you should probably be a fan of this.
You can find part 1 of the Electronica project at all major retailers.
Here’s the latest album chart:
- Pet Shop Boys – Super
- Jean-Michel Jarre – Electronica 1: The Time Machine
- New Order – Music Complete
- Conjure One – Holoscenic
- Róisín Murphy – Hairless Toys
- Little Boots – Working Girl
- M83 – Junk
- David Bowie – Best of Bowie
- Leftfield – Alternative Light Source
- David Bowie – Nothing Has Changed
M83 has gone all disco with his latest single Do it, Try it, taken from the new album Junk and accompanied by a picture of a dog sticking its tongue out. Intrigued?
The Live Bit, launched only the preceding week as a new feature, quickly turned out to be way too much trouble and was downsized to just one track, but the Electromix would continue for the rest of the show’s run, this week starring Leeds’s own Utah Saints as the centrepiece.
Show 38: Sat 30 Apr 2005, from 6:00pm-8:00pm
Broadcast on LSR FM, online only. Artist of the week: Apollo 440.
- Moloko – The Time is Now
- System F – Insolation
- Faithless feat. Boy George – Why Go?
- Röyksopp – Remind Me (Someone Else’s Remix)
- Apollo 440 – Astral America
- Mylo – In My Arms (Sharam Jey Remix)
- The Clarke & Ware Experiment – Communication (from Music for Multiple Dimensions)
- New Order feat. Ana Matronic – Jetstream (Richard X Remix)
- LCD Soundsystem – Disco Infiltrator
- Heaven 17 – Being Boiled (Live) [The Live Bit]
- Amorphous Androgynous – The Mello Hippo Disco Show
- Apollo 440 – Pain in Any Language
- Moby – I Like It
- M83 – Teen Angst (Montag Mix)
- Lemon Jelly – Make Things Right
- The Flirts – Passion
- Apollo 440 – Heart Go Boom
- Ladytron – Blue Jeans [Electromix]
- Utah Saints – Love Song [Electromix]
- Piney Gir – Girl [Electromix]
- Jam & Spoon feat. Rea – Be Angeled
The Electromix feature from this show still exists, and will be included on a future Playlist for stowaways.
These are the top ten singles this week:
- Jean-Michel Jarre – Remix EP (I)
- Little Boots – Working Girl
- The Future Sound of London – Point of Departure
- Röyksopp – I Had This Thing
- Moderat – Bad Kingdom
- Little Boots – Better in the Morning
- Moderat – Last Time
- Delerium feat. Miranda Lee Richards – Send Me An Angel
- The Beloved – Love to Love
- Jean-Michel Jarre & M83 – Glory
I suppose I’d have hoped for a slightly longer preview at this stage, but then this is Jean Michel Jarre‘s first album since the iffy Téo & Téa way back in 2007. Before the album, we get this taster, a collaboration with M83 called Glory:
However I tackle it, this review is going to be pretty epic. I’ve got three discs to plough through. But that makes it sound like a chore, which this definitely is not, and since Depeche Mode have a new album coming out next week, it makes sense to go back and look at their last release, their second album Remixes 2: 81-11. So strap yourself in, and let’s take a journey through another thirty years of remixes.
The formula is much the same as their first remix album, 2004’s The Remixes 81-04. You get two discs or so of goodies from the past, followed by a disc of new mixes. This time around, the title is a little deceptive, as the earliest track is actually from 1985, but we’ll forgive them that small oversight.
The first track is Bushwacka‘s brilliant take on 2001’s Dream On, turning it into a strangely chilled out house track which bobs along wonderfully for six minutes or so. M83‘s French electro version of Suffer Well (2006) follows, making for an excellent pair of opening tracks. There are also standout versions of In Chains by Tigerskin and Corrupt by Efdemin, but on balance I think the rest of the first disc is less exciting, and it probably is my least favourite of the three.
Until the final trio of tracks. Nestling seductively in between Spirit Feel‘s Anandamidic mix of Walking in My Shoes (2009) and Darren Price‘s brilliant version of 1997 b-side Slowblow is something rather extraordinary. A new version of one of their finest moments Personal Jesus, remixed by the incredible Stargate.
This was the lead single for the collection, and although not a massive hit, it really was rather special. Transforming the electro-blues-rock stylings of the original into a massive bouncy dance-pop radio-friendly track is nothing short of genius. And it’s every bit as exceptional as that sounds.
Disc 2 kicks off with more bounce in the shape of Trentemøller‘s excellent 2009 version of Wrong, which takes the dark power of the original and channels into something more club-friendly. Great moments follow from François Kevorkian (twice) among others, building up to Jacques Lu Cont‘s remix of A Pain That I’m Used to (2005). This and the moody Monolake mix of The Darkest Star (2006) which follows are the definite highlights of this CD for me. The latter throbs along gently for about six minutes, with the accompaniment of the “whisper” voice from Mac OS X, which always makes for a welcome addition.
The rest of the second disc is consistently strong, with great remixes from United (Barrel of a Gun), Dan the Automator (Only When I Lose Myself) and Ernest Saint Laurent with Sie Medway-Smith (Ghost). And then it’s onto the new stuff in earnest.
Disc three opens with and closes with another two great new mixes of Personal Jesus, the first of which is by Alex Metric, and Eric Prydz follows with his take on Never Let Me Down Again. It’s then time for the first of two spectacularly special moments, as Vince Clarke turns up for his quite excellent version of Behind the Wheel. As with much of his recent work, it’s a lot darker and more electro than you might expect, but it’s still rather brilliant.
The next moment of real fan excitement comes a couple of tracks later when Alan Wilder turns up to take on In Chains. Sounding not unlike Recoil‘s recent work, it does make you wonder slightly what might happen if they were to work together again in earnest.
Röyksopp‘s version of Puppets is every bit as excellent as you would expect, and in fact the vast majority of this final disc is extremely strong. Karlsson and Winnberg (from Miike Snow) are worthy of special mention for the breakdown in the last verse of Tora! Tora! Tora! which serves to underline Dave Gahan‘s wonderful pronunciation of “skellington”.
Joebot‘s version of A Question of Time is a fantastic surprise near the end, and Sie Medway-Smith‘s version of Personal Jesus which closes the collection is very good too. All in all, a great final disc to close an extremely strong remix collection – and I’m not even a huge fan of remixes on the whole.
There are bonus mixes available from various online retailers, although none of the ones I heard was anything particularly special. Stick to the main collection, and you’ve got another quite brilliant album from The Mode. And what more could you ask for?
You can enjoy the triple disc version of the album for a ridiculously bargain price from Amazon UK now.