Ivor Novello Awards Winners 1956-2018 (Part Two)

Last week, we ran through the 63-year history of the Ivor Novello Awards, and listed all the winners in the Song and Album categories, and the special and one-off awards. Let’s finish that journey now, starting with the Artist Award categories.

Artist Awards

Outstanding Services to British Music

  • 1956 – Jack Payne
  • 1957 – A.P. Mantovani
  • 1958 – Ted Heath
  • 1959 – Billy Cotton
  • 1960 – Lionel Bart
  • 1961 – Eric Maschwitz
  • 1962 – Cliff Richard, Jet Harris, Hank Marvin, Tony Meehan and Bruce Welch
  • 1963 – Lawrence Wright
  • 1964 – Brian Epstein, George Harrison, John Lennon, George Martin, Paul McCartney and Ringo Starr
  • 1965 – Paddy Roberts
  • 1966 – BBC TV (for the production of the series ‘A Song For Europe’)
  • 1967 – Joe Loss
  • 1968 – Alan Herbert
  • 1969 – Andrew Gold
  • 1970 – Noel Coward
  • 1971 – Cliff Richard
  • 1972 – Jimmy Kennedy
  • 1973 – Vivian Ellis
  • 1974 – Tolchard Evans
  • 1975 – Vera Lynn
  • 1976 – Dick James
  • 1977 – Adrian Boult
  • 1978 – Harry Mortimer
  • 1979 – George Martin
  • 1980 – Robert Mayer
  • 1981 – William Walton
  • 1982 – Lennox Berkeley
  • 1984 – Andrew Lloyd Webber
  • 1985 – Michael Tippett
  • 1986 – Malcolm Arnold
  • 1987 – Yehudi Menuhin
  • 1988 – David Heneker
  • 1989 – Paul McCartney
  • 1990 – Mick Avory, Dave Davies, Ray Davies, Ian Gibbons and Jim Rodford
  • 1991 – Robert Farnon
  • 1996 – Jeff Lynne

Songwriter of the Year

  • 1970 – Tony Macaulay
  • 1971 – Roger Cook and Roger Greenaway
  • 1972 – Roger Cook and Roger Greenaway
  • 1973 – Gilbert O’Sullivan
  • 1974 – Mike Chapman and Nicky Chinn
  • 1975 – Phil Coulter and Bill Martin
  • 1976 – Wayne Bickerton and Tony Waddington
  • 1977 – Biddu
  • 1978 – Tony Macaulay
  • 1979 – Barry Gibb, Maurice Gibb and Robin Gibb
  • 1980 – Ben Findon
  • 1981 – Ben Findon
  • 1982 – Adam Ant and Marco Pirroni
  • 1983 – Andy Hill
  • 1984 – Annie Lennox and Dave Stewart
  • 1985 – George Michael
  • 1986 – Roland Orzabal
  • 1987 – Annie Lennox and Dave Stewart
  • 1988 – Matt Aitken, Mike Stock and Peter Waterman
  • 1989 – George Michael and Matt Aitken, Mike Stock and Peter Waterman (presented jointly)
  • 1990 – Matt Aitken, Mike Stock and Peter Waterman
  • 1991 – Phil Collins
  • 1992 – Mick Hucknall
  • 1993 – Colin Angus and Richard West
  • 1994 – Gary Barlow
  • 1995 – Tony Mortimer
  • 1996 – Damon Albarn, Graham Coxon, Alex James, Dave Rowntree and Noel Gallagher (presented jointly)
  • 1997 – George Michael
  • 1998 – Richard Ashcroft
  • 1999 – Guy Chambers and Robbie Williams
  • 2000 – Fran Healy
  • 2001 – Craig David and Mark Hill
  • 2002 – Dido Armstrong
  • 2003 – Guy Berryman, Jonny Buckland, Will Champion and Chris Martin
  • 2004 – Ed Graham, Dan Hawkins, Justin Hawkins and Frankie Poullain
  • 2005 – Tom Chaplin, Richard Hughes and Tim Rice-Oxley
  • 2006 – Damon Albarn and Jamie Hewlett
  • 2007 – Dan Gillespie Sells, Ciaran Jeremiah, Kevin Jeremiah, Richard Jones and Paul Stewart
  • 2008 – Mika
  • 2009 – Eg White
  • 2010 – Lily Allen and Greg Kurstin
  • 2011 – Ben Drew
  • 2012 – Adele Adkins
  • 2013 – Calvin Harris
  • 2014 – Tom Odell
  • 2015 – Ed Sheeran
  • 2016 – Adele
  • 2017 – Skepta
  • 2018 – Ed Sheeran

PRS for Music Outstanding Contribution to British Music

  • 1977 – John Bonham, John Paul Jones, Jimmy Page and Robert Plant
  • 1979 – Jeff Lynne
  • 1981 – John Lennon
  • 1982 – Roger Daltrey, John Entwistle, Kenney Jones, Keith Moon and Pete Townshend
  • 1983 – Tony Banks, Phil Collins, Peter Gabriel, Steve Hackett and Mike Rutherford
  • 1984 – Andy Brown, Peter Kircher, Alan Lancaster, Rick Parfitt and Francis Rossi
  • 1985 – Graeme Edge, Justin Hayward, John Lodge, Patrick Moraz and Ray Thomas
  • 1986 – Elton John
  • 1987 – John Deacon, Freddie Mercury, Brian May and Roger Taylor
  • 1988 – Barry Gibb, Maurice Gibb and Robin Gibb
  • 1989 – Mark Knopfler and John Illsley
  • 1990 – David Bowie
  • 1991 – Mick Jagger, Keith Richards, Charlie Watts, Ronnie Wood and Bill Wyman
  • 1992 – David Gilmour, Nick Mason, Roger Waters and Richard Wright
  • 1993 – Bernie Calvert, Allan Clarke, Bobby Elliott, Tony Hicks, Graham Nash and Terry Sylvester
  • 1994 – Tim Rice
  • 1995 – Lonnie Donegan
  • 1996 – Kenney Jones, Ronnie Lane, Steve Marriott and Ian McLagan
  • 1997 – Elvis Costello
  • 1998 – Morrissey
  • 1999 – Chrissie Hynde
  • 2000 – Chris Lowe and Neil Tennant
  • 2001 – Topper Headon, Mick Jones, Paul Simonon and Joe Strummer
  • 2002 – Kate Bush
  • 2003 – Bryan Ferry
  • 2004 – Errol Brown
  • 2005 – Simon Le Bon, Nick Rhodes, Andy Taylor, John Taylor and Roger Taylor
  • 2006 – Ray Davies
  • 2007 – Norman Cook
  • 2008 – Chris Difford and Glenn Tilbrook
  • 2009 – Robert Del Naja, Grant Marshall and Andrew Vowles
  • 2010 – Trevor Horn
  • 2011 – Paul Rodgers
  • 2012 – Gary Barlow, Howard Donald, Jason Orange, Mark Owen and Robbie Williams
  • 2013 – Justin Hayward
  • 2014 – Jeff Beck
  • 2015 – Boy George
  • 2016 – Geoff Barrow, Beth Gibbons and Adrian Utley
  • 2017 – Anne Dudley
  • 2018 – Billy Bragg

International Achievement

  • 1970 – Tom Jones
  • 1980 – Paul McCartney
  • 1991 – Albert Hammond
  • 1992 – Bernie Taupin
  • 1993 – Rod Temperton
  • 1994 – Bono, Adam Clayton, Larry Mullen Jnr and The Edge
  • 1997 – Noel Hogan and Dolores O’Riordan
  • 1998 – Enya, Nicky Ryan and Roma Ryan
  • 1999 – Martin Gore
  • 2001 – Bruce Dickinson, Janick Gers, Steve Harris, Nicko McBrain, Dave Murray and Adrian Smith
  • 2002 – Sting
  • 2003 – Astro, James Brown, Ali Campbell, Robin Campbell, Earl Falconer, Norman Hassan, Brian Travers and Michael Virtue
  • 2004 – Colin Greenwood, Jonny Greenwood, Ed O’Brien, Phil Selway and Thom Yorke
  • 2005 – Robert Smith
  • 2006 – Ian Anderson
  • 2008 – Phil Collins
  • 2010 – Imogen Heap
  • 2011 – Matthew Bellamy, Dominic Howard and Christopher Wolstenholme
  • 2013 – Gavin Rossdale
  • 2014 – Ted Dwane, Ben Lovett, Winston Marshall and Marcus Mumford
  • 2016 – Wayne Hector
  • 2017 – Florence Welch
  • 2018 – Billy Ocean

Outstanding Contribution to British Musical Theatre

  • 1994 – Andrew Lloyd Webber
  • 1996 – Cameron Mackintosh

Lifetime Achievement

  • 1980 – Edgar Yipsel Harburg and Jimmy Kennedy
  • 1983 – Vivian Ellis
  • 1989 – Cliff Richard
  • 1992 – Eric Clapton
  • 1993 – George Shearing
  • 1994 – Ron Goodwin
  • 1995 – Van Morrison
  • 1997 – John Bonham, John Paul Jones, Jimmy Page and Robert Plant
  • 1999 – Rod Stewart
  • 2001 – Pete Townshend
  • 2007 – Peter Gabriel
  • 2008 – David Gilmour
  • 2010 – Paul Weller
  • 2012 – Mark Knopfler
  • 2014 – Christine McVie
  • 2015 – Geezer Butler, Tony Iommi, Ozzy Osbourne and Bill Ward
  • 2016 – Damon Albarn
  • 2017 – Nitin Sawhney

The Jimmy Kennedy Award

  • 1985 – Tommie Connor
  • 1986 – Lionel Bart
  • 1987 – Hugh Charles
  • 1988 – Norman Newell
  • 1989 – Leslie Bricusse
  • 1990 – Herbert Kretzmer
  • 1991 – John Barry
  • 1992 – Tony Hatch and Jackie Trent
  • 1993 – Les Reed
  • 1994 – Roger Cook and Roger Greenaway
  • 1995 – Don Black
  • 1996 – Tony Macaulay
  • 1997 – Mike Chapman and Nicky Chinn
  • 1998 – Barry Mason
  • 1999 – Peter Callander and Mitch Murray
  • 2000 – Geoff Stephens

Outstanding Song Collection

  • 1993 – Marcella Detroit, Siobhan Fahey and Dave Stewart
  • 1994 – Paul Weller
  • 1995 – Elvis Costello
  • 1996 – Joan Armatrading
  • 1997 – Richard Thompson
  • 1998 – Johnny McElhone and Sharleen Spiteri
  • 1999 – Wallis Buchanan, Simon Katz, Jason Kay, Derrick McKenzie, Toby Smith and Stuart Zender
  • 2000 – Mike Barson, Mark Bedford, Chris Foreman, Cathal Smyth, Suggs, Lee Thompson and Daniel Woodgate
  • 2001 – Roy Wood
  • 2002 – Mick Hucknall
  • 2003 – Bono, Adam Clayton, Larry Mullen Jnr and The Edge
  • 2004 – Lol Crème, Kevin Godley, Graham Gouldman and Eric Stewart
  • 2005 – John Deacon, Brian May, Freddie Mercury and Roger Taylor
  • 2006 – Philip Cunningham, Gillian Gilbert, Peter Hook, Stephen Morris and Bernard Sumner
  • 2007 – Yusuf Islam
  • 2008 – Gabrielle
  • 2009 – Vince Clarke
  • 2011 – Steve Winwood
  • 2012 – Gary Kemp
  • 2013 – Noel Gallagher
  • 2014 – Tom Rowlands and Ed Simons
  • 2015 – Albert Hammond
  • 2016 – Charlie Burchill, Derek Forbes, Jim Kerr and Mick MacNeil
  • 2017 – Pulp
  • 2018 – Cathy Dennis

PRS for Music Special International Award

  • 1999 – Hal David
  • 2000 – Jerry Leiber and Mike Stoller
  • 2001 – Stevie Wonder
  • 2002 – Benny Andersson and Bjorn Ulvaeus
  • 2003 – Brian Wilson
  • 2004 – Lamont Dozier, Brian Holland and Eddie Holland
  • 2005 – Lou Reed
  • 2006 – Kenny Gamble and Leon Huff
  • 2007 – Quincy Jones
  • 2008 – Diane Warren
  • 2009 – Smokey Robinson
  • 2010 – Neil Sedaka
  • 2011 – Stephen Sondheim
  • 2012 – Jimmy Webb
  • 2013 – Randy Newman
  • 2014 – Nile Rodgers
  • 2015 – Paul Williams
  • 2016 – Bryan Adams
  • 2017 – Bill Withers
  • 2018 – Lionel Richie

BASCA Fellowship

  • 2006 – Barry Gibb, Maurice Gibb and Robin Gibb
  • 2009 – David Ferguson
  • 2009 – Don Black
  • 2010 – Tim Rice
  • 2012 – Andrew Lloyd Webber
  • 2015 – Annie Lennox

The Ivors Inspiration Award

  • 2008 – Jazzie B
  • 2009 – Edwyn Collins
  • 2010 – Johnny Marr
  • 2011 – Dizzee Rascal
  • 2012 – Siouxsie Sioux
  • 2013 – Marc Almond
  • 2014 – Jerry Dammers
  • 2015 – James Dean Bradfield, Sean Moore and Nicky Wire
  • 2016 – Mark Day, Paul Davis, Paul Ryder, Shaun Ryder and Gary Whelan
  • 2017 – Gary Numan
  • 2018 – Shane MacGowan

The Ivors Classical Music Award

  • 2003 – Boots of Lead – Simon Holt
  • 2004 – Richard Rodney Bennett
  • 2005 – John Tavener
  • 2006 – Harrison Birtwistle
  • 2007 – John Rutter
  • 2008 – Jonathan Dove
  • 2009 – James MacMillan
  • 2010 – Peter Maxwell Davies
  • 2011 – Michael Nyman
  • 2013 – Errollyn Wallen
  • 2014 – John McCabe
  • 2015 – Judith Weir
  • 2016 – Oliver Knussen
  • 2018 – Thea Musgrave

The Ivors Jazz Award

  • 2012 – Stan Tracey
  • 2017 – John Surman

Genre or Style-Specific Awards

Best Instrumental or Light Orchestral Work

  • 1956 – The Dam Busters – Eric Coates
  • 1957 – The Westminster Waltz – Robert Farnon
  • 1958 – Elizabethan Serenade – Ronald Binge
  • 1959 – Lingering Lovers – Ron Goodwin
  • 1960 – Windows of Parish – Tony Osborne
  • 1961 – Seashore – Robert Farnon
  • 1962 – The Secrets of the Seine – Tony Osborne
  • 1963 – Nicola – Steve Race
  • 1964 – Carlos’ Theme – Ivor Slaney
  • 1965 – Bombay Duckling – Max Harris
  • 1966 – March of the Mods – Tony Carr
  • 1967 – The Power Game – Wayne Hill
  • 1968 – Love in the Open Air – Paul McCartney
  • 1969 – Ring of Kerry – Peter Hope
  • 1971 – March from the Colour Suite – Gordon Langford
  • 1975 – Four Dances from Aladdin – Ernest Tomlinson
  • 1976 – Introduction and Air to a Stained Glass Window – John Gregory
  • 1977 – Rain Forest – Biddu
  • 1978 – Cavatina – Stanley Myers
  • 1979 – Song For Guy – Elton John
  • 1980 – War of the Worlds – Jeff Wayne and Gary Osborne

Best Comedy Song

  • 1956 – Got’n Idea – Paddy Roberts and Jack Woodman
  • 1958 – Three Brothers – Paddy Roberts
  • 1959 – I’m So Ashamed – Ken Hare
  • 1960 – The Ballad of Bethnal Green – Paddy Roberts
  • 1964 – Flash, Bang, Wallop – David Heneker
  • 1966 – A Windmill In Old Amsterdam – Ted Dicks and Myles Rudge
  • 1967 – Hev Yew Gotta Loight, Boy? – Allan Smethurst
  • 1968 – Grocer Jack – Keith West and Mark Wirtz
  • 1969 – I’m the Urban Spaceman – Neil Innes
  • 1971 – Grandad – Herbie Flowers and Ken Pickett
  • 1972 – Ernie – Benny Hill
  • 1973 – The People Tree – Leslie Bricusse and Anthony Newley
  • 1974 – Nice One Cyril – Helen Clarke and Harold Spiro

Best Swing / Rhythm Composition

  • 1956 – Big City Suite – Ralph Dollimore
  • 1957 – Itinerary of an Orchestra – Johnny Dankworth and Dave Lindup
  • 1958 – Overdrive – Tommy Watt

Best Jazz Work

  • 1959 – The Colonel’s Tune – Johnny Dankworth
  • 1960 – Beaulieu Festival Suite – Kenny Graham
  • 1961 – Apache – Jerry Lordan
  • 1962 – African Waltz – Galt Macdermot
  • 1963 – Outbreak of Murder – Gordon Franks
  • 1964 – What the Dickens – Johnny Dankworth

Best Beat Song

  • 1966 – It’s Not Unusual – Gordon Mills and Les Reed
  • 1969 – Build Me Up Buttercup – Michael D’Abo and Tony Macaulay
  • 1974 – Rubber Bullets – Lol Crème, Kevin Godley and Graham Gouldman

Best Ballad or Romantic Song

  • 1969 – I Close My Eyes And Count To Ten – Clive Westlake
  • 1971 – Home Lovin’ Man – Roger Cook, Roger Greenaway and Tony Macaulay
  • 1972 – No Matter How I Try – Gilbert O’Sullivan
  • 1973 – The First Time Ever I Saw Your Face – Ewan MacColl
  • 1974 – Won’t Somebody Dance with Me – Lynsey De Paul

The Best Pop Song

  • 1971 – Love Grows – Tony Macaulay and Barry Mason
  • 1972 – Simple Game – Mike Pinder
  • 1973 – Oh Babe What Could I Say – Hurricane Smith
  • 1974 – You Won’t Find Another Fool Like Me – Tony Macaulay and Geoff Stephens
  • 1975 – Kung Fu Fighting – Carl Douglas
  • 1976 – I’m Not In Love – Graham Gouldman and Eric Stewart
  • 1977 – Don’t Go Breaking My Heart – Elton John and Bernie Taupin
  • 1978 – How Deep Is Your Love – Barry, Robin and Maurice Gibb
  • 1979 – Baker Street – Gerry Rafferty
  • 1980 – I Don’t Like Mondays – Bob Geldof
  • 1981 – Stop the Cavalry – Jona Lewie
  • 1982 – Every Little Thing She Does is Magic – Sting
  • 1983 – Our House – Carl Smyth and Chris Foreman
  • 1984 – Karma Chameleon – Boy George, John Moss, Michael Craig, Roy Hay and Phil Pickett

Best Middle of the Road Song

  • 1976 – Harry – Catherine Howe
  • 1977 – Music – John Miles

The Ivors Dance Award

  • 1998 – You’re Not Alone – Tim Kellett and Robin Taylor-Firth
  • 1999 – Horny – Mousse T and Errol Rennalls
  • 2000 – Re-Rewind – Mark Hill/Craig David
  • 2001 – Woman Trouble – Mark Hill, Craig David, Robbie Craig and Pete Devereux
  • 2002 – Can’t Get You Out Of My Head – Cathy Dennis and Rob Davis
  • 2003 – Lazy – Ashley Beedle, Darren House, Darren Rock and David Byrne
  • 2004 – Strict Machine – Alison Goldfrapp, Will Gregory and Nick Batt

Musicals, Films, Television, Radio, and Video Games

The Best Song From a Musical

  • 1956 – Salad Days – Dorothy Reynolds and Julian Slade
  • 1958 – Free as Air – Dorothy Reynolds, Julian Slade
  • 1960 – Lock Up Your Daughters – Lionel Bart and Laurie Johnson
  • 1961 – Oliver! – Lionel Bart
  • 1962 – Stop the World I Want to Get Off – Leslie Bricusse and Anthony Newley
  • 1966 – Charlie Girl – David Heneker and John Taylor
  • 1972 – I Don’t Know How To Love Him – Andrew Lloyd Webber and Tim Rice

Best British Musical

  • 1963 – Summer Holiday – Brian Bennett, Stanley Black, Ronald Cass, Mike Conlin, Hank Marvin, Peter Myers, Cliff Richard and Bruce Welch
  • 1965 – Robert and Elizabeth – Ron Grainer and Ronald Millar
  • 1974 – Jesus Christ Superstar – Andrew Lloyd Webber and Tim Rice
  • 1975 – Treasure Island – Cyril Ornadel and Hal Shaper
  • 1976 – Great Expectations – Cyril Ornadel and Hal Shaper
  • 1978 – Privates on Parade – Denis King and Peter Nicholls
  • 1979 – Evita – Andrew Lloyd Webber and Tim Rice
  • 1980 – Songbook – Monty Norman and Julian Mo
  • 1982 – Cats – Andrew Lloyd Webber and Trevor Nunn
  • 1983 – Windy City – Tony Macaulay and Dick Vosburgh
  • 1984 – Blood Brothers – Willie Russell
  • 1985 – The Hired Man – Howard Goodall
  • 1986 – Me and My Girl – Reginald Armitage and Douglas Furber
  • 1987 – The Phantom of the Opera – Charles Hart, Andrew Lloyd Webber and Richard Stilgoe
  • 1990 – Aspects of Love – Don Black, Charles Hart and Andrew Lloyd Webber
  • 1992 – Joseph and the Amazing Technicolor Dreamcoat – Andrew Lloyd Webber and Tim Rice

Best Film Score Theme or Song

  • 1957 – The March Hare – Philip Green
  • 1959 – Inn of the Sixth Happiness – Malcolm Arnold
  • 1967 – Born Free – John Barry and Don Black
  • 1973 – Diamonds Are Forever – John Barry and Don Black
  • 1978 – How Deep Is Your Love – Barry Gibb, Robin Gibb and Maurice Gibb
  • 1979 – Bright Eyes – Mike Batt
  • 1980 – Caravans – Mike Batt
  • 1981 – Xanadu – Jeff Lynne
  • 1982 – The French Lieutenant’s Woman – Carl Davis
  • 1983 – For All Mankind – Ravi Shankar and George Fenton
  • 1984 – Going Home – Mark Knopfler
  • 1985 – We All Stand Together – Paul McCartney
  • 1986 – We Don’t Need Another Hero – Graham Lyle and Terry Britten
  • 1987 – Sweet Freedom – Rod Temperton
  • 1988 – Cry Freedom – George Fenton and Jonas Gwangwa
  • 1989 – Two Hearts – Phil Collins and Lamont Dozier
  • 1990 – Henry V Nons Nobis Domine – Patrick Doyle
  • 1991 – Witches – Stanley Myers
  • 1992 – Under Suspicion – Christopher Gunning
  • 1993 – Tears in Heaven – Eric Clapton and Will Jennings
  • 1994 – The Piano – Michael Nyman
  • 1995 – Circle of Life – Elton John and Tim Rice
  • 1996 – Have You Ever Really Loved A Woman – Robert John ‘Mutt’ Lange, Michael Kamen and Bryan Adams
  • 1998 – Picture of You – Paul Wilson, Andy Watkins, Ronan Keating and Eliot Kennedy
  • 1999 – The Flame Still Burns – Chris Difford, Marti Frederiksen and Mick Jones

Best Original Film Score

  • 1968 – Doctor Dolittle – Leslie Bricusse
  • 1969 – Madwoman of Caillot – Michael Lewis
  • 1976 – Murder on the Orient Express – Richard Rodney Bennett
  • 1979 – The Silent Witness – Alan Hawkshaw
  • 1995 – Shadowlands – George Fenton
  • 1996 – Don Juan De Marco – Michael Kamen
  • 1997 – 101 Dalmatians – Michael Kamen
  • 1998 – William Shakespeare’s Romeo + Juliet – Craig Armstrong, Marius De Vries and Nellee Hooper
  • 1999 – Firelight – Christopher Gunning
  • 2000 – The World Is Not Enough – David Arnold
  • 2001 – X-Men – Michael Kamen
  • 2002 – Shrek – Harry Gregson-Williams and John Powell
  • 2003 – The Quiet American – Craig Armstrong
  • 2004 – Max – Dan Jones
  • 2005 – Enduring Love – Jeremy Sams
  • 2006 – Evil – Francis Shaw
  • 2007 – Ice Age: The Meltdown – John Powell
  • 2008 – Atonement – Dario Marianelli
  • 2009 – There Will Be Blood – Jonny Greenwood
  • 2010 – Ice Age 3: Dawn of the Dinosaurs – John Powell
  • 2011 – How To Train Your Dragon – John Powell
  • 2012 – The First Grader – Alex Heffes
  • 2013 – Anna Karenina – Dario Marianelli
  • 2014 – The Epic of Everest – Simon Fisher Turner
  • 2015 – ‘71 – David Holmes
  • 2016 – Ex_Machina – Geoff Barrow and Ben Salisbury
  • 2017 – Kubo and the Two Strings – Dario Marianelli
  • 2018 – Jackie – Mica Levi

Best Television or Radio Theme or Song

  • 1962 – The Maigret Theme – Ron Grainer
  • 1963 – Steptoe and Son – Ron Grainer
  • 1964 – Theme from ‘The Avengers’ – Johnny Dankworth
  • 1965 – Not So Much a Programme, More a Way of Life – Caryl Brahms, Ron Grainer and Ned Sherrin
  • 1971 – Who Do You Think You Are Kidding Mr Hitler – Jimmy Perry and Derek Taverner
  • 1974 – Galloping Home – Denis King
  • 1975 – No Honestly! – Lynsey De Paul
  • 1976 – The Edwardians (Upstairs, Downstairs Theme) – Alexander Faris
  • 1977 – Sam – John McCabe
  • 1978 – Poldark – Kenyon Emrys-Roberts
  • 1979 – Lillie – Joseph Horovitz
  • 1980 – Nunc Dimittis – Geoffrey Burgon
  • 1981 – I Could Be So Good for You – Gerard Kenny and Patricia Waterman
  • 1982 – Brideshead Revisited – Geoffrey Burgon
  • 1983 – Theme From Harry’s Game – Paul Brennan
  • 1984 – That’s Livin’ Alright – David Mackay and Ken Ashby
  • 1985 – Jewel in the Crown – George Fenton
  • 1986 – Edge of Darkness – Eric Clapton and Michael Kamen
  • 1987 – The Monocled Mutineer – George Fenton
  • 1988 – Fortunes of War – Richard Holmes
  • 1989 – Testament – Nigel Hess
  • 1990 – Ruth Rendell Mysteries – Brian Bennett
  • 1991 – Victorian Kitchen – Paul Reade
  • 1992 – Darling Buds of May – Philip Burley and Barrie Guard
  • 1993 – Civvies – Michael Storey
  • 1994 – Stalag Luft – Stanley Myers
  • 1995 – Middlemarch – Stanley Myers
  • 1996 – The Hanging Gale – Shaun Davey
  • 1997 – Hetty Wainthropp Investigates – Nigel Hess
  • 1998 – Rebecca – Christopher Gunning
  • 1999 – Close Relations – Rob Lane
  • 2000 – Trial By Fire – Richard G Mitchell
  • 2001 – Gormenghast – Richard Rodney Bennett
  • 2002 – The Blue Planet – George Fenton

Best Television or Radio Soundtrack

  • 1973 – Colditz – Robert Farnon
  • 2003 – Feltham Sings – Dextrous and Simon Armitage
  • 2004 – The Young Visitors – Nicholas Hooper
  • 2005 – Blackpool – Rob Lane
  • 2006 – Elizabeth I – Rob Lane
  • 2007 – The Virgin Queen – Martin Phipps
  • 2008 – Oliver Twist – Martin Phipps
  • 2009 – Wallace and Gromit (A Matter of Loaf and Death) – Julian Nott
  • 2010 – Desperate Romantics – Daniel Pemberton
  • 2011 – Any Human Heart – Dan Jones
  • 2012 – The Shadow Line – Martin Phipps
  • 2013 – Lucian Freud: Painted Life – John Harle
  • 2014 – Ripper Street – Dominik Scherrer
  • 2015 – The Honourable Woman – Natalie Holt and Martin Phipps
  • 2016 – London Spy – Keefus Ciancia and David Holmes
  • 2017 – War and Peace – Martin Phipps
  • 2018 – The Miniaturist – Dan Jones

Best Theme from a Commercial

  • 1990 – Abbey Endings (Abbey National) – Lionel Bart
  • 1991 – Only You (Fiat Tempra) – Geoff MacCormack and Simon Goldenberg
  • 1992 – Driven By You (Ford Motor Company) – Brian May

Best Original Video Game Score

  • 2010 – Killzone 2 – Joris de Man
  • 2011 – Napoleon: Total War – Richard Beddow, Richard Birdsall and Ian Livingstone
  • 2018 – Horizon Zero Dawn – Joris de Man, Joe Henson and Alexis Smith

Ivor Novello Awards – The 1990s

Ivor Novello Awards 1990

Grosvenor House in London hosted the Ivor Novello Awards on 2nd April 1990.

  • Best Contemporary Song: All Around the World, written by Lisa Stansfield, Ian Devaney and Andrew Morris. Also nominated: Back to Life (However Do You Want Me), performed by Soul II Soul, written by Jazzie B, Caron Wheeler, Nellee Hooper and Simon LawShe Drives Me Crazy, performed by Fine Young Cannibals, written by David Steele and Roland Gift
  • Best Song Musically and Lyrically: The Living Years, performed by Mike + The Mechanics, written by BA Robertson and Mike Rutherford. Also nominated: Another Day in Paradise, written by Phil Collins; Room in Your Heart, performed by Living in a Box, written by Marcus Vere, Richard Darbyshire and Albert Hammond
  • Best Theme from a TV/Radio Production: Ruth Rendell Mysteries, written by Brian Bennett. Also nominated: Sherlock Holmes, written by Patrick Gowers; Agatha Christie’s Poirot, written by Christopher Gunning
  • Best Film Theme or Song: Henry V Nons Nobis Domine, written by Patrick Doyle. Also nominated: Nothing Has Been Proved, written by Neil Tennant and Chris Lowe; Travelling East, written by Eric Clapton and Michael Kamen
  • The Jimmy Kennedy Award: Herbert Kretzmer
  • Best Selling ‘A’ Side: Too Many Broken Hearts, performed by Jason Donovan, written by Stock Aitken Waterman (Mike Stock, Matt Aitken and Pete Waterman). Also nominated: Back to Life (However Do You Want Me); Something’s Gotten Hold of My Heart, performed by Marc Almond and Gene Pitney, written by Roger Cook and Roger Greenaway
  • International Hit of the Year: She Drives Me Crazy. Also nominated: Buffalo Stance, written by Cameron Mcvey, Philip Ramacon, Neneh Cherry and Jamie Morgan; Another Day in Paradise, written by Phil Collins
  • Best Theme from a TV/Radio Commercial: Abbey Endings (Abbey National), written by Lionel Bart. Also nominated: Big Day (Maxwell House), written by David Mindel; Terry Keeps His Clips On (Toshiba), written by Viv Stanshall
  • The Best British Musical: Aspects of Love, written by: Don Black, Charles Hart and Andrew Lloyd Webber
  • Outstanding Contribution to British Music: David Bowie
  • Most Performed Work: This Time I Know It’s for Real, written by Stock Aitken Waterman and Donna Summer. Also nominated: Something’s Gotten Hold of My HeartToo Many Broken Hearts
  • Songwriters of the Year: Stock Aitken Waterman
  • Outstanding Services to British Music: The Kinks (Mick Avory, Dave Davies, Ray Davies, Ian Gibbons and Jim Rodford)

Ivor Novello Awards 1991

The 1991 ceremony took place at Grosvenor House in London on 2nd May 1991.

  • Best Contemporary Song: Killer, written by Adam ‘Adamski’ Tinley and Seal. Also nominated: Don’t Worry, written by Kim Appleby, Craig Logan and George Deangelis; Unbelievable, performed by EMF, written by James Atken, Ian Dench, Zachary Foley, Mark Decloedt and Deran Brownson
  • Best Song Musically and Lyrically: Sacrifice, written by Elton John and Bernie Taupin. Also nominated: We Let the Stars Go, performed by Prefab Sprout, written by Paddy McaloonNothing Ever Happens, performed by Del Amitri, written by Justin Currie
  • Best Theme from a TV/Radio Production: Victorian Kitchen, written by Paul Reade. Also nominated: Tidy Endings, written by Stanley Myers; The Green Man, written by Tim Souster
  • Best Film Theme or Song: Witches, written by Stanley Myers. Also nominated: Arachnophobia, written by Trevor Jones; Lily Was Here, written by Dave Stewart
  • The Jimmy Kennedy Award: John Barry
  • Best Selling ‘A’ Side: Sacrifice / Healing Hands, written by Elton John and Bernie Taupin. Also nominated: World in Motion, performed by Englandneworder (New Order), written by Bernard Sumner, Stephen Morris, Gillian Gilbert, Keith Allen and Peter Hook; Killer, written by Adam ‘Adamski’ Tinley and Seal
  • Best Theme from a TV/Radio Commercial: Only You (Fiat Tempra), written by Geoff MacCormack and Simon Goldenberg. Also nominated: Citric Bite (Schweppes Tonic), written by Don Gould and James LowtherNick of Time (Audi), written by Tony Sadler and Gaynor Sadler
  • International Hit of the Year: All Around the World, written by Lisa Stansfield, Ian Devaney and Andrew Morris. Also nominated: Close to You, performed by Maxi Priest, written by Gary Benson, Winston Sela and Maxi Elliott; I’ve Been Thinking About You, performed by Londonbeat, written by George Chandler, Jimmy Chambers, Jimmy Helms and Liam Henshall
  • Special Award for International Achievement: Albert Hammond
  • PRS Most Performed Work: Blue Savannah, performed by Erasure, written by Andy Bell and Vince Clarke. Also nominated: All I Wanna Do Is Make Love to You, performed by Heart, written by Robert John ‘Mutt’ LangeKiller, written by Adam ‘Adamski’ Tinley and Seal
  • Outstanding Services to British Music: Robert Farnon
  • Songwriter of the Year: Phil Collins
  • Outstanding Contribution to British Music: Mick Jagger, Keith Richards, Charlie Watts, Ronnie Wood and Bill Wyman

Ivor Novello Awards 1992

May 1992 saw Grosvenor House in London host the 37th Ivor Novello Awards ceremony.

  • Best Contemporary Song: Crazy, written by Seal. Also nominated: Walking Down Madison, written by Kirsty MacColl and Johnny Marr; Sit Down, written by Timothy Booth, Lawrence Gott, James Glennie and Gavan Whelan
  • Best Song Musically and Lyrically: The Whole of the Moon, performed by The Waterboys, written by Mike Scott. Also nominated: The Show Must Go On, performed by Queen, written by Freddie Mercury, Brian May, Roger Taylor and John Deacon; Stars, performed by Simply Red, written by Mick Hucknall
  • Best Theme from a TV/Radio Production: The Darling Buds of May, written by Philip Burley and Barrie Guard. Also nominated: Clarissa, written by Colin Towns; A Question of Attribution, written by Gerald Gouriet
  • Best Theme from a TV/Radio Commercial: Driven By You (Ford Motor Company), written by Brian May. Also nominated: Eagle Star – Reflections (Eagle Star Insurance), written by RAF Ravenscroft and Kevin Dillon-LambExcaliber (Carling Black Label), written by Rachel Portman
  • The Jimmy Kennedy Award: Tony Hatch and Jackie Trent
  • Best Selling ‘A’ Side: Bohemian Rhapsody / These are the Days of Our Lives, performed by Queen, written by Freddie Mercury, Brian May, Roger Taylor and John Deacon. Also nominated: Any Dream Will Do, performed by Jason Donovan, written by Andrew Lloyd Webber and Tim Rice; I’m Too Sexy, performed by Right Said Fred, written by Fred Fairbrass, Rob Manzoli and Richard Fairbrass
  • Best Film Theme or Song: Under Suspicion, written by Christopher Gunning. Also nominated: Dances with Wolves, written by John Barry; The One and Only, written by Nik Kershaw
  • International Hit of the Year: Crazy, written by Seal. Also nominated: Unbelievable; 3 AM Eternal, performed by The KLF, written by Bill Drummond, Jimmy Cauty and Ricky Lyte
  • Award in Recognition of the Exceptional Success of a Single Song: Everything I Do (I Do It For You), written by: Bryan Adams, Michael Kamen and Robert John ‘Mutt’ Lange
  • Best British Musical: Joseph and the Amazing Technicolor Dreamcoat, written by: Andrew Lloyd Webber and Tim Rice
  • PRS Most Performed Work: I’m Too Sexy. Also nominated: The One and Only, performed by Curtis Stigers, written by Nik Kershaw; Any Dream Will Do, written by Andrew Lloyd Webber and Tim Rice
  • Outstanding Contribution to British Music: David Gilmour, Nick Mason, Roger Waters and Richard Wright
  • Songwriter of the Year: Mick Hucknall
  • Special Award for International Achievement: Bernie Taupin
  • Lifetime Achievement Award: Eric Clapton

Ivor Novello Awards 1993

26th May 1993 saw Grosvenor House in London host the Ivor Novello Awards.

  • Best Contemporary Song: Would I Lie to You, performed by Charles and Eddie, written by Peter Vale and Mick Leeson. Also nominated: Stay, performed by Shakespears Sister, written by Marcella Detroit, Siobhan Fahey and Dave Stewart; Friday I’m In Love, performed by The Cure, written by Robert Smith, Simon Gallup, Porl Thompson, Boris Williams and Perry Bamonte
  • Best Song Musically and Lyrically: Why, written by Annie Lennox. Also nominated: The Disappointed, performed by XTC, written by Andy Partridge; Tears in Heaven, written by Eric Clapton and Will Jennings
  • Best Theme from a TV / Radio Production: Civvies, composed by Michael Storey. Also nominated: Blackheath Poisonings, written by Colin Towns; Kyrie Eleison, written by Christopher Gunning
  • Best Film Theme or Song: Tears in Heaven, written by Eric Clapton and Will Jennings. Also nominated: Final Analysis, written by George Fenton; Chaplin, written by John Barry
  • Songwriters of the Year: Colin Angus and Richard West
  • PRS Most Performed Work: Deeply Dippy, performed by Right Said Fred, written by Fred Fairbrass, Rob Manzoli and Richard Fairbrass. Also nominated: Would I Lie to You; Stay
  • Best Selling Song: Would I Lie to You. Also nominated: Goodnight Girl, performed by Wet Wet Wet, written by Marti Pellow, Neil Mitchell, Tom Cunningham and Graeme Clark; Ain’t No Doubt, written by Jimmy Nail, Danny Schogger, Charlie Dore and Guy Pratt; Stay
  • International Hit of the Year: Would I Lie to You. Also nominated: Stay; Tears in Heaven; Why
  • The Jimmy Kennedy Award: Les Reed
  • Outstanding Contemporary Song Collection: Marcella Detroit, Siobhan Fahey and Dave Stewart
  • Outstanding Contribution to British Music: Bernie Calvert, Allan Clarke, Bobby Elliott, Tony Hicks, Graham Nash and Terry Sylvester
  • Lifetime Achievement Award: George Shearing
  • Special Award for International Achievement: Rod Temperton

Ivor Novello Awards 1994

The 1994 ceremony took place at Grosvenor House on 25th May.

  • Best Contemporary Song: Pray, performed by Take That, written by Gary Barlow. Also nominated: Moving On Up, performed by M People, written by Paul Heard and Mike Pickering; Arranged Marriage, performed by Apache Indian, written by Stephen Kapur, Simon Duggal and Diamond Duggal
  • Best Song Musically and Lyrically: If I Ever Lose My Faith in You, written by Sting. Also nominated: Ordinary World, performed by Duran Duran, written by Simon Le Bon, Nick Rhodes, John Taylor and Warren Cuccurullo; I Don’t Wanna Fight, performed by Tina Turner, written by Steve Duberry, Billy Lawrie and Lulu
  • Best Theme from a TV/Radio Production: Stalag Luft, written by Stanley Myers. Also nominated: Harnessing Peacocks, written by Richard Holmes; Unnatural Causes, written by Richard Harvey
  • Best Film Theme or Song: The Piano, written by Michael Nyman. Also nominated: Into the West, written by Patrick Doyle; Indochine, written by Patrick Doyle
  • The PRS Most Performed Work: Ordinary World. Also nominated: Little Bird, written by Annie Lennox; Tears in Heaven
  • Best Selling Song: Mr Blobby, written by David Rogers and Paul Shaw. Also nominated: Dreams, written by Timothy Laws and Gabrielle; Babe, performed by Take That, written by Gary Barlow
  • The International Hit of the Year: Living on My Own, written by Freddie Mercury. Also nominated: I Feel You, performed by Depeche Mode, written by Martin Gore; Ordinary World, written by Simon Le Bon, Nick Rhodes, John Taylor and Warren Cuccurullo
  • The Outstanding Contemporary Song Collection: Paul Weller
  • The Jimmy Kennedy Award: Roger Cook and Roger Greenaway
  • Lifetime Achievement Award: Ron Goodwin
  • Outstanding Contribution to British Music: Tim Rice
  • Special Award for International Achievement: Bono, Adam Clayton, Larry Mullen Jnr and The Edge
  • Outstanding Contribution to British Musical Theatre: Andrew Lloyd Webber
  • Songwriter of the Year: Gary Barlow

Ivor Novello Awards 1995

Forty years into its history, the 1995 ceremony took place at Grosvenor House on 23rd May.

  • Outstanding Contribution to British Music: Lonnie Donegan
  • Best Contemporary Song: You Gotta Be, written by Des’ree Weekes and Ashley Ingram. Also nominated: Parklife, performed by Blurwritten by Damon Albarn, Graham Coxon, Alex James and Dave RowntreeZombieperformed by The Cranberrieswritten by Delores O’Riordan
  • Best Song Musically & Lyrically: Think Twice, performed by Celine Dion, written by Andy Hill and Peter Sinfield. Also nominated: Patience of Angels, performed by Eddi Reader, written by Boo Hewerdine; Dear John, written by Mark Nevin and Kirsty McColl
  • Best Theme from a TV/Radio Production: Middlemarch, written by Stanley Myers. Also nominated: Crocodile Shoes, written by Tony McAnaney; Beyond the Clouds, written by George Fenton
  • Best Commissioned Film Score: Shadowlands, written by George Fenton. Also nominated: Deadly Advice, written by Richard HarveyThe Joy Luck Club, written by Rachel Portman
  • Best Song Included in a Film: Circle of Life, written by Elton John and Tim Rice. Also nominated: Love is All Around, performed by Wet Wet Wet, written by Reg Presley; In the Name of Our Father, performed by U2, written by Bono, Gavin Friday and Maurice Roycroft
  • The Radio 1 Award for Continuing Innovation in Music: Brian Eno
  • The Best Selling Song: Love is All Around. Also nominated: Baby Come Back, performed by Pato Banton, written by Eddy GrantStay Another Day, performed by East 17, written by Tony Mortimer, Dominic Hawken and Robert Kean
  • International Hit of the Year: Love is All Around. Also nominated: 7 Seconds, written by Cameron McVey, Jonathan Peter Sharp, Youssou N’Dour and Neneh Cherry; Baby I Love Your Way, performed by Big Mountain, written by Peter Frampton; Without You, performed by Mariah Carey, written by Pete Ham and Tom Evans
  • The PRS Most Performed Work: Love is All Around. Also nominated: Stay Another DayBaby Come Back
  • The Jimmy Kennedy Award: Don Black
  • Lifetime Achievement Award: Van Morrison
  • The Outstanding Contemporary Song Collection: Elvis Costello
  • Songwriter of the Year: Tony Mortimer

Ivor Novello Awards 1996

Grosvenor House in London hosted the Ivor Novello Awards on 30th May 1996.

  • The PRS Most Performed Work: Back for Good, performed by Take That, written by Gary Barlow. Also nominated: No More I Love Yous, performed by Annie Lennox, written by David Freeman and Joseph Hughes; A Girl Like You, written by Edwyn Collins
  • The Best Selling Song: Back for Good. Also nominated: Fairground, performed by Simply Red, written by Mick Hucknall; Missing, performed by Everything But The Girl, written by Tracey Thorn and Ben Watt
  • International Hit of the Year: Kiss from a Rose, written by Seal. Also nominated: Back for Good; No More I Love Yous
  • Best Contemporary Song: Alright, performed by Supergrass, written by Danny Goffrey, Gaz Coombes and Michael Quinn. Also nominated: Wonderwall, performed by Oasis, written by Noel Gallagher; A Girl Like You, written by Edwyn Collins
  • Best Song Musically and Lyrically: Common People, performed by Pulp, written by Jarvis Cocker, Nick Banks, Candida Doyle, Steve Mackey and Russell Senior. Also nominated: No More I Love Yous; Back for Good
  • Best Commissioned Film Score: Don Juan De Marco, composed by Michael Kamen. Also nominated: Pin for the Butterfly, composed by Ilona SekaczNostradamus, composed by Barrington Pheloung
  • Best Commissioned Score from a TV/Radio Production: The Hanging Gale, written by Shaun Davey. Also nominated: Pride & Prejudice, written by Carl Davis; Yugoslavia, written by Debbie Wiseman
  • Best Song Included in a Film or Television Programme: Have You Ever Really Loved a Woman, composed by Robert John ‘Mutt’ Lange, Michael Kamen and Bryan Adams. Also nominated: Kiss from a Rose, composed by SealGoldeneye, performed by Tina Turner, composed by Bono and The Edge
  • The Jimmy Kennedy Award: Tony Macaulay
  • Outstanding Contribution to British Musical Theatre: Cameron Mackintosh
  • An Outstanding Contemporary Song Collection: Joan Armatrading
  • Songwriters of the Year: Blur (Damon Albarn, Graham Coxon, Alex James, Dave Rowntree) and Noel Gallagher (presented jointly)
  • PRS Outstanding Contribution to British Music: Small Faces (Kenney Jones, Ronnie Lane, Steve Marriott and Ian McLagan)
  • Outstanding Services to British Music: Jeff Lynne

Ivor Novello Awards 1997

London’s Grosvenor House hosted the 1997 ceremony on 19th May.

  • PRS Award for Most Performed Work of 1996: Fast Love, written by George Michael. Also nominated: Give Me a Little More Time, written by Gabrielle, Benjamin Wolff, Andrew Dean, Ben BarsonDon’t Look Back in Anger, performed by Oasis, written by Noel Gallagher
  • Best Commissioned Film Score: 101 Dalmatians, composed by Michael Kamen. Also nominated: Independence Day, composed by David ArnoldTwelfth Night, composed by Shaun Davey
  • Best Selling British Written Single in the UK: Hetty Wainthropp Investigates, composed by Nigel Hess. Also nominated: Wannabe, performed by Spice Girls, written by Victoria Adams, Melanie Brown, Emma Bunton, Melanie Chisholm, Geri Halliwell, Matt Rowe and Richard Stannard
  • Best Music Commissioned for a Broadcast Production: Cold Lazurus, composed by Christopher GunningRhodes, composed by Alan Parker
  • Best Contemporary Song: A Design for Life, performed by Manic Street Preachers, written by James Dean Bradfield, Sean Moore and Nicky Wire. Also nominated: Lifted, performed by Lighthouse Family, written by Paul Tucker, Martin Brammer and Tunde BaiyewuFirestarter, performed by The Prodigy, written by Liam Howlett and Keith Flint
  • Outstanding Song Collection: Richard Thompson
  • Best Song Musically and Lyrically: Too Much Love Will Kill You, performed by Queen, written by Brian May, Frank Musker and Elizabeth Lamers. Also nominated: I Am I Feel, performed by Alisha’s Attic, written by Terence Martin, Karen Poole and Michelle PooleNeighbourhood, performed by Space, written by Thomas Scott, Andrew Parle, James Edwards and Francis Griffiths
  • International Achievement: The Cranberries (Noel Hogan and Dolores O’Riordan)
  • The Jimmy Kennedy Award: Mike Chapman and Nicky Chinn
  • International Hit of the Year: Wannabe
  • Songwriter of the Year: George Michael
  • PRS Outstanding Contribution to British Music Award: Elvis Costello
  • Lifetime Achievement: Led Zeppelin (John Bonham, John Paul Jones, Jimmy Page and Robert Plant)

Ivor Novello Awards 1998

The 1998 Ivor Novello ceremony took place on 28th May 1998 at Grosvenor House, London.

  • PRS Most Performed Work: I’ll Be Missing You (Every Breath You Take), performed by Puff Daddy, written by Sting. Also nominated: Say What you Want, performed by Texas, written by Sharleen Spiteri and Johnny McElhoneBlack Eyed Boy, performed by Texas, written by Sharleen Spiteri, Johnny McElhone, Edward Campbell, Richard Hynd and Robert Hodgens
  • Best Original Film Score: William Shakespeare’s Romeo + Juliet, composed by Craig Armstrong, Marius De Vries and Nellee Hooper. Also nominated: Tomorrow Never Dies, composed by David ArnoldWilde, composed by Debbie Wiseman
  • Best Selling UK Single: Candle in the Wind 1997, written by Elton John and Bernie Taupin. Also nominated: Teletubbies Say Eh-Oh!, written by Andrew McCrorie-Shand; I’ll Be Missing You (Every Breath You Take)
  • Best Original Music For A Broadcast: Rebecca, composed by Christopher Gunning. Also nominated: Melissa, composed by Richard Harvey and Steve BakerCrime Traveller, composed by Anne Dudley
  • Best Contemporary Song: Karma Police, written by Thom Yorke, Jonny Greenwood, Phil Selway, Colin Greenwood and Ed O’Brien. Also nominated: Smile, written by James McColl, Ken McAlpine and Alan TilstonThe Drugs Don’t Work, written by Richard Ashcroft
  • Best Song Collection: Johnny McElhone and Sharleen Spiteri
  • Best Original Song for a Film or Broadcast: Picture of You, written by Paul Wilson, Andy Watkins, Ronan Keating and Eliot Kennedy. Also nominated: Step By Step, written by Annie LennoxSurrender, written by David Arnold, David McAlmont and Don Black
  • Best Song Musically and Lyrically: Paranoid Android, performed by Radiohead, written by Thom Yorke, Jonny Greenwood, Phil Selway, Colin Greenwood and Ed O’Brien. Also nominated: Brimful of Asha, written by Tjinder Singh; Angels, written by Robbie Williams and Guy Chambers
  • International Achievement: Enya, Nicky Ryan and Roma Ryan
  • Best Dance Music: You’re Not Alone, performed by Olive, written by Tim Kellett and Robin Taylor-Firth. Also nominated: Gunman, performed by 187 Lockdown, written by Julian Jonah and Danny HarrisonSunchyme, performed by Dario G, written by Gilbert Gabriel, Nick Laird Clowes, Stephen Spencer, Paul Spencer and Scott Rosser
  • PRS Outstanding Contribution to British Music: Morrissey
  • International Hit of the Year: Candle in the Wind 1997. Also nominated: I’ll Be Missing You (Every Breath You Take); Spice Up Your Life, performed by Spice Girls, written by Richard Stannard, Matt Rowe, Melanie Brown, Victoria Adams, Geri Halliwell, Emma Bunton and Melanie Chisholm
  • Songwriter of the Year: Richard Ashcroft
  • The Jimmy Kennedy Award: Barry Mason

Ivor Novello Awards 1999

The 1999 Ivor Novello Awards were presented on 27th May 1999 at Grosvenor House, London.

  • PRS Most Performed Work: Angels, written by Robbie Williams and Guy Chambers. Also nominated: High, performed by Lighthouse Family, written by Paul Tucker and Tunde BaiyewuNever Ever, performed by All Saints, written by Shaznay Lewis, Sean Mather and Esmail Jazayeri
  • Best Selling UK Single: Believe, performed by Cher, written by Brian Higgins, Steve Torch, Paul Barry, Stuart McLennan, Tim Powell and Matt Gray. Also nominated: No Matter What, performed by Boyzone, written by Andrew Lloyd Webber and Jim SteinmanC’est La Vie, performed by B*Witched, written by Tracy Ackerman, Ray Hedges, Martin Brannigan, Edele Lynch, Keavy Lynch, Lindsay Armaou and Sinéad O’Carroll
  • Best Original Film Score: Firelight, composed by Christopher Gunning. Also nominated: Dancing at Lughnasa, composed by Bill WhelanEver After, composed by George Fenton
  • Best Contemporary Song: Here’s Where the Story Ends, performed by Tin Tin Out, written by Harriet Wheeler and David Gavurin. Also nominated: Road Rage, performed by Catatonia, written by Mark Roberts, Cerys Matthews, David Jones, Aled Richards and Owen PowellWhat Can I Do, performed by The Corrs, written by Andrea Corr, Caroline Corr, Sharon Corr and James Corr
  • Best Original Music for a Television / Radio Broadcast: Close Relations, composed by Rob Lane. Also nominated: Life of Birds, composed by Steven Faux and Ian ButcherSelfridges: The Shop, composed by Barrie Bignold
  • Best Song Commissioned for a Film or Broadcast: The Flame Still Burns, written by Chris Difford, Marti Frederiksen and Mick Jones. Also nominated: Why Won’t You Shag Me, written by Owen Vyse and Guy PrattKipper, written by Robert Heatlie
  • Best Song Musically and Lyrically: Believe. Also nominated: C’est La Vie; A Little Soul, performed by Pulp, written by Jarvis Cocker, Nick Banks, Candida Doyle, Steve Mackey and Mark Webber
  • Outstanding Song Collection: Jamiroquai (Wallis Buchanan, Simon Katz, Jay Kay, Derrick McKenzie, Toby Smith and Stuart Zender)
  • The Ivors Dance Award: Horny, written by Mousse T and Errol Rennalls. Also nominated: Sing It Back, performed by Moloko, written by Mark Brydon and Róisín Murphy; I Can’t Help Myself, performed by Lucid, written by Mark Hadfield and Adam Ryan Carter
  • International Achievement: Martin Gore
  • The Jimmy Kennedy Award: Peter Callander and Mitch Murray
  • International Hit of the Year: Believe, written by Brian Higgins, Stuart McLennan, Paul Barry, Steve Torch, Matt Gray and Tim Powell. Also nominated: Life, written by Des’ree Weekes and Prince Sampson; No Matter What, written by Andrew Lloyd Webber and Jim Steinman
  • PRS Outstanding Contribution to British Music: Chrissie Hynde
  • The Special International Award: Hal David
  • Songwriters of the Year: Guy Chambers and Robbie Williams
  • Lifetime Achievement: Rod Stewart

Further Reading

Ivor Novello Awards – The 1980s

After drifting off the rails somewhat in the 1970s, the Ivor Novello Awards started to go back to being about songwriting in the 1980s. Although they still seemed a little more obsessed with Bucks Fizz and Cliff Richard than is really healthy.

Ivor Novello Awards 1980

Grosvenor House, London, hosted the 25th Ivor Novello Award ceremony.

  • The Best Song Musically and Lyrically: The Logical Song, performed by Supertramp, written by Rick Davies and Roger Hodgson. Also nominated: Bright Eyes, performed by Art Garfunkel, written by Mike BattWe Don’t Talk Anymore, performed by Cliff Richard, written by Alan Tarney
  • The Best Pop Song: I Don’t Like Mondays, performed by The Boomtown Rats, written by Bob Geldof. Also nominated: Video Killed the Radio Star, performed by Buggles, written by Bruce Woolley, Trevor Horn and Geoff Downes; Off the Wall, performed by Michael Jackson, written by Rodney Temperton
  • The Best Theme from a Radio or Television Production: Nunc Dimittis, written by Geoffrey Burgon. Also nominated: Secret Army, written by Robert FarnonShoestring, written by George Fenton
  • The Best Film Song, Theme or Score: Caravans, written by Mike Batt. Also nominated: Music Machine, written by Leslie Hurdle and Frank RicottiYanks, written by Richard Rodney Bennett
  • The Outstanding British Lyric: I Don’t Like Mondays. Also nominated: He Was Beautiful, performed by Iris Williams, written by Cleo LaineBright Eyes
  • The Best Instrumental or Popular Orchestral Work: War of the Worlds, written by Jeff Wayne and Gary Osborne. Also nominated: The Valley of Swords, written by Mike BattAfrican Sanctus, written by David Fanshawe
  • The International Hit of the Year: We Don’t Talk Anymore, performed by Cliff Richard, written by Alan Tarney. Also nominated: Too Much Heaven, performed by Bee Gees, written by Barry Gibb, Robin Gibb and Maurice GibbI Don’t Like Mondays
  • The Most Performed Work: Bright Eyes. Also nominated: We Don’t Talk Anymore; Cavatina, performed by John Williams, written by Stanley Myers
  • The Best Selling ‘A’ Side: Bright Eyes. Also nominated: I Don’t Like MondaysAnother Brick in the Wall (Part 2), performed by Pink Floyd, written by Roger Waters
  • The Best British Musical: Songbook, written by Monty Norman and Julian More. Also nominated: A Day in Hollywood, A Night in the Ukraine, written by Dick Vosburgh and Frank Lazarus
  • Award for Outstanding Services to British Music: Robert Mayer
  • Songwriter of the Year: Ben Findon
  • Special Award for International Achievement: Paul McCartney
  • Special Award for Lifetime Achievement: Edgar Yipsel Harburg and Jimmy Kennedy

Ivor Novello Awards 1981

The 26th Ivor Novello Awards were held at Grosvenor House, London.

  • The Best Song Musically and Lyrically: Woman in Love, performed by Barbara Streisand, written by Barry Gibb and Robin Gibb. Also nominated: Babooshka, written by Kate BushTogether We Are Beautiful, performed by Fern Kinney, written by Ken LerayYour Ears Should be Burning Now, performed by Marti Webb, written by Tony Macaulay and Don Black
  • The Best Pop Song: Stop the Cavalry, written by Jona Lewie. Also nominated: Don’t Stand So Close to Me, performed by The Police, written by StingWhat You’re Proposing, performed by Status Quo, written by Francis Rossi and Bernard Frost
  • The Best Theme from a Television or Radio Production: I Could Be So Good for You, written by Gerard Kenny and Patricia Waterman. Also nominated: Fox, written by George FentonJuliet Bravo, written by J.S. Bach and arranged by Derek Goom
  • The Best Film Song, Theme or Score: Xanadu, written by Jeff Lynne. Also nominated: Flash, written by Brian MaySilver Dream Machine, written by David Essex
  • The Outstanding British Lyric: Take That Look Off Your Face, performed by Marti Webb, written by Don Black. Also nominated: Stop the Cavalry, written by Jona LewieWoman in Love, performed by Barbara Streisand, written by Barry Gibb and Robin Gibb
  • The International Hit of the Year: Another Brick in the Wall (Part 2). Also nominated: Woman in LoveAnother One Bites the Dust, performed by Queen, written by John Deacon
  • The Most Performed Work: Together We Are Beautiful. Also nominated: January, February, performed by Barbara Dickson, written by Alan TarneyI’m In The Mood for Dancing, performed by The Nolan Sisters, written by Ben Findon, Michael Myers and Robert Puzey
  • The Best Selling ‘A’ Side: There’s No One Quite Like Grandma, performed by St. Winifred’s School Choir, written by Gordon Lorenz. Also nominated: Woman in LoveDon’t Stand So Close to Me
  • Award for Outstanding Services to British Music: William Walton
  • Special Award for Outstanding Contribution to British Music: John Lennon
  • Songwriter of the Year: Ben Findon

Ivor Novello Awards 1982

The 27th Ivor Novello Awards were held at Grosvenor House, London.

  • The Best Song Musically and Lyrically: Memory, written by Andrew Lloyd Webber, T.S. Eliot and Trevor Nunn. Also nominated: Woman, written by John LennonThe Land of Make Believe, performed by Bucks Fizz, written by Andy Hill and Pete Sinfield
  • The Best Pop Song: Every Little Thing She Does is Magic, performed by The Police, written by Sting. Also nominated: Don’t You Want Me, performed by The Human League, written by Phil Oakey, Adrian Wright and Jo Callis; Wired for Sound, performed by Cliff Richard, written by Alan Tarney and BA Robertson
  • The Best Theme from a Television or Radio Production: Brideshead Revisited, written by Geoffrey Burgon. Also nominated: Flame Trees of Thika, written by Ken Howard and Alan BlaikleyShillingbury Tales, written by Ed Welch
  • The Best Film Theme or Song: The French Lieutenant’s Woman, written by Carl Davis. Also nominated: Without Your Love, written by Billy Nicholls; For Your Eyes Only, written by Bill Conti and Mick Leeson
  • The Outstanding British Lyric: Woman. Also nominated: The One That You Love, performed by Air Supply, written by Graham Russell; When He Shines, performed by Sheena Easton, written by Florrie Palmer and Dominic Bugatti
  • The Best Selling ‘A’ Side: Stand and Deliver, performed by Adam and the Ants, written by Adam Ant and Marco Pirroni. Also nominated: Vienna, performed by Ultravox, written by Billy Currie, Chris Cross, Warren Cann and Midge UreDon’t You Want Me
  • The International Hit of the Year: In the Air Tonight, written by Phil Collins. Also nominated: (Just Like) Starting Over, written by John Lennon; Woman in Love; Every Little Thing She Does is Magic
  • The Most Performed Work: You Drive Me Crazy, performed by Shakin’ Stevens, written by Ronnie Harwood. Also nominated: Woman
  • Award for Outstanding Services to British Music: Lennox Berkeley
  • The Best British Musical: Cats, written by: Andrew Lloyd Webber and Trevor Nunn
  • Songwriters of the Year: Adam Ant and Marco Pirroni
  • Special Award for Outstanding Contribution to British Music: Roger Daltrey, John Entwistle, Kenney Jones, Keith Moon and Pete Townshend

Ivor Novello Awards 1983

The 28th Ivor Novello Awards were held at Grosvenor House, London.

  • The Best Song Musically and Lyrically: Have You Ever Been in Love, written by Andy Hill, Pete Sinfield and John Danter. Also nominated: Now Those Days Are Gone, performed by Bucks Fizz, written by Andy Hill and Nichola Martin; Heartbreaker, performed by Bee Gees, written by Barry Gibb, Robin Gibb and Maurice Gibb
  • The Best Pop Song: Our House, performed by Madness, written by Carl Smyth and Chris Foreman. Also nominated: I Don’t Wanna Dance, written by Eddy Grant; Come On Eileen, performed by Dexys Midnight Runners, written by Kevin Rowland, Kevin Adams and James Paterson
  • The Best Theme from a Television or Radio Production: Theme From Harry’s Game, composed by Paul Brennan. Also nominated: Omnibus, composed by George Fenton; Smiley’s People, composed by Patrick Gowers
  • The Best Film Theme or Song: For All Mankind, composed by Ravi Shankar and George Fenton. Also nominated: Time and Tide, composed by Alan Price; Another Brick in the Wall (Part 2)
  • The Outstanding British Lyric: Private Investigations, performed by Dire Straits, written by Mark Knopfler. Also nominated: The Dreaming, written by Kate Bush; Have You Ever Been in Love
  • The Best Selling ‘A’ Side: Come On Eileen. Also nominated: Do You Really Want to Hurt Me, performed by Culture Club, written by Boy George, Michael Craig, John Moss and Roy Hay; Ebony and Ivory, written by Paul McCartney and performed with Stevie Wonder
  • The International Hit of the Year: Ebony and Ivory. Also nominated: Heartbreaker; Don’t You Want Me
  • The Most Performed Work: Golden Brown, performed by The Stranglers, written by Jean J. Burnell, Hugh Cornwell, Jet Black and David Greenfield. Also nominated: Oh Julie, written by Shakin’ Stevens; Love Plus One, performed by Haircut 100, written by Nick Heyward
  • The Best British Musical: Windy City, written by: Tony Macaulay and Dick Vosburgh
  • Lifetime Achievement in British Music: Vivian Ellis
  • Songwriter of the Year: Andy Hill
  • Outstanding Contribution to British Music: Tony Banks, Phil Collins, Peter Gabriel, Steve Hackett and Mike Rutherford
  • Special Award for 25 Years In The Music Business: Brian Bennett, Hank Marvin and Bruce Welch

Ivor Novello Awards 1984

The 29th Ivor Novello Awards were held at Grosvenor House, London.

  • The Best Song Musically and Lyrically: Every Breath You Take, performed by The Police, written by Sting. Also nominated: Pipes of Peace, written by Paul McCartney; True, performed by Spandau Ballet, written by Gary Kemp
  • The Best Pop Song: Karma Chameleon, performed by Culture Club, written by Boy George, John Moss, Michael Craig, Roy Hay and Phil Pickett. Also nominated: Sweet Dreams (Are Made of This), performed by Eurythmics, written by Annie Lennox and Dave StewartThriller, performed by Michael Jackson, written by Rod Temperton
  • The Best Rock Song: Let’s Dance, written by David Bowie. Also nominated: Every Breath You TakeOwner of a Lonely Heart, performed by Yes, written by Trevor Rabin, Jon Anderson, Chris Squire and Trevor Horn
  • The Best Theme from a TV or Radio Production: That’s Livin’ Alright, composed by David Mackay and Ken Ashby. Also nominated: The Late Late Breakfast Show, composed by Gary Kemp; Partners in Crime, composed by Joseph Horovitz
  • The Best Film Theme or Song: Going Home, written by Mark Knopfler. Also nominated: Walking in the Air, written by Howard BlakeAll Time High, written by Tim Rice and John Barry
  • The Best British Musical: Blood Brothers, written by Willie Russell. Also nominated: Poppy, written by Pete Nichols and Monty NormanMr Cinders, written by Clifford Grey, Greatrex Newman, Leo Robin, Vivian Ellis and Richard Myers
  • The Best Selling ‘A’ Side: Karma Chameleon. Also nominated: Only You, performed by Yazoo, written by Vince Clarke; Let’s Dance, written by David Bowie
  • The Most Performed Work: Every Breath You Take. Also nominated: Karma ChameleonMoonlight Shadow, written by Mike Oldfield
  • The International Hit of the Year: Let’s Dance, written by David Bowie. Also nominated: Every Breath You TakeKarma Chameleon
  • Outstanding Services to British Music: Andrew Lloyd Webber
  • Songwriters of the Year: Annie Lennox and Dave Stewart
  • Outstanding Contribution to British Music: Andy Brown, Peter Kircher, Alan Lancaster, Rick Parfitt and Francis Rossi

Ivor Novello Awards 1985

The 30th Ivor Novello Awards were held at Grosvenor House, London.

  • Best Contemporary Song: Two Tribes, performed by Frankie Goes to Hollywood, written by Holly Johnson, Peter Gill and Mark O’Toole. Also nominated: I Won’t Let the Sun Go Down on Me, written by Nik Kershaw; Relax, performed by Frankie Goes to Hollywood, written by Holly Johnson, Peter Gill and Mark O’Toole
  • Best Song Musically and Lyrically: Against All Odds (Take A Look At Me Now), written by Phil Collins. Also nominated: Careless Whisper, performed by Wham!, written by George Michael and Andrew RidgeleyI Should have Known Better, written by Jim Diamond and Graham Lyle
  • Best Theme from a TV or Radio Production: Jewel in the Crown, written by George Fenton. Also nominated: Another Six English Towns, written by Jim Parker; Kennedy, written by Richard Hartley
  • Best Film Theme or Song: We All Stand Together, written by Paul McCartney. Also nominated: Champions, written by Carl Davis; Company of Wolves, written by George Fenton
  • Best British Musical: The Hired Man, words and music by Howard Goodall. Also nominated: Starlight Express, written by Andrew Lloyd Webber and Richard Stilgoe; The Boyfriend, written by Sandy Wilson
  • Most Performed Work: Careless Whisper. Also nominated: Two Tribes; I Won’t Let the Sun Go Down on Me
  • The Best Selling ‘A’ Side: Do They Know It’s Christmas?, performed by Band Aid, written by Bob Geldof and Midge Ure
  • International Hit of the Year: The Reflex, performed by Duran Duran, written by Simon Le Bon, John Taylor, Roger Taylor, Andy Taylor and Nick Rhodes. Also nominated: Caribbean Queen (No More Love on the Run), written by Billie Ocean and Keith Diamond; Wake Me Up Before You Go-Go, performed by Wham!, written by George Michael
  • Outstanding Services to British Music: Michael Tippett
  • Songwriter of the Year: George Michael
  • The Jimmy Kennedy Award: Tommie Connor
  • Outstanding Contribution to British Music: Graeme Edge, Justin Hayward, John Lodge, Patrick Moraz and Ray Thomas

Ivor Novello Awards 1986

The 31st Ivor Novello Awards were held at Grosvenor House, London.

  • Best Contemporary Song: We Don’t Need Another Hero (Thunderdome), performed by Tina Turner, written by Graham Lyle and Terry Britten. Also nominated: 19, written by Paul Hardcastle, Mike Oldfield, Bill Couturie and Jonas McCord; Money for Nothing, performed by Dire Straits, written by Mark Knopfler and Sting; Running Up That Hill, written by Kate Bush
  • Best Song Musically and Lyrically: Nikita, written by Elton John and Bernie Taupin. Also nominated: I Want To Know What Love Is, performed by Foreigner, written by Mick Jones; Everybody Wants to Rule the World, performed by Tears for Fears, written by Roland Orzabal, Ian Stanley and Chris HughesI Know Him So Well, performed by Elaine Page, written by Tim Rice, Bjorn Ulvaeus and Benny Andersson
  • The Best Theme from a Television or Radio Production: Edge of Darkness, written by Eric Clapton and Michael Kamen. Also nominated: The Last Place on Earth, written by Trevor Jones; Eastenders, written by Leslie Osborne and Simon May
  • The Best Film Theme or Song: We Don’t Need Another Hero, written by Graham Lyle and Terry Britten. Also nominated: Hit That Perfect Beat, written by John Foster, Steve Bronski and Larry SteinbachekA View to a Kill, written by Duran Duran and John Barry
  • The Best British Musical: Me and My Girl, written by Reginald Armitage and Douglas Furber. Also nominated: Lennon, written by Paul McCartney and John Lennon; Mutiny, written by David Essex and Richard Crane
  • Most Performed Work: Easy Lover, written by: Phillip Bailey, Phil Collins and Nathan East
  • Best Selling ‘A’ Side: I Know Him So Well. Also nominated: 19; Easy Lover
  • International Hit of the Year: 19. Also nominated: Shout, performed by Tears for Fears, written by Roland Orzabal and Ian Stanley; A View to a Kill, written by Duran Duran and John Barry
  • The Jimmy Kennedy Award: Lionel Bart
  • Outstanding Services to British Music: Malcolm Arnold
  • Songwriter of the Year: Roland Orzabal
  • Outstanding Contribution to British Music: Elton John

Ivor Novello Awards 1987

The 1987 Ivor Novello Awards took place on 15th April at Grosvenor House, London.

  • Best Contemporary Song: It’s Alright (Baby’s Coming Back), performed by Eurythmics, written by Annie Lennox and Dave Stewart. Also nominated: West End Girls, performed by Pet Shop Boys, written by Neil Tennant and Chris Lowe; Sledgehammer, written by Peter Gabriel
  • Best Song Musically and Lyrically: Don’t Give Up, written by Peter Gabriel. Also nominated: All I Ask of You, written by Charles Hart, Andrew Lloyd Webber and Richard Stilgoe; The Miracle of Love, performed by Eurythmics, written by Annie Lennox and Dave Stewart
  • Best Selling ‘A’ Side: Every Loser Wins, written by Simon May, Stewart James and Bradley James. Also nominated: Chain Reaction, written by Barry Gibb, Maurice Gibb and Robin Gibb; Living Doll, written by Lionel Bart
  • Best Theme from a Television or Radio Production: The Monocled Mutineer, written by George Fenton. Also nominated: Theme from Lost Empires, written by Derek Hilton; Time After Time, written by Rod Argent and Robert Howes
  • Most Performed Work: Chain Reaction, performed by Diana Ross, written by: Barry Gibb, Maurice Gibb and Robin Gibb
  • International Hit of the Year: West End Girls. Also nominated: Nikita, written by Elton John and Bernie Taupin; The Edge of Heaven, performed by Wham!, written by George Michael
  • Best Film Theme or Song: Sweet Freedom, written by Rod Temperton. Also nominated: A Kind of Magic, written by Roger Taylor; In Too Deep, written by Tony Banks, Phil Collins and Mike Rutherford
  • The Best British Musical: The Phantom of the Opera, written by Charles Hart, Andrew Lloyd Webber and Richard Stilgoe. Also nominated: Chess, written by Tim Rice, Bjorn Ulvaeus and Benny Andersson; Charlie Girl, written by David Heneker and John Taylor
  • The Jimmy Kennedy Award: Hugh Charles
  • Songwriters of the Year: Annie Lennox and Dave Stewart
  • Outstanding Services to British Music: Yehudi Menuhin
  • Outstanding Contribution to British Music: John Deacon, Freddie Mercury, Brian May and Roger Taylor

Ivor Novello Awards 1988

The 1988 Ivor Novello Awards took place on 7th April at Grosvenor House, London.

  • Best Contemporary Song: You Win Again, performed by Bee Gees, written by Barry Gibb, Robin Gibb and Maurice Gibb. Also nominated: Never Gonna Give You Up, performed by Rick Astley, written by Stock Aitken Waterman (Mike Stock, Matt Aitken and Pete Waterman); What Have I Done to Deserve This?, performed by Pet Shop Boys with Dusty Springfield, written by Chris Lowe, Neil Tennant and Allee Willis
  • Best Song Musically and Lyrically: (Something Inside) So Strong, written by Labi Siffre. Also nominated: I Knew You Were Waiting (For Me), performed by Aretha Franklin and George Michael, written by Simon Climie and Dennis Morgan; Throwing It All Away, written by Tony Banks, Phil Collins and Michael Rutherford
  • Best Selling ‘A’ Side: Never Gonna Give You Up. Also nominated: You Win Again; China in Your Hand, performed by T’Pau, written by Carol Decker and Ronald Rogers
  • Outstanding Services to British Music: David Heneker
  • Best Theme from a Television or Radio Production: Fortunes of War, written by Richard Holmes. Also nominated: Neighbours, written by Tony Hatch and Jackie Trent; My Family and Other Animals, written by Daryl Runswick
  • Most Performed Work: Never Gonna Give You Up. Also nominated: Respectable, performed by Mel and Kim, written by Stock Aitken Waterman; Living in a Box, performed by Living in a Box, written by Marcus Vere and Steve Pigott
  • International Hit of the Year: Never Gonna Give You Up, written by Stock Aitken Waterman. Also nominated: It’s a Sin, performed by Pet Shop Boys, written by Chris Lowe and Neil Tennant; I Knew You Were Waiting (For Me)
  • Best Film Score Theme or Song: Cry Freedom, written by George Fenton and Jonas Gwangwa. Also nominated: The Living Daylights, written by John Barry and Pal Waaktaar; Theme from Castaway, written by Stanley Myers
  • The Jimmy Kennedy Award: Norman Newell
  • Songwriters of the Year: Matt Aitken, Mike Stock and Peter Waterman
  • Outstanding Contribution to British Music: Barry Gibb, Maurice Gibb and Robin Gibb

Ivor Novello Awards 1989

The 1989 Ivor Novello Awards were held on 4th April at Grosvenor House, London.

  • Best Contemporary Song: Love Changes (Everything), written by Simon Climie, Dennis Morgan and Rob Fisher. Also nominated: A Little Respect, performed by Erasure, written by Andy Bell and Vince Clarke; Father Figure, written by George Michael
  • Best Song Musically and Lyrically: They Dance Alone (Cueca Solo), written by Sting. Also nominated: Perfect, performed by Fairground Attraction, written by Mark Nevin; Mary’s Prayer, performed by Danny Wilson, written by Gary Clark
  • Best Selling ‘A’ Side: Mistletoe & Wine, performed by Cliff Richard, written by Leslie Stewart, Jeremy Paul and Keith Strachan. Also nominated: Especially for You, performed by Kylie Minogue and Jason Donovan, written by Stock Aitken Waterman; I Should Be So Lucky, performed by Kylie Minogue, written by Stock Aitken Waterman
  • Most Performed Work: I Should Be So Lucky. Also nominated: Get Outta My Dreams, Get Into My Car, written by Billy Ocean and Robert John ‘Mutt’ Lange; Love Changes (Everything)
  • Best Theme from a TV or Radio Production: Testament, written by Nigel Hess. Also nominated: The Long March, written by Christopher Gunning; Young Musician of the Year, written by Edward Gregson
  • Best Film Theme or Song: Two Hearts, written by Phil Collins and Lamont Dozier. Also nominated: A Fish Called Wanda, written by Trevor Jones and  John Du Prez; Childhood Days, written by Barry Gibb and Maurice Gibb
  • International Hit of the Year: Faith, written by George Michael. Also nominated: I Should Be So Lucky; Get Outta My Dreams, Get Into My Car
  • Outstanding Contribution to British Music: Mark Knopfler and John Illsley
  • Songwriters of the Year: George Michael and Matt Aitken, Mike Stock and Peter Waterman (presented jointly)
  • The Jimmy Kennedy Award: Leslie Bricusse
  • Outstanding Services to British Music: Paul McCartney
  • Lifetime Achievement: Cliff Richard

Further Reading

Claudia Brücken – The Lost Are Found

Part of the reason for keeping this blog running for so long is that it has helped me find out about new music, where otherwise it might have just passed me by. Claudia Brücken‘s last album The Lost Are Found is a perfect example of this – I simply never would have known about it if I hadn’t chanced upon it earlier this year, while writing another piece.

Brücken has a slightly bizarre, illustrious career, which we examined in more detail a year or so ago when reviewing the brilliant Combined compilation. On this latest album, she has expanded on the brilliant Thank You by working again with producer/genius Stephen Hague to record an entire album. Curiously, it’s also a cover versions album, and it includes some very odd choices – some good; others not so special – but all interesting.

It opens with The Mysteries of Love, written by David Lynch and Angelo Badalamenti for the Blue Velvet soundtrack, and originally performed by Julee Cruise. Without Cruise’s haunting vocal style it’s perhaps not the strongest opener ever, but it’s a pleasant enough track. Next up is Memories of a Color, packed with bizarre pad sounds. The original was Swedish singer Stina Nordenstam‘s debut single in 1992, and on this album it helps to build a pleasant mood which prevails throughout the entire release.

The Day I See You Again was originally performed by Dubstar back in 1995, and curiously although much of that album was produced by Stephen Hague, this track was not. Although not tremendously different from the original, it’s still an extremely good song, and the duo of Brücken and Hague do it justice.

The single Everyone Says “Hi” was a David Bowie original, curiously not one of his oldies, taken instead from his 2002 album Heathen. On this album it makes for a great pop track, and is definitely one of the highlights of the whole collection.

One Summer Dream, written by Jeff Lynne, feels a little out of place in the middle of the album with its acoustic backing. The original closed ELO‘s 1975 album Face the Music, and it’s tempting to wonder if it worked rather better in that context – it still sounds good, but it’s not as beautiful as it perhaps ought to be.

Crime is another Stina Nordenstam song, originally from her 1994 second album And She Closed Her Eyes. As with The Mysteries of Love, it’s nice, but not entirely mindblowing. Perhaps even with a legend of the calibre of Brücken it pays to lower your expectations a little. Then The Road to Happiness was written by Stephen “TinTin” Duffy for The Lilac Time‘s eponymous 1987 debut, and is a surprising highlight of the album. There’s something very special about the uplifting chorus, as it comes together with the almost accordian-flavoured backing.

Next up is Kings Cross, which as I’m sure we all know is a Pet Shop Boys original, a haunting track from their essential 1988 album Actually, also covered a couple of years ago by Tracey Thorn. Curiously, this one was originally produced by Stephen Hague, and so it’s interesting to hear what he does with it this time around. Although the song is just as powerful as ever, I think it perhaps lacks something from the original – but not a lot. It’s definitely one of the highlights of this release as well.

No One to Blame is a new track, written for the album by a duo called The Burt Brothers. It’s a good fit, and the flanged piano backing suits the semi-electronic mood of the album very well. And the Sun Will Shine is a Bee Gees original, from their 1968 album Horizontal. Stripped of their unique vocal style, it’s still a strong song with the typical soaring backing that seems to echo through their back catalogue. It sounds a little inconsequential at times, but it’s a typically good song.

Then the closing track is Whispering Pines, originally performed by The Band on their 1969 eponymous second album. Although it’s a nice enough song, by this stage it’s starting to sound a bit samey – it would be nice to have a bit of Hammond Organ or something to liven things up. It’s closing a good album – but not an amazing one unfortunately.

The Lost Are Found is, ultimately, perhaps a little underwhelming, but that’s only because of the sheer weight of the names behind it. Produced by Stephen Hague, one of the most important producers of electronic music in the 1980s and 1990s. Performed by Claudia Brücken, one of the best-kept secrets of electronic music throughout its history. And written by an astonishing list of songwriters. It really ought to be breathtaking, and it is pretty good, but there just seems to be something lacking. It’s still worth hearing though – the four or five exceptional tracks more than make up for its failings.

You can find The Lost Are Found through all standard music retailers, such as Amazon.

Q Awards Winners 1990-2012 (Part Two)

We’ll look at this year’s ceremony next week, but for now here’s a continuation of the list that we started last week, of all the winners to date, by award:

Songwriter and Producer

Although seemingly now discontinued, these were a couple of Q’s better awards, recognising the contributions of the people behind the music.

Best Songwriter / Q Classic Songwriter

  • 1990 – Prince
  • 1991 – Richard Thompson
  • 1992 – Neil Finn
  • 1993 – Neil Finn
  • 1994 – Morrissey
  • 1995 – Van Morrison
  • 1996 – Rod Stewart
  • 1997 – Paul McCartney
  • 1998 – Paul Weller
  • 1999 – Ian Dury / Chas Janke
  • 2000 – Guy Chambers and Robbie Williams
  • 2001 – Kate Bush
  • 2002 – Jimmy Cliff
  • 2003 – Dexys Midnight Runners
  • 2004 – Elton John
  • 2005 – Nick Cave
  • 2006 – Noel Gallagher
  • 2007 – Billy Bragg
  • 2008 – John Mellencamp
  • 2009 – Yusuf Islam (Cat Stevens)
  • 2010 – Neil Finn
  • 2011 – Gary Barlow

Best Producer

  • 1990 – Paul Oakenfold / Steve Osborne
  • 1991 – Trevor Horn
  • 1992 – Daniel Lanois / Peter Gabriel / The Orb
  • 1993 – Flood / Brian Eno / The Edge
  • 1994 – Stephen Street
  • 1995 – Tricky
  • 1996 – John Leckie
  • 1997 – Nellee Hooper
  • 1998 – Norman Cook
  • 1999 – William Orbit
  • 2000 – Pete Devereux and Mark Hill (Artful Dodger)
  • 2001 – Nigel Godrich
  • 2002 – Moby
  • 2003 – Nigel Godrich
  • 2004 – Mick Jones
  • 2005 – Gorillaz / Danger Mouse

Best Newcomer

One thing the Q Awards do pretty well is having lots of almost identically-named awards. They do show a pretty good track record with the newcomer and breakthrough artists though…

Best New Act

  • 1990 – They Might Be Giants
  • 1991 – Seal
  • 1992 – Tori Amos
  • 1993 – Suede
  • 1994 – Oasis
  • 1995 – Supergrass
  • 1996 – Alanis Morissette
  • 1997 – Fun Lovin’ Criminals
  • 1998 – Gomez
  • 1999 – Basement Jaxx
  • 2000 – Badly Drawn Boy
  • 2001 – Starsailor
  • 2002 – Electric Soft Parade
  • 2003 – The Thrills
  • 2004 – Razorlight
  • 2005 – James Blunt
  • 2006 – Corinne Bailey-Rae
  • 2007 – The Enemy
  • 2008 – The Last Shadow Puppets
  • 2009 – White Lies
  • 2011 – WU LYF
  • 2012 – Django Django

BEST BREAKTHROUGH ARTIST

  • 2007 – Kate Nash
  • 2008 – Duffy
  • 2009 – Mr Hudson
  • 2010 – Plan B
  • 2011 – Ed Sheeran

Q’s Next Big Thing

  • 2010 – Clare Maguire
  • 2011 – Lana del Rey

Best Live Act

One of the jewels in the Q Awards’s crown:

  • 1990 – Rolling Stones
  • 1991 – Simple Minds
  • 1992 – Crowded House
  • 1993 – Neil Young
  • 1994 – Pink Floyd
  • 1995 – Oasis
  • 1996 – Pulp
  • 1997 – The Prodigy
  • 1998 – Roni Size / Reprazent
  • 1999 – Stereophonics
  • 2000 – Oasis
  • 2001 – Manic Street Preachers
  • 2002 – The Hives
  • 2003 – Robbie Williams
  • 2004 – Muse
  • 2005 – U2
  • 2006 – Muse
  • 2007 – Muse
  • 2008 – Kaiser Chiefs
  • 2009 – Arctic Monkeys
  • 2010 – Biffy Clyro
  • 2011 – Blur

Best Artist

The oddly named ‘Best Act in the World Today’ Award goes right back to the Q Awards’ beginnings in 1990, but was also recently joined by special solo awards too…

Best Act in the World Today

  • 1990 – U2
  • 1991 – R.E.M. / U2
  • 1992 – U2
  • 1993 – U2
  • 1994 – R.E.M.
  • 1995 – R.E.M.
  • 1996 – Pulp
  • 1997 – Oasis
  • 1998 – Manic Street Preachers
  • 1999 – Blur
  • 2000 – Travis
  • 2001 – Radiohead
  • 2002 – Radiohead
  • 2003 – Radiohead
  • 2004 – Red Hot Chili Peppers
  • 2005 – Coldplay
  • 2006 – Oasis
  • 2007 – Arctic Monkeys
  • 2008 – Coldplay
  • 2009 – Muse
  • 2011 – Coldplay
  • 2012 – Muse

Best Male

  • 2010 – Paolo Nutini
  • 2011 – Tinie Tempah

Best Female

  • 2010 – Florence + The Machine
  • 2011 – Adele

Best Solo Artist

  • 2012 – Emeli Sandé

Q Innovation Award / Innovation in Sound

Perhaps the most fascinating of all the awards, except for the couple of years when it was given to really dull and non-innovative artists.

  • 2002 – Depeche Mode
  • 2003 – Muse
  • 2004 – The Human League
  • 2005 – The Prodigy
  • 2006 – The Edge
  • 2007 – Sigur Rós
  • 2008 – Massive Attack
  • 2009 – Sonic Youth
  • 2010 – Mark Ronson
  • 2011 – Kaiser Chiefs
  • 2012 – Underworld

Outstanding Lifetime Icon / Idol Achievement Awards

I suspect that, like me, you’re totally taken aback by this slew of near-identical awards. But hats off to them for finding a hundred different ways to honour U2 and R.E.M.!

Special Merit Award

  • 1990 – Paul McCartney
  • 1991 – Lou Reed
  • 1992 – Led Zeppelin
  • 1993 – Elton John
  • 1999 – Keith Richards
  • 2000 – Jerry Dammers / The Specials
  • 2001 – Elvis Costello
  • 2002 – Tom Jones
  • 2004 – Shane McGowan
  • 2006 – Manic Street Preachers
  • 2007 – Ryan Adams

Q Inspiration

  • 1992 – B.B. King
  • 1993 – Donald Fagen
  • 1994 – The Kinks
  • 1995 – David Bowie / Brian Eno
  • 1996 – U2
  • 1997 – Patti Smith
  • 1998 – Blondie
  • 1999 – New Order
  • 2000 – Joe Strummer
  • 2001 – John Lydon
  • 2002 – Echo and the Bunnymen
  • 2003 – The Cure
  • 2004 – Pet Shop Boys
  • 2005 – Björk
  • 2006 – a-ha
  • 2007 – Damon Albarn
  • 2008 – Cocteau Twins
  • 2009 – The Specials
  • 2010 – Suede
  • 2011 – Fatboy Slim
  • 2012 – Pulp

Lifetime Achievement

  • 1997 – The Who
  • 1998 – R.E.M.
  • 2003 – Duran Duran
  • 2004 – Roxy Music
  • 2005 – Bee Gees
  • 2006 – Peter Gabriel
  • 2007 – Johnny Marr

Q Icon

  • 2003 – Jane’s Addiction
  • 2004 – U2
  • 2005 – Jimmy Page
  • 2006 – Jeff Lynne
  • 2007 – Sir Paul McCartney
  • 2008 – Adam Ant
  • 2009 – Marianne Faithfull
  • 2010 – Bryan Ferry
  • 2011 – Noel Gallagher
  • 2012 – Dexys Midnight Runners

Q Outstanding Contribution to Music Award

  • 2005 – Paul Weller
  • 2006 – Smokey Robinson
  • 2007 – Johnny Marr
  • 2008 – David Gilmour
  • 2009 – Robert Plant
  • 2011 – Siouxsie Sioux

Q Legend

  • 2005 – Joy Division
  • 2006 – The Who
  • 2007 – Ian Brown
  • 2008 – Glen Campbell
  • 2009 – Edwyn Collins

Q Idol

  • 2006 – Take That
  • 2007 – Kylie Minogue
  • 2008 – Grace Jones
  • 2009 – Spandau Ballet
  • 2010 – Madness
  • 2012 – Brandon Flowers

Hall of Fame Award

  • 2010 – Take That
  • 2011 – Queen

Various Artists – Electric Dreams

For the final release in this set I’m going to break the trend slightly and concentrate more on the movie than its soundtrack. Partly this is because I’ve not actually heard the soundtrack to this one, but partly it’s also because the music is entirely key to the movie itself, which I think is quite a good justification.

Until very recently, to my immense shame, I’d never seen the film Electric Dreams before. Then I was watching something else on a well-known online video sharing website and noticed that the film was there to watch in its entirety.

Here’s the thing: the film is absolutely lousy. Totally awful, in almost every conceivable way. But for someone who enjoys the kinds of music that I do, it’s essential viewing. And since you’re reading this, I think it’s fair to say that this applies to you too.

With Richard Branson as its executive producer and Giorgio Moroder coordinating the music, so many of the ingredients were right. In fairness actually, one of its main failings was that it was made in 1984. Oh yes, and the general absurdity of the plot. Perhaps, as with all the best music films, the important thing is the music, and not any of the typical cinematic aspects. But there’s also a large element of praise for technology, and some fun to be had with that too. Throw in a few clumsy hints at gay rights, and you have a fun, if horrifically dated film.

Let me give you my interpretation of what happened in the movie. I wasn’t entirely sure, but I think it was meant to be a comedy. Anyway, this is what happens…

At the start of the film, our protagonist Miles Harding, later thanks to a typo forever dubbed Moles by his computer, finds himself leaving Los Angeles surrounded by technology. He checks into his flight on a computerised check-in system (how absurd!) and sits down to wait for his flight as, around him, children play with computers and fatties try to fool themselves that they’re not fat using computerised devices.

Turning up to work in San Francisco the next day, Miles, strangely a total geek but somebody who has never owned a computer before, is scolded for his lateness, so he goes into a computer shop to try and buy an iPhone some kind of personal organiser device. They have sold out already, so he’s persuaded to buy a full-sized computer instead. Proper geeks will find this shop rather charming, filled not just with the anonymous PCs that we see today, but also with early Apples, and a surprising amount of Acorn equipment (the BBC microcomputers of yesteryear). Either revealing the British influence on this transatlantic co-production or harking back to a day when Britain was still a viable technological power, this makes for a rather sweet moment thirty years later.

Miles leaves with a Pinecone computer, and quickly wires his entire house into it. Living in the famously earthquake-prone city, his pet project is trying to design a brick which will hold together in a seismic event, rather than split apart. Of course, any engineer should have known even then that this is entirely the wrong strategy, but then, the hero of this film is an architect, so he’s allowed to be a little batty. He’s also allowed to live on his own in what must be a phenomenally expensive apartment, with beautiful cellists for his neighbours. And apparently old people too, who are an extremely rare site in modern day SF.

Anyway, for reasons which weren’t entirely obvious to me, he decides to hack into his work computer network; the computer overloads with data; he tries to stop it by pouring champagne on the computer, and this somehow gives the machine a life of its own and enables it to think by itself.

The rest of the film is pretty much incidental after this build-up, and so largely it goes along these lines: girl meets computer but thinks it’s actually boy; girl falls in love with boy; computer falls in love with girl; computer and boy fight over girl; computer sacrifices itself in the name of love. All pretty pedestrian stuff.

While all of this is going on, you get the monumental score by Giorgio Moroder. Having only just created his interesting version of Metropolis a year or two earlier, it could have all gone horribly wrong, but this time he managed to hold it together.

The score has some great moments, such as the cello piece The Duel. The soundtrack album also brings you hits and exclusive tracks from the likes of Jeff LynneCulture Club, and Heaven 17.

The one truly beautiful moment in the film is at the end, when the couple leave San Francisco in typically heavy rain (although this has symbolically and miraculously stopped by the time they reach the Golden Gate Bridge) and Edgar hacks into the radio to play them the wonderful Together in Electric Dreams, apparently self-composed, but of course in reality written and performed by Moroder with Phil Oakey out of The Human League.