The Ultimate Guide to the BRIT Awards

This year’s BRIT Awards will be the 39th ever, and due to the gap between the first and second, it’s over forty years since the first ceremony was held in October 1977. There’s no particular reason for a celebration, but let’s take a moment anyway to look back at the previous 38 ceremonies and the history of the awards!

Artists they love

We calculated the top twenty artists at the BRITs just last year, and – spoiler alert – the top five British acts, in ascending order, were Annie LennoxTake ThatAdeleColdplay, and Robbie Williams. Comparison with the top-selling British acts of all time puts Annie Lennox and Take That nowhere on the list, Adele and Coldplay joint fourteenth alongside others, and Robbie Williams joint twenty-fifth.

Or you could compare with the top sixty singles acts of all timeAnnie Lennox still doesn’t make it, Take That are fifteenth, Adele is a bit too recent for the list, Coldplay are sixtieth, and Robbie Williams is twenty-second.

The BRIT Awards seem to have always struggled with the Female Solo Artist categories, obsessing for years on end over Annie LennoxAlison Moyet, Adele, and (internationally) Björk.

Artists they hate

Contemporary artists who haven’t done quite so well based on those lists include Elton JohnQueen, and David Bowie, who came 15th, off the chart, and 11th respectively, although much of their heyday would have been in the 1970s, and OasisSpice Girls, and George Michael, who have never quite made the cut, appearing 10th, 17th, and somewhere just off the list respectively.

Famously, Radiohead have never won anything despite plenty of nominations, and Jamiroquai also inexplicably got lots of nominations but sanity prevailed on the night, and they never quite won.

Nominated in the wrong category

U2 seem to have caused a bit of confusion about whether they were British or International, having been nominated for awards in both. Solo artists have got a bit confused at times as well, with Roland Gift of Fine Young Cannibals receiving a solo nomination in 1990, despite not releasing anything on his own for another decade. Fortunately, his group returned their awards after a particularly vomit-inducing appearance from Margaret Thatcher as part of the ceremony. Mick Hucknall also seems to have caused some confusion in 1997 about whether he was a solo act or group, as did.

Trouble at the top

Plenty of drama happens on and off stage at the awards, most of which is well-documented. A new one that I hadn’t come across previously was that somewhat amusingly, Rick Astley apparently couldn’t quite make it up to the stage in time, so wasn’t able to accept his own award.

There have been some very odd choices of presenters – after Michael Aspel presented the first, and Samantha Fox and Mick Fleetwood were never invited back, a lot of odd people were, including Tim RiceNoel EdmondsSimon Bates, and Russell BrandAnt & Dec have presented three times (2001, 2015, and 2016), Chris Evans has done four (1995, 1996, 2005, and 2006), and astonishingly James Corden

Nobody cares any more

The ceremony has had its ups and downs (Sam Fox, perhaps not unfairly, apparently blames everyone but herself for the 1989 event). Search online, and there are plenty of good articles about the better and worse moments in its history – this one is one of the better researched.

But in its heyday, the BRIT Awards ceremony was event TV, with a sixth of the country watching, but these days, barely five million people can be bothered tuning in.

Stay tuned for more coverage on the run-up to the 2018 BRIT Awards. There’s plenty of coverage on this blog from previous years, but one place to start might be this post from a couple of years ago.

Ivor Novello Awards – The 1990s

Ivor Novello Awards 1990

Grosvenor House in London hosted the Ivor Novello Awards on 2nd April 1990.

  • Best Contemporary Song: All Around the World, written by Lisa Stansfield, Ian Devaney and Andrew Morris. Also nominated: Back to Life (However Do You Want Me), performed by Soul II Soul, written by Jazzie B, Caron Wheeler, Nellee Hooper and Simon LawShe Drives Me Crazy, performed by Fine Young Cannibals, written by David Steele and Roland Gift
  • Best Song Musically and Lyrically: The Living Years, performed by Mike + The Mechanics, written by BA Robertson and Mike Rutherford. Also nominated: Another Day in Paradise, written by Phil Collins; Room in Your Heart, performed by Living in a Box, written by Marcus Vere, Richard Darbyshire and Albert Hammond
  • Best Theme from a TV/Radio Production: Ruth Rendell Mysteries, written by Brian Bennett. Also nominated: Sherlock Holmes, written by Patrick Gowers; Agatha Christie’s Poirot, written by Christopher Gunning
  • Best Film Theme or Song: Henry V Nons Nobis Domine, written by Patrick Doyle. Also nominated: Nothing Has Been Proved, written by Neil Tennant and Chris Lowe; Travelling East, written by Eric Clapton and Michael Kamen
  • The Jimmy Kennedy Award: Herbert Kretzmer
  • Best Selling ‘A’ Side: Too Many Broken Hearts, performed by Jason Donovan, written by Stock Aitken Waterman (Mike Stock, Matt Aitken and Pete Waterman). Also nominated: Back to Life (However Do You Want Me); Something’s Gotten Hold of My Heart, performed by Marc Almond and Gene Pitney, written by Roger Cook and Roger Greenaway
  • International Hit of the Year: She Drives Me Crazy. Also nominated: Buffalo Stance, written by Cameron Mcvey, Philip Ramacon, Neneh Cherry and Jamie Morgan; Another Day in Paradise, written by Phil Collins
  • Best Theme from a TV/Radio Commercial: Abbey Endings (Abbey National), written by Lionel Bart. Also nominated: Big Day (Maxwell House), written by David Mindel; Terry Keeps His Clips On (Toshiba), written by Viv Stanshall
  • The Best British Musical: Aspects of Love, written by: Don Black, Charles Hart and Andrew Lloyd Webber
  • Outstanding Contribution to British Music: David Bowie
  • Most Performed Work: This Time I Know It’s for Real, written by Stock Aitken Waterman and Donna Summer. Also nominated: Something’s Gotten Hold of My HeartToo Many Broken Hearts
  • Songwriters of the Year: Stock Aitken Waterman
  • Outstanding Services to British Music: The Kinks (Mick Avory, Dave Davies, Ray Davies, Ian Gibbons and Jim Rodford)

Ivor Novello Awards 1991

The 1991 ceremony took place at Grosvenor House in London on 2nd May 1991.

  • Best Contemporary Song: Killer, written by Adam ‘Adamski’ Tinley and Seal. Also nominated: Don’t Worry, written by Kim Appleby, Craig Logan and George Deangelis; Unbelievable, performed by EMF, written by James Atken, Ian Dench, Zachary Foley, Mark Decloedt and Deran Brownson
  • Best Song Musically and Lyrically: Sacrifice, written by Elton John and Bernie Taupin. Also nominated: We Let the Stars Go, performed by Prefab Sprout, written by Paddy McaloonNothing Ever Happens, performed by Del Amitri, written by Justin Currie
  • Best Theme from a TV/Radio Production: Victorian Kitchen, written by Paul Reade. Also nominated: Tidy Endings, written by Stanley Myers; The Green Man, written by Tim Souster
  • Best Film Theme or Song: Witches, written by Stanley Myers. Also nominated: Arachnophobia, written by Trevor Jones; Lily Was Here, written by Dave Stewart
  • The Jimmy Kennedy Award: John Barry
  • Best Selling ‘A’ Side: Sacrifice / Healing Hands, written by Elton John and Bernie Taupin. Also nominated: World in Motion, performed by Englandneworder (New Order), written by Bernard Sumner, Stephen Morris, Gillian Gilbert, Keith Allen and Peter Hook; Killer, written by Adam ‘Adamski’ Tinley and Seal
  • Best Theme from a TV/Radio Commercial: Only You (Fiat Tempra), written by Geoff MacCormack and Simon Goldenberg. Also nominated: Citric Bite (Schweppes Tonic), written by Don Gould and James LowtherNick of Time (Audi), written by Tony Sadler and Gaynor Sadler
  • International Hit of the Year: All Around the World, written by Lisa Stansfield, Ian Devaney and Andrew Morris. Also nominated: Close to You, performed by Maxi Priest, written by Gary Benson, Winston Sela and Maxi Elliott; I’ve Been Thinking About You, performed by Londonbeat, written by George Chandler, Jimmy Chambers, Jimmy Helms and Liam Henshall
  • Special Award for International Achievement: Albert Hammond
  • PRS Most Performed Work: Blue Savannah, performed by Erasure, written by Andy Bell and Vince Clarke. Also nominated: All I Wanna Do Is Make Love to You, performed by Heart, written by Robert John ‘Mutt’ LangeKiller, written by Adam ‘Adamski’ Tinley and Seal
  • Outstanding Services to British Music: Robert Farnon
  • Songwriter of the Year: Phil Collins
  • Outstanding Contribution to British Music: Mick Jagger, Keith Richards, Charlie Watts, Ronnie Wood and Bill Wyman

Ivor Novello Awards 1992

May 1992 saw Grosvenor House in London host the 37th Ivor Novello Awards ceremony.

  • Best Contemporary Song: Crazy, written by Seal. Also nominated: Walking Down Madison, written by Kirsty MacColl and Johnny Marr; Sit Down, written by Timothy Booth, Lawrence Gott, James Glennie and Gavan Whelan
  • Best Song Musically and Lyrically: The Whole of the Moon, performed by The Waterboys, written by Mike Scott. Also nominated: The Show Must Go On, performed by Queen, written by Freddie Mercury, Brian May, Roger Taylor and John Deacon; Stars, performed by Simply Red, written by Mick Hucknall
  • Best Theme from a TV/Radio Production: The Darling Buds of May, written by Philip Burley and Barrie Guard. Also nominated: Clarissa, written by Colin Towns; A Question of Attribution, written by Gerald Gouriet
  • Best Theme from a TV/Radio Commercial: Driven By You (Ford Motor Company), written by Brian May. Also nominated: Eagle Star – Reflections (Eagle Star Insurance), written by RAF Ravenscroft and Kevin Dillon-LambExcaliber (Carling Black Label), written by Rachel Portman
  • The Jimmy Kennedy Award: Tony Hatch and Jackie Trent
  • Best Selling ‘A’ Side: Bohemian Rhapsody / These are the Days of Our Lives, performed by Queen, written by Freddie Mercury, Brian May, Roger Taylor and John Deacon. Also nominated: Any Dream Will Do, performed by Jason Donovan, written by Andrew Lloyd Webber and Tim Rice; I’m Too Sexy, performed by Right Said Fred, written by Fred Fairbrass, Rob Manzoli and Richard Fairbrass
  • Best Film Theme or Song: Under Suspicion, written by Christopher Gunning. Also nominated: Dances with Wolves, written by John Barry; The One and Only, written by Nik Kershaw
  • International Hit of the Year: Crazy, written by Seal. Also nominated: Unbelievable; 3 AM Eternal, performed by The KLF, written by Bill Drummond, Jimmy Cauty and Ricky Lyte
  • Award in Recognition of the Exceptional Success of a Single Song: Everything I Do (I Do It For You), written by: Bryan Adams, Michael Kamen and Robert John ‘Mutt’ Lange
  • Best British Musical: Joseph and the Amazing Technicolor Dreamcoat, written by: Andrew Lloyd Webber and Tim Rice
  • PRS Most Performed Work: I’m Too Sexy. Also nominated: The One and Only, performed by Curtis Stigers, written by Nik Kershaw; Any Dream Will Do, written by Andrew Lloyd Webber and Tim Rice
  • Outstanding Contribution to British Music: David Gilmour, Nick Mason, Roger Waters and Richard Wright
  • Songwriter of the Year: Mick Hucknall
  • Special Award for International Achievement: Bernie Taupin
  • Lifetime Achievement Award: Eric Clapton

Ivor Novello Awards 1993

26th May 1993 saw Grosvenor House in London host the Ivor Novello Awards.

  • Best Contemporary Song: Would I Lie to You, performed by Charles and Eddie, written by Peter Vale and Mick Leeson. Also nominated: Stay, performed by Shakespears Sister, written by Marcella Detroit, Siobhan Fahey and Dave Stewart; Friday I’m In Love, performed by The Cure, written by Robert Smith, Simon Gallup, Porl Thompson, Boris Williams and Perry Bamonte
  • Best Song Musically and Lyrically: Why, written by Annie Lennox. Also nominated: The Disappointed, performed by XTC, written by Andy Partridge; Tears in Heaven, written by Eric Clapton and Will Jennings
  • Best Theme from a TV / Radio Production: Civvies, composed by Michael Storey. Also nominated: Blackheath Poisonings, written by Colin Towns; Kyrie Eleison, written by Christopher Gunning
  • Best Film Theme or Song: Tears in Heaven, written by Eric Clapton and Will Jennings. Also nominated: Final Analysis, written by George Fenton; Chaplin, written by John Barry
  • Songwriters of the Year: Colin Angus and Richard West
  • PRS Most Performed Work: Deeply Dippy, performed by Right Said Fred, written by Fred Fairbrass, Rob Manzoli and Richard Fairbrass. Also nominated: Would I Lie to You; Stay
  • Best Selling Song: Would I Lie to You. Also nominated: Goodnight Girl, performed by Wet Wet Wet, written by Marti Pellow, Neil Mitchell, Tom Cunningham and Graeme Clark; Ain’t No Doubt, written by Jimmy Nail, Danny Schogger, Charlie Dore and Guy Pratt; Stay
  • International Hit of the Year: Would I Lie to You. Also nominated: Stay; Tears in Heaven; Why
  • The Jimmy Kennedy Award: Les Reed
  • Outstanding Contemporary Song Collection: Marcella Detroit, Siobhan Fahey and Dave Stewart
  • Outstanding Contribution to British Music: Bernie Calvert, Allan Clarke, Bobby Elliott, Tony Hicks, Graham Nash and Terry Sylvester
  • Lifetime Achievement Award: George Shearing
  • Special Award for International Achievement: Rod Temperton

Ivor Novello Awards 1994

The 1994 ceremony took place at Grosvenor House on 25th May.

  • Best Contemporary Song: Pray, performed by Take That, written by Gary Barlow. Also nominated: Moving On Up, performed by M People, written by Paul Heard and Mike Pickering; Arranged Marriage, performed by Apache Indian, written by Stephen Kapur, Simon Duggal and Diamond Duggal
  • Best Song Musically and Lyrically: If I Ever Lose My Faith in You, written by Sting. Also nominated: Ordinary World, performed by Duran Duran, written by Simon Le Bon, Nick Rhodes, John Taylor and Warren Cuccurullo; I Don’t Wanna Fight, performed by Tina Turner, written by Steve Duberry, Billy Lawrie and Lulu
  • Best Theme from a TV/Radio Production: Stalag Luft, written by Stanley Myers. Also nominated: Harnessing Peacocks, written by Richard Holmes; Unnatural Causes, written by Richard Harvey
  • Best Film Theme or Song: The Piano, written by Michael Nyman. Also nominated: Into the West, written by Patrick Doyle; Indochine, written by Patrick Doyle
  • The PRS Most Performed Work: Ordinary World. Also nominated: Little Bird, written by Annie Lennox; Tears in Heaven
  • Best Selling Song: Mr Blobby, written by David Rogers and Paul Shaw. Also nominated: Dreams, written by Timothy Laws and Gabrielle; Babe, performed by Take That, written by Gary Barlow
  • The International Hit of the Year: Living on My Own, written by Freddie Mercury. Also nominated: I Feel You, performed by Depeche Mode, written by Martin Gore; Ordinary World, written by Simon Le Bon, Nick Rhodes, John Taylor and Warren Cuccurullo
  • The Outstanding Contemporary Song Collection: Paul Weller
  • The Jimmy Kennedy Award: Roger Cook and Roger Greenaway
  • Lifetime Achievement Award: Ron Goodwin
  • Outstanding Contribution to British Music: Tim Rice
  • Special Award for International Achievement: Bono, Adam Clayton, Larry Mullen Jnr and The Edge
  • Outstanding Contribution to British Musical Theatre: Andrew Lloyd Webber
  • Songwriter of the Year: Gary Barlow

Ivor Novello Awards 1995

Forty years into its history, the 1995 ceremony took place at Grosvenor House on 23rd May.

  • Outstanding Contribution to British Music: Lonnie Donegan
  • Best Contemporary Song: You Gotta Be, written by Des’ree Weekes and Ashley Ingram. Also nominated: Parklife, performed by Blurwritten by Damon Albarn, Graham Coxon, Alex James and Dave RowntreeZombieperformed by The Cranberrieswritten by Delores O’Riordan
  • Best Song Musically & Lyrically: Think Twice, performed by Celine Dion, written by Andy Hill and Peter Sinfield. Also nominated: Patience of Angels, performed by Eddi Reader, written by Boo Hewerdine; Dear John, written by Mark Nevin and Kirsty McColl
  • Best Theme from a TV/Radio Production: Middlemarch, written by Stanley Myers. Also nominated: Crocodile Shoes, written by Tony McAnaney; Beyond the Clouds, written by George Fenton
  • Best Commissioned Film Score: Shadowlands, written by George Fenton. Also nominated: Deadly Advice, written by Richard HarveyThe Joy Luck Club, written by Rachel Portman
  • Best Song Included in a Film: Circle of Life, written by Elton John and Tim Rice. Also nominated: Love is All Around, performed by Wet Wet Wet, written by Reg Presley; In the Name of Our Father, performed by U2, written by Bono, Gavin Friday and Maurice Roycroft
  • The Radio 1 Award for Continuing Innovation in Music: Brian Eno
  • The Best Selling Song: Love is All Around. Also nominated: Baby Come Back, performed by Pato Banton, written by Eddy GrantStay Another Day, performed by East 17, written by Tony Mortimer, Dominic Hawken and Robert Kean
  • International Hit of the Year: Love is All Around. Also nominated: 7 Seconds, written by Cameron McVey, Jonathan Peter Sharp, Youssou N’Dour and Neneh Cherry; Baby I Love Your Way, performed by Big Mountain, written by Peter Frampton; Without You, performed by Mariah Carey, written by Pete Ham and Tom Evans
  • The PRS Most Performed Work: Love is All Around. Also nominated: Stay Another DayBaby Come Back
  • The Jimmy Kennedy Award: Don Black
  • Lifetime Achievement Award: Van Morrison
  • The Outstanding Contemporary Song Collection: Elvis Costello
  • Songwriter of the Year: Tony Mortimer

Ivor Novello Awards 1996

Grosvenor House in London hosted the Ivor Novello Awards on 30th May 1996.

  • The PRS Most Performed Work: Back for Good, performed by Take That, written by Gary Barlow. Also nominated: No More I Love Yous, performed by Annie Lennox, written by David Freeman and Joseph Hughes; A Girl Like You, written by Edwyn Collins
  • The Best Selling Song: Back for Good. Also nominated: Fairground, performed by Simply Red, written by Mick Hucknall; Missing, performed by Everything But The Girl, written by Tracey Thorn and Ben Watt
  • International Hit of the Year: Kiss from a Rose, written by Seal. Also nominated: Back for Good; No More I Love Yous
  • Best Contemporary Song: Alright, performed by Supergrass, written by Danny Goffrey, Gaz Coombes and Michael Quinn. Also nominated: Wonderwall, performed by Oasis, written by Noel Gallagher; A Girl Like You, written by Edwyn Collins
  • Best Song Musically and Lyrically: Common People, performed by Pulp, written by Jarvis Cocker, Nick Banks, Candida Doyle, Steve Mackey and Russell Senior. Also nominated: No More I Love Yous; Back for Good
  • Best Commissioned Film Score: Don Juan De Marco, composed by Michael Kamen. Also nominated: Pin for the Butterfly, composed by Ilona SekaczNostradamus, composed by Barrington Pheloung
  • Best Commissioned Score from a TV/Radio Production: The Hanging Gale, written by Shaun Davey. Also nominated: Pride & Prejudice, written by Carl Davis; Yugoslavia, written by Debbie Wiseman
  • Best Song Included in a Film or Television Programme: Have You Ever Really Loved a Woman, composed by Robert John ‘Mutt’ Lange, Michael Kamen and Bryan Adams. Also nominated: Kiss from a Rose, composed by SealGoldeneye, performed by Tina Turner, composed by Bono and The Edge
  • The Jimmy Kennedy Award: Tony Macaulay
  • Outstanding Contribution to British Musical Theatre: Cameron Mackintosh
  • An Outstanding Contemporary Song Collection: Joan Armatrading
  • Songwriters of the Year: Blur (Damon Albarn, Graham Coxon, Alex James, Dave Rowntree) and Noel Gallagher (presented jointly)
  • PRS Outstanding Contribution to British Music: Small Faces (Kenney Jones, Ronnie Lane, Steve Marriott and Ian McLagan)
  • Outstanding Services to British Music: Jeff Lynne

Ivor Novello Awards 1997

London’s Grosvenor House hosted the 1997 ceremony on 19th May.

  • PRS Award for Most Performed Work of 1996: Fast Love, written by George Michael. Also nominated: Give Me a Little More Time, written by Gabrielle, Benjamin Wolff, Andrew Dean, Ben BarsonDon’t Look Back in Anger, performed by Oasis, written by Noel Gallagher
  • Best Commissioned Film Score: 101 Dalmatians, composed by Michael Kamen. Also nominated: Independence Day, composed by David ArnoldTwelfth Night, composed by Shaun Davey
  • Best Selling British Written Single in the UK: Hetty Wainthropp Investigates, composed by Nigel Hess. Also nominated: Wannabe, performed by Spice Girls, written by Victoria Adams, Melanie Brown, Emma Bunton, Melanie Chisholm, Geri Halliwell, Matt Rowe and Richard Stannard
  • Best Music Commissioned for a Broadcast Production: Cold Lazurus, composed by Christopher GunningRhodes, composed by Alan Parker
  • Best Contemporary Song: A Design for Life, performed by Manic Street Preachers, written by James Dean Bradfield, Sean Moore and Nicky Wire. Also nominated: Lifted, performed by Lighthouse Family, written by Paul Tucker, Martin Brammer and Tunde BaiyewuFirestarter, performed by The Prodigy, written by Liam Howlett and Keith Flint
  • Outstanding Song Collection: Richard Thompson
  • Best Song Musically and Lyrically: Too Much Love Will Kill You, performed by Queen, written by Brian May, Frank Musker and Elizabeth Lamers. Also nominated: I Am I Feel, performed by Alisha’s Attic, written by Terence Martin, Karen Poole and Michelle PooleNeighbourhood, performed by Space, written by Thomas Scott, Andrew Parle, James Edwards and Francis Griffiths
  • International Achievement: The Cranberries (Noel Hogan and Dolores O’Riordan)
  • The Jimmy Kennedy Award: Mike Chapman and Nicky Chinn
  • International Hit of the Year: Wannabe
  • Songwriter of the Year: George Michael
  • PRS Outstanding Contribution to British Music Award: Elvis Costello
  • Lifetime Achievement: Led Zeppelin (John Bonham, John Paul Jones, Jimmy Page and Robert Plant)

Ivor Novello Awards 1998

The 1998 Ivor Novello ceremony took place on 28th May 1998 at Grosvenor House, London.

  • PRS Most Performed Work: I’ll Be Missing You (Every Breath You Take), performed by Puff Daddy, written by Sting. Also nominated: Say What you Want, performed by Texas, written by Sharleen Spiteri and Johnny McElhoneBlack Eyed Boy, performed by Texas, written by Sharleen Spiteri, Johnny McElhone, Edward Campbell, Richard Hynd and Robert Hodgens
  • Best Original Film Score: William Shakespeare’s Romeo + Juliet, composed by Craig Armstrong, Marius De Vries and Nellee Hooper. Also nominated: Tomorrow Never Dies, composed by David ArnoldWilde, composed by Debbie Wiseman
  • Best Selling UK Single: Candle in the Wind 1997, written by Elton John and Bernie Taupin. Also nominated: Teletubbies Say Eh-Oh!, written by Andrew McCrorie-Shand; I’ll Be Missing You (Every Breath You Take)
  • Best Original Music For A Broadcast: Rebecca, composed by Christopher Gunning. Also nominated: Melissa, composed by Richard Harvey and Steve BakerCrime Traveller, composed by Anne Dudley
  • Best Contemporary Song: Karma Police, written by Thom Yorke, Jonny Greenwood, Phil Selway, Colin Greenwood and Ed O’Brien. Also nominated: Smile, written by James McColl, Ken McAlpine and Alan TilstonThe Drugs Don’t Work, written by Richard Ashcroft
  • Best Song Collection: Johnny McElhone and Sharleen Spiteri
  • Best Original Song for a Film or Broadcast: Picture of You, written by Paul Wilson, Andy Watkins, Ronan Keating and Eliot Kennedy. Also nominated: Step By Step, written by Annie LennoxSurrender, written by David Arnold, David McAlmont and Don Black
  • Best Song Musically and Lyrically: Paranoid Android, performed by Radiohead, written by Thom Yorke, Jonny Greenwood, Phil Selway, Colin Greenwood and Ed O’Brien. Also nominated: Brimful of Asha, written by Tjinder Singh; Angels, written by Robbie Williams and Guy Chambers
  • International Achievement: Enya, Nicky Ryan and Roma Ryan
  • Best Dance Music: You’re Not Alone, performed by Olive, written by Tim Kellett and Robin Taylor-Firth. Also nominated: Gunman, performed by 187 Lockdown, written by Julian Jonah and Danny HarrisonSunchyme, performed by Dario G, written by Gilbert Gabriel, Nick Laird Clowes, Stephen Spencer, Paul Spencer and Scott Rosser
  • PRS Outstanding Contribution to British Music: Morrissey
  • International Hit of the Year: Candle in the Wind 1997. Also nominated: I’ll Be Missing You (Every Breath You Take); Spice Up Your Life, performed by Spice Girls, written by Richard Stannard, Matt Rowe, Melanie Brown, Victoria Adams, Geri Halliwell, Emma Bunton and Melanie Chisholm
  • Songwriter of the Year: Richard Ashcroft
  • The Jimmy Kennedy Award: Barry Mason

Ivor Novello Awards 1999

The 1999 Ivor Novello Awards were presented on 27th May 1999 at Grosvenor House, London.

  • PRS Most Performed Work: Angels, written by Robbie Williams and Guy Chambers. Also nominated: High, performed by Lighthouse Family, written by Paul Tucker and Tunde BaiyewuNever Ever, performed by All Saints, written by Shaznay Lewis, Sean Mather and Esmail Jazayeri
  • Best Selling UK Single: Believe, performed by Cher, written by Brian Higgins, Steve Torch, Paul Barry, Stuart McLennan, Tim Powell and Matt Gray. Also nominated: No Matter What, performed by Boyzone, written by Andrew Lloyd Webber and Jim SteinmanC’est La Vie, performed by B*Witched, written by Tracy Ackerman, Ray Hedges, Martin Brannigan, Edele Lynch, Keavy Lynch, Lindsay Armaou and Sinéad O’Carroll
  • Best Original Film Score: Firelight, composed by Christopher Gunning. Also nominated: Dancing at Lughnasa, composed by Bill WhelanEver After, composed by George Fenton
  • Best Contemporary Song: Here’s Where the Story Ends, performed by Tin Tin Out, written by Harriet Wheeler and David Gavurin. Also nominated: Road Rage, performed by Catatonia, written by Mark Roberts, Cerys Matthews, David Jones, Aled Richards and Owen PowellWhat Can I Do, performed by The Corrs, written by Andrea Corr, Caroline Corr, Sharon Corr and James Corr
  • Best Original Music for a Television / Radio Broadcast: Close Relations, composed by Rob Lane. Also nominated: Life of Birds, composed by Steven Faux and Ian ButcherSelfridges: The Shop, composed by Barrie Bignold
  • Best Song Commissioned for a Film or Broadcast: The Flame Still Burns, written by Chris Difford, Marti Frederiksen and Mick Jones. Also nominated: Why Won’t You Shag Me, written by Owen Vyse and Guy PrattKipper, written by Robert Heatlie
  • Best Song Musically and Lyrically: Believe. Also nominated: C’est La Vie; A Little Soul, performed by Pulp, written by Jarvis Cocker, Nick Banks, Candida Doyle, Steve Mackey and Mark Webber
  • Outstanding Song Collection: Jamiroquai (Wallis Buchanan, Simon Katz, Jay Kay, Derrick McKenzie, Toby Smith and Stuart Zender)
  • The Ivors Dance Award: Horny, written by Mousse T and Errol Rennalls. Also nominated: Sing It Back, performed by Moloko, written by Mark Brydon and Róisín Murphy; I Can’t Help Myself, performed by Lucid, written by Mark Hadfield and Adam Ryan Carter
  • International Achievement: Martin Gore
  • The Jimmy Kennedy Award: Peter Callander and Mitch Murray
  • International Hit of the Year: Believe, written by Brian Higgins, Stuart McLennan, Paul Barry, Steve Torch, Matt Gray and Tim Powell. Also nominated: Life, written by Des’ree Weekes and Prince Sampson; No Matter What, written by Andrew Lloyd Webber and Jim Steinman
  • PRS Outstanding Contribution to British Music: Chrissie Hynde
  • The Special International Award: Hal David
  • Songwriters of the Year: Guy Chambers and Robbie Williams
  • Lifetime Achievement: Rod Stewart

Further Reading

The Grammy Awards 2016

Every year in recent times during Awards Week, I’ve tried to go through the list of Grammy winners comprehensively, and come up with some of the highlights. If only it weren’t such a bloody long list…

Best Dance Recording is always an eccentric list, particularly with the US opinion on what counts as dance (although the BRITs always seemed to want to fill the nomination list with Jamiroquai back in the days when the category existed). This year’s nominees included Above & Beyond with Zoë Johnston, with We’re All We Need, and The Chemical Brothers featuring Q-Tip with Go, but of course the winner had to be Justin Bieber, accompanied by Skrillex and Diplo, whoever they might be.

Best Dance/Electronic Album also showed some promise, but Skrillex and Diplo carried that one away too. Unsuccessful nominees included Caribou‘s Our Love, and The Chemical BrothersBorn in the Echoes.

I’ve never really understood what “alternative music” is supposed to be, but Björk must have been a strong contender with Vulnicura in the Best Alternative Music Album category. Ultimately, she lost out to Alabama Shakes.

Best New Age Album probably showed some promise, but I’d never heard of any of them. Congratulations to Paul Avgerinos for the win. Ladysmith Black Mambazo and Gilberto Gil lost out to Angelique Kidjo in the patronisingly named Best World Music Album category, while David Bowie‘s Sue (Or in a Season of Crime) managed a belated win in the somewhat inexplicable Best Arrangement, Instruments and Vocals category.

In the completely bizarrely named Best Remixed Recording, Non-Classical (because those classical remixes are such a big deal now), Dave Audé won for his reworking of Mark Ronson and Bruno Mars‘s Uptown Funk. And finally, in the eighty-third category, Best Music Film, Roger Waters‘s concert recording The Wall lost out to Amy, the documentary about Amy Winehouse. Probably justified, although The Wall live was a pretty impressive spectacle.

There’s a whole lot more, and there are probably other things of interest to you, if you can make it through the ridiculous number of awards, which I’m sure doesn’t devalue them in the slightest. You can view the results in full here.

Music for the Masses 14 – 22 March 2000

By March 2000, Bay Radio had existed as an actual thing for about a year, and it was going from strength to strength. They still hadn’t quite found the strength to get rid of me yet, but the shows were pretty good all round.

show14pl

Show 14: Wed 22 Mar 2000, from 10.55am-1.00pm

Tracks taken from the playlist (Total 13 tracks). A indicates A-list (7 tracks); B indicates B-list (3 tracks) and C indicates C-list (2 tracks). S indicates the Single of the Week. R indicates tracks taken from my own collection (Total 5 tracks). L indicates the ones from the “library” (Total 7 tracks). X indicates tracks from ents’ record collection (Total 2 tracks).

  • 1. Ouch “Seen the Light” A
  • [IRN 11.00 News]
  • 2. Chicane “Don’t Give Up” A
  • 3. Beloved “Ease the Pressure” R
  • 4. Andreas Johnson “Glorious” L
  • 5. Merz “Lotus” B
  • 6. Supergrass “Alright” L
  • 7. Rage Against the Machine “Sleep Now in the Fire” A
  • 8. Madonna “American Pie” (Richard “Humpty” Vission Radio Mix) L
  • [Coming Events Feature]
  • 9. Planet Perfecto “Bullet in the Gun” L
  • 10. Fragma “Toca’s Miracle” B
  • 11. U2 “The Ground Beneath Her Feet” A
  • [Advert Break]
  • 12. Big Yoga Muffin “Is that How You?” C
  • 13. Beck “Mixed Bizness” A
  • 14. Grid “Rollercoaster” (Album Version) R
  • [IRN 12.00 News]
  • 15. Space Brothers “Legacy (Show Me Love)” L
  • 16. New Order “Blue Monday 88” R
  • 17. Asian Dub Foundation “Real Great Britain” C
  • 18. Jamiroquai “Half the Man” X
  • 19. Richard Ashcroft “Song for the Lovers” L
  • 20. Moby “Why Does My Heart Feel So Bad?” L
  • 21. David Arnold & Nina Persson “Randall & Hopkirk Theme” S
  • [Chart Feature]
  • 22. Electronic “Disappointed” (Original Mix) R
  • 23. Patti Smith “Glitter in their Eyes” B
  • 24. Clinic “The Return of Evil Bill” A
  • [Advert Break]
  • 25. Progress presents The Boy Wunda “Everybody” L
  • 26. William Orbit “Barber’s Adagio for Strings” L
  • 27. Jean Michel Jarre “Hey Gagarin” R

Producer: None.

Notes: Excuse me while I blow my own trumpet, but what tunes!!! It definitely helps to know what the record library includes beforehand! Ooh, that’s better. Anyway, on the whole not too bad, including the return of ADVERTS!!! Thus I could roll around almost in hysterics while uncharismatic people rattled on about new launderettes opening soon to the tune of “Popcorn”. Never have I been so amused. Anyway… Oh yes, I also rather naughtily made use of ents’ record player to play some of their records on. “Half the Man” isn’t nearly the tune I remember it being. Also I had my first impartial feedback today, which was “You sound a bit like Simon Bates.” I’m still not sure whether that’s a good or bad thing, but so long as I don’t start sounding like Neale James. Mmmmmmmmmmmmmmmmmmmmmm, baby…

Music for the Masses 9 – 16 February 2000

For the uninitiated, Sunrise Radio was a station which used to carry the Independent Radio News around the UK via satellite, and was kind enough to leave a three second gap at the start and end so that stations such as Bay Radio could pick it up. Trying to catch it was a fine art, and relied on your clock being completely accurate…

show9

Tracks played on the ninth show, Wed 16 Feb 2000, from 10.55am-1.00pm

Tracks taken from the playlist (Total 13 tracks). A indicates A-list (7 tracks); B indicates B-list (3 tracks) and C indicates C-list(2 tracks). S indicates the Single of the Week. R indicates tracks taken from my own collection (Total 11 tracks). L is the ones out of the drawer (Total 5 tracks).

  • 1. Bellatrix “The Girl with the Sparkling Eyes” S
  • [IRN 11.00 News]
  • 2. Dubstar “The View from Here” R
  • 3. Robbie Williams “It’s Only Us” L
  • 4. Bluetones “Keep the Home Fires Burning” A
  • 5. Kawala “Humanistic” L
  • 6. Enigma “Gravity of Love” R
  • [Guild Election Advert – 1]
  • 7. Jay-Z “Anything” C
  • 8. Brassy “Work it Out” A
  • 9. Gorky’s Zygotic Mynci “Poodle Rockin'” A
  • 10. Wannadies “Yeah” A
  • 11. Jean Michel Jarre “Hey Gagarin” R
  • 12. Space Brothers “Shine 2000” L
  • 13. Kraftwerk “Expo 2000” (Kling Klang Mix 2002) R
  • [Guild Election Advert – 2]
  • 14. Southern Fly “Maybe It’s the Right Time” B
  • 15. Eels “Mr. E’s Beautiful Blues” A
  • 16. Jamiroquai “Canned Heat” L
  • [IRN 12.00 News]
  • 17. Fiona Apple “Fast as You Can” C
  • 18. Everything But the Girl “Temperamental” (DJ Spen & Karizma Remix Edit) R
  • 19. Kelis “Caught Out There” A
  • 20. Stereophonics “Pick a Part That’s New” L
  • [Guild Election Advert – 1]
  • 21. Soulwax “Conversation Intercom” B
  • 22. White Town “The Death of My Desire” R
  • 23. Komputer “The World of Tomorrow” R
  • 24. Sgt. Rock “Yeah Word Party” B
  • 25. New Order “Ruined in a Day” (K-Klass Remix) R
  • 26. Pet Shop Boys “Je T’Aime… Moi Non Plus” R
  • [Guild Election Advert – 2]
  • 27. Big Yoga Muffin “Is that How You?” A
  • 28. Beloved “Hello” R
  • 29. Depeche Mode “It’s No Good” R

Producer: None.

Notes: A-woo, my first one attempting to get IRN without Sunrise Radio… and it was moderately successful as well – except for a severe panic to get the 12.00 news (a wire had come loose somewhere), and a microphone which wasn’t plugged in. Mmmm, c’est la vie…

Music for the Masses 1 – 17 November 1999

Hopefully you’ll excuse the interruption of normal service, because I stumbled across this in my archives and wanted to share it! Long before this blog existed, there was a student radio show called Music for the Masses, and the first ever show took place fifteen years ago today, on Aberystywth’s brand new student radio station, Bay Radio. The gaps in the playlist are the bits where I talked.

show1br

Tracks played on the first show, Wed 17 Nov 1999, from 11am-1pm

Tracks taken from the playlist (Total 12 tracks). A indicates A-list (7 tracks); B indicates B-list (3 tracks) and C indicates C-list (2 tracks). S indicates the Single of the Week. R indicates tracks taken from my own collection (Total 8 tracks). L indicates tracks we grabbed from the drawer to impress people (Total 9 tracks).

  • 1. Everything But The Girl “Before Today” R
  • 2. Garbage “The World is Not Enough” A
  • 3. Jamiroquai “Canned Heat” L
  • 4. Manchild “Return to the Dragon” C
  • 5. Gay Dad “Joy” L
  • 6. Offspring “She’s Got Issues” S
  • 7. R.E.M. “At My Most Beautiful” L
  • 8. New Order “World (The Price of Love)” R
  • 9. Amar “Red Sky” A
  • 10. Jean Michel Jarre “Oxygène 10” R
  • 11. Beastie Boys “Alive” A
  • 12. Cartoon “Alcoholic Show” L
  • 13. Murry The Hump “Colouring Book” A
  • [Advert Break]
  • 14. Barenaked Ladies “It’s All Been Done” L
  • 15. Spacedust “Let’s Get Down” L
  • 16. Beloved “Sweet Harmony” R
  • 17. Primal Scream “Swastika Eyes” C
  • 18. Cast “Magic Hour” L
  • 19. Atomic Kitten “Right Now” B
  • 20. Pet Shop Boys “Happiness is an Option” R
  • 21. Roni Size/Reprazent “Watching Windows” L
  • 22. Wheat “Don’t I Hold You?” B
  • 23. Olive “Miracle” R
  • 24. Glamma Kid “Why?” L
  • 25. Saint Etienne “Only Love Can Break Your Heart” R
  • 26. Madonna “Nothing Really Matters” L
  • 27. Muse “Muscle Museum” A
  • 28. Depeche Mode “Only When I Lose Myself” R
  • [Advert Break]
  • 29. Aim & Kate Rogers “Sail” B
  • 30. Longpigs “The Frank Sonata” A
  • 31. James “We’re Going To Miss You” A

Producer: Mark (and, unofficially, Karl Homer)

Notes: A reasonable flow to the tracks, considering the complete lack of planning. A slight surplus of playlist tracks at the end meant that I over-ran by about 2 minutes. Odd selection of music I suppose, but given the limitations, this is unsurprising. Better luck next time!

The Top Twenty BRIT Award Artists (by nominations)

We covered the top artists (by number of awards) last year. I’ve loaded in a whole load more information now, but inevitably it doesn’t look awfully different. So for a bit of variety, here are the most nominated artists:

  1. Robbie Williams – 25 nominations, 13 awards
  2. Coldplay – 22 nominations, 7 awards
  3. George Michael – 19 nominations, 3 awards
  4. Oasis – 18 nominations, 6 awards
  5. Elton John – 17 nominations, 4 awards
  6. Take That – 16 nominations, 9 awards
  7. Blur – 16 nominations, 5 awards
  8. Radiohead – 15 nominations, no awards
  9. Jamiroquai – 14 nominations, no awards
  10. Annie Lennox – 13 nominations, 8 awards
  11. Simply Red – 13 nominations, 3 awards
  12. Kylie Minogue – 13 nominations, 3 awards
  13. Kate Bush – 13 nominations, 1 award
  14. Craig David – 13 nominations, no awards
  15. U2 – 12 nominations, 7 awards
  16. Lisa Stansfield – 12 nominations, 2 awards
  17. Phil Collins – 11 nominations, 5 awards
  18. Prince – 11 nominations, 5 awards
  19. Pet Shop Boys – 11 nominations, 3 awards
  20. Muse – 11 nominations, 2 awards