NME Awards – 2015-2017

Finally, by the current decade, NME seemed to have regained their taste. Several decades after being obsessed with guitars and the lower reaches of the charts, they finally even decided to associate themselves with acts such as Pet Shop Boys. Let’s complete our journey through the history of their awards, with the last few years.

NME Awards 2015

  • Godlike Genius Award: Suede
  • Best British Band: Kasabian. Also nominated: Alt-J, Arctic Monkeys, Chvrches, Royal Blood, The Libertines
  • Best Album: Kasabian, for 48:13
  • Also nominated: Jamie T, for Carry On The Grudge, La Roux, for Trouble In Paradise, Royal Blood, for Royal Blood, Run The Jewels, for Run The Jewels 2, St Vincent, for St Vincent
  • Best International Band: Foo Fighters. Also nominated: Arcade Fire, Haim, Interpol, Queens Of The Stone Age, Tame Impala
  • Best Live Band: Royal Blood. Also nominated: Arctic Monkeys, Fat White Family, Foo Fighters, Kasabian, The Libertines
  • Best New Band: Royal Blood. Also nominated: Circa Waves, FKA Twigs, Jungle, Slaves, Superfood
  • Best Solo Artist: Jake Bugg. Also nominated: Jack White, Jamie T, La Roux, Lana Del Rey, St Vincent
  • Best Festival: Glastonbury. Also nominated: Bestival, Isle Of Wight Festival, Latitude, Reading & Leeds, T In The Park
  • Best Track: Jamie T, for Zombie. Also nominated: Future Islands, for Seasons (Waiting On You), Jungle, for Busy Earnin, Kasabian, for Eez-Eh, Noel Gallagher, for In The Heat Of The Moment, Royal Blood, for Little Monster
  • Best Video: Jamie T, for Zombie. Also nominated: Fat White Family, for Touch The Leather, FKA Twigs, for Two Weeks, Jungle, for Busy Earnin’, Peace, for Lost On Me, Royal Blood, for Figure It Out
  • Best Music Film: Pulp, for A Film About Life, Death and Supermarkets. Also nominated: 20,000 Days On Earth, Finding Fela, Kasabian, for Summer Solstice, Supermensch: The Legend Of Shep Gordon, The Possibilities Are Endless
  • Best Film: Northern Soul. Also nominated: Boyhood, Frank, Get On Up, God Help The Girl, The Inbetweeners 2
  • Best TV Show: Game of Thrones. Also nominated: Girls, Foo Fighters, for Sonic Highways, Peaky Blinders, Sherlock, True Detective
  • Best Dancefloor Filler: Iggy Azalea feat. Charli XCX, for Fancy. Also nominated: Jamie T, for Zombie, Kasabian, for Eez-Eh, Mark Ronson & Bruno Mars, for Uptown Funk, Metronomy, for Love Letters, SBTRKT feat. Ezra Koenig, for New Dorp. New York
  • Worst Band: 5 Seconds of Summer. Also nominated: , Bastille, Blink 182, One Direction, The 1975, U2
  • Villain of the Year: Nigel Farage. Also nominated: Bono, David Cameron, Harry Styles, Russell Brand, Taylor Swift
  • Hero of the Year: Alex Turner. Also nominated: Dave Grohl, Kate Bush, Noel Gallagher, Russell Brand, Taylor Swift
  • Music Moment of the Year: Jamie T‘s comeback. Also nominated: Alex Turner’s Brit Awards speech, Kasabian headline Glastonbury, Kate Bush returns, The Libertines reunite, Nirvana reunite at The Rock And Roll Hall Of Fame
  • Best Fan Community: Muse. Also nominated: Jamie T, Kasabian, La Roux, Peace, Royal Blood
  • Small Festival of the Year: Liverpool Psych Fest. Also nominated: End Of The Road, Festival No. 6, Field Day, The Great Escape, Tramlines
  • Book of the Year: Viv Albertine, for Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys
  • Also nominated: Bernard Sumner, for Chapter And Verse, Ian Curtis, Deborah Curtis and Jon Savage, for So This Is Permanence, Jesse Frohman, for Kurt Cobain: The Last Session, John Lydon, for Anger Is An Energy: My Life Uncensored, Steve Hanley, for The Big Midweek: Life Inside The Fall
  • Reissue of the Year: Manic Street Preachers, for The Holy Bible. Also nominated: Led Zeppelin, for Led Zeppelin II, Oasis, for Definitely Maybe, Pixies, for Doolittle, Public Enemy, for It Takes A Nation Of Millions To Hold Us Back, Smashing Pumpkins, for Adore
  • Best Band Social Media: Liam Gallagher‘s Twitter. Also nominated: Questlove’s Twitter, Alana Haim’s Twitter, Albert Hammond Jr’s Twitter, Fat White Family’s Facebook, Slaves’ Facebook

NME Awards 2016

  • Godlike Genius Award: Coldplay
  • Best British Band: The Maccabees. Also nominated: The Libertines, Foals, Wolf Alice, The 1975, Catfish and the Bottlemen
  • Best International Band: Run the Jewels. Also nominated: Tame Impala, Foo Fighters, The Strokes, The Killers, Alabama Shakes
  • Best New Artist: Rat Boy. Also nominated: Hinds, Halsey, Yak, Låpsley, Formation
  • Best British Solo Artist: Charli XCX. Also nominated: Adele, Noel Gallagher, Ed Sheeran, Florence Welch, Skepta
  • Best International Solo Artist: Taylor Swift. Also nominated: Kendrick Lamar, Lana Del Rey, Courtney Barnett, Kanye West, Grimes
  • Best Live Band: Wolf Alice. Also nominated: The Maccabees, The Libertines, Foals, Catfish and the Bottlemen, Royal Blood
  • Best Album: Foals, for What Went Down. Also nominated: Wolf Alice, for My Love Is Cool, The Maccabees, for Marks to Prove it, Kendrick Lamar, for To Pimp a Butterfly, Tame Impala, for Currents, Grimes, for Art Angels
  • Best Track: Wolf Alice, for Giant Peach. Also nominated: Coldplay, for Adventure of a Lifetime, The Libertines, for Gunga Din, The Weeknd, for I Can’t Feel My Face, Skepta, for Shut Down, Foals, for What Went Down
  • Best TV Show: This is England ’90. Also nominated: The Walking Dead, Game of Thrones, American Horror Story, Peep Show, Gogglebox
  • Best Film: Beasts of No Nation. Also nominated: Ex Machina, Spectre, Mad Max: Fury Road, Whiplash, Kill Your Friends
  • Best Music Film: Blur, for New World Towers. Also nominated: Amy, Montage of Heck, Straight Outta Compton, What Happened, Miss Simone, The Reflektor Tapes
  • Best Music Video: Slaves, for Cheer Up London. Also nominated: Rihanna, for Bitch Better Have My Money, The Libertines, for Heart Of The Matter, Wolf Alice, for You’re a Germ, Blur, for Ong Ong, Tame Impala, for The Less I Know The Better
  • Best Actor: Idris Elba. Also nominated: Tom Hardy, Eddie Redmayne, Nicholas Hoult, Stephen Graham, Daniel Radcliffe
  • Best Actress: Vicky McClure. Also nominated: Jennifer Lawrence, Emilia Clarke, Gemma Chan, Amy Schumer, Saoirse Ronan
  • Best Reissue: David Bowie, for Five Years (1969–1973). Also nominated: A Tribe Called Quest, for People’s Instinctive Travels And the Paths Of Rhythm, The Velvet Underground, for Loaded, Rolling Stones, for Sticky Fingers, Tori Amos, for Under The Pink, Faith No More, for Angel Dust
  • Best Book: Patti Smith, for M Train. Also nominated: Grace Jones, for I’ll Never Write My MemoirsElvis Costello, for Unfaithful Music & Disappearing InkCarrie Brownstein, for Hunger Makes Me A Modern GirlProfessor Green, for LuckyTom Jones, for Over The Top And Back
  • Best Festival: Glastonbury. Also nominated: Reading & Leeds, V Festival, T in the Park, Bestival, Isle of Wight
  • Best Small Festival: End of the Road. Also nominated: Sŵn, Festival No. 6, Green Man, Liverpool Sound City, Kendall Calling
  • Music Moment of the Year: The Libertines‘ secret Glastonbury set. Also nominated: The return of AdeleDave Grohl breaks leg and carries on, Florence + The Machine headlines Glastonbury, Kanye at The Brits, One Direction ‘split’
  • Best Fan Community: The Libertines. Also nominated: Hurts, Muse, Catfish and the Bottleman, The 1975, Wolf Alice
  • Worst Band: 5 Seconds of Summer. Also nominated: One Direction, Little Mix, Sleaford Mods, U2, Nickelback
  • Villain of the Year: Donald Trump. Also nominated: David Cameron, Chris Moyles, Kanye West, George Osbourne, Simon Cowell
  • Hero of the Year: Dave Grohl. Also nominated: Adele, Jeremy Corbyn, Florence Welch, Kanye West, Taylor Swift
  • Vlogger of the Year: KSI. Also nominated: Vikkstar123, Charlie McDonnell, Joe Weller, Danisnotonfire, Savannah Brown

NME Awards 2017

  • Godlike Genius Award: Pet Shop Boys
  • Best British Band: Biffy Clyro. Also nominated: Wolf Alice, The 1975, Bastille, Years & Years, The Last Shadow Puppets
  • Best International Band: Metallica. Also nominated: Tame Impala, Kings Of Leon, Green Day, A Tribe Called Quest, Tegan and Sara
  • Best New Artist: Dua Lipa. Also nominated: Blossoms, Zara Larsson, Sunflower Bean, Christine and The Queens, Anderson .Paak
  • Best British Female Artist: M.I.A.. Also nominated: Dua Lipa, Adele, Charli XCX, Kate Tempest, PJ Harvey
  • Best British Male Artist: Skepta. Also nominated: Zayn Malik, Kano, Jamie T, Michael Kiwanuka, Richard Ashcroft
  • Best International Female Artist: Christine and the Queens. Also nominated: Sia, Lady Gaga, Beyoncé, Solange, Tove Lo
  • Best International Male Artist: Frank Ocean. Also nominated: Kanye West, Drake, The Weeknd, Kendrick Lamar, Chance The Rapper
  • Best Festival Headliner: Adele. Also nominated: Coldplay, Radiohead, Biffy Clyro, Foals, The Stone Roses
  • Best Live Band: The 1975. Also nominated: Bastille, Slaves, Bring Me The Horizon, Christine And The Queens, Wolf Alice
  • Best Album: Bastille, for Wild World. Also nominated: Kanye West, for The Life Of Pablo, Skepta, for Konnichiwa, The 1975, for I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It, Radiohead, for A Moon Shaped Pool, Beyoncé, for Lemonade
  • Best Track: Christine and the Queens, for Tilted. Also nominated: Tove Lo, for Cool Girl, Charli XCX, for After The Afterparty, Skepta, for Man, Bastille, for Good Grief, The 1975, for Somebody Else
  • Best TV Show: Fleabag. Also nominated: Stranger Things, Game Of Thrones, Black Mirror, Humans, People Just Do Nothing
  • Best Film: My Scientology Movie. Also nominated: DeadpoolCaptain America: Civil War, Suicide Squad, Everybody Wants Some!!, Hunt For The Wilderpeople
  • Best Music Film: Oasis, for Supersonic, Nick Cave and the Bad Seeds, for One More Time With Feeling, Sing Street, Gimme Danger, The Rolling Stones, for Havana Moon, The Beatles, for Eight Days A Week – The Touring Years
  • Best Music Video: Slaves, for Consume or Be Consumed. Also nominated: Kanye West, for Famous, Beyoncé, for Formation, Radiohead, for Burn The Witch, Rat Boy, for Get Over It, Wolf Alice, for Lisbon
  • Best Reissue: Oasis, for Be Here Now. Also nominated: R.E.M., for Out Of Time, Pink Floyd, for Meddle, Michael Jackson, for Off The Wall, DJ Shadow, for Endtroducing, Blur, for Leisure
  • Best Book: Johnny Marr, for Set the Boy Free
  • Best Festival: Glastonbury. Also nominated: Reading & Leeds, Download, Isle Of Wight, Primavera, V Festival
  • Best Small Festival: End of the Road. Also nominated: Y Not, Green Man, Festival No. 6, Kendall Calling, Slam Dunk
  • Music Moment of the Year: Coldplay‘s Viola Beach tribute at Glastonbury. Also nominated: Bring Me The Horizon invade Coldplay’s table at NME Awards 2016, Beyoncé drops Lemonade, Skepta wins Mercury Prize, Pete Doherty plays The Bataclan, The Stone Roses’ first new music in 20 years
  • Worst Band: 5 Seconds of Summer. Also nominated: The Chainsmokers, Clean Bandit, Honey G, Nickelback, Twenty One Pilots
  • Villain of the Year: Nigel Farage. Also nominated: Donald Trump, David Cameron, Boris Johnson, Martin Shkreli, Katie Hopkins
  • Hero of the Year: Beyoncé. Also nominated: David Bowie, Adele, Millie Bobby Brown, Gary Lineker, Liam Gallagher
  • Outstanding Contribution to Music: Wiley

See also

New Order – Substance

Released thirty years ago this week, New Order‘s first compilation, the companion album for Joy Division‘s slightly later album of the same name, is widely celebrated as one of the best compilations of its era. Uniquely, thanks to their habit of releasing non-album singles, more than half of the tracks had never appeared on another New Order album.

The singles are presented here in relatively simple, chronological form, and so it opens with one of two versions of Ceremony, the Joy Division track that New Order recorded after Ian Curtis‘s suicide. It’s a great track, if somewhat poignant.

Continuing with their early works with producer Martin Hannett, we then get Everything’s Gone Green, representing their second single from late 1981. I’ve never been hugely fond of either this or Procession, which makes up the other half of the single. As a minimum it’s an interesting period piece, but it’s noticeably lower quality than Ceremony, and to me seems to show a group struggling to find its way after the death of its guiding light.

By Temptation (1982), they seemed to be starting to find their way. It could have been a lot more polished, but you could definitely see what their sound was starting to become. This version was slightly re-edited for Substance.

What can you say about Blue Monday that hasn’t been said before? Not much. Let’s just say it’s fantastic, groundbreaking, and unforgettable, and leave it at that. However good anything else on here might be, it’s never going to be as good as this.

A tweaked version of Confusion is next, unsurprisingly a sizeable hit after Blue Monday, just missing out on a top ten placing. Written with Arthur Baker, it’s an oddly experimental track, full of huge eighties snares and orchestral hits, but somehow it also displays a certain brilliance. Five tracks in, and New Order are firmly and consistently producing great music.

Thieves Like Us is probably the most “pop” of the earlier tracks. From the traditional New Order instrumental introduction that lasts over two minutes – more than a third of the song – despite being challenging and unusual, is already accessible, and Bernard Sumner‘s vocal, when it finally arrives, is unusually well delivered.

The eight-minute 12″ version of The Perfect Kiss is an odd inclusion in a way – it just seems a bit too long among the other singles. Which is only ironic because due to limited playing time on the CD, this is actually slightly edited from the original release. Still, it’s a great piece of music, and speaking personally, I’m all for frog and sheep samples in my music.

Also from Low-Life is Sub-culture, which follows, also in the form of a slightly obscure edited remix, which apparently led to sleeve designer Peter Saville refusing to design a sleeve for the single. Then comes the brilliant Shellshock, again an edited 12″ version, but sounding every bit as resonant as any of the single versions on here.

There are then two tracks from 1986’s Brotherhood – firstly, State of the Nation, a number 30 hit in September of that year. Honestly, by this stage it would be hard for New Order to do anything wrong – particularly not with their singles. Truly brilliant. But not, honestly, quite as good as Bizarre Love Triangle, which appears here remixed by Shep Pettibone in typically extravagant form. It’s perplexing and confusing that this only reached number 56 on its original release.

Finally, promoting the album was the fantastic one-off single True Faith. If you were forced to name a New Order track, the chances are good that you would pick either this or Blue Monday – it’s utterly fantastic, and unusually (at least as far as I’m concerned) the title actually seems to fit the song. Everything just seems to come together perfectly.

So Substance is an unusual compilation, focusing generally on the 12″ versions rather than the ones you might have heard on the radio, but as a companion to New Order‘s first four albums, it’s rather fantastic. The second disc gets you a whole load of b-sides and alternative mixes. You would probably have to be an established fan these days to buy this instead of the more recent Singles, but it’s definitely an essential purchase for completists.

You can still find Substance at all major retailers.

Artist of the Week – New Order

My radio show Music for the Masses ran for a couple of years in total around fifteen years ago, and in its second incarnation I ran an Artist of the week section, which I’ve been trying to digitise recently just so we’ve got it as a vaguely interesting archive of where our favourite artists were back then. It’s full of errors and hyperbole, so once again, please accept my apologies for that.

This week’s artist of the week doesn’t need any introduction – in fact, I hardly need to say anything about them at all, as the story is already very widely known. They are New Order.

They formed in 1980 out of the remains of Joy Division, and initially continued in much the same vein. The debut album Movement was in many ways overshadowed by Ian Curtis‘s death, and was not especially successful.

The second album Power, Corruption and Lies followed in 1983, and was the first to see them experimenting with industrial electronic sounds, it was the first of many classic albums, and followed hot on the heels of the best selling 12″ single ever, Blue Monday, which sold well over a million copies.

They were always best known for their refusal to accept standard music industry practices, such as playing Top of the Pops and releasing singles that appeared on albums. The following albums Low-Life and Brotherhood are still some of their best, containing many groundbreaking tracks, and their almost universal compilation Substance added True Faith to their astonishing list of hit singles.

At the end of the 1980s they released Technique; which is arguably their finest album to date, which was followed by their first and only number one with the football hit World in Motion.

In 1993 they made their return with Republic. These days most fans regard it as a mistake, and it’s true that the album tracks have lost the exploratory feel of earlier albums – however, the hits Regret and World in Motion [sic.] are more of New Order‘s best tracks to date, so it should not be forgotten.

Against all odds, after spending most of the 1990s concentrating on other projects, they returned once more with 2001 ‘s Get Ready album, a much harder and darker offering which is still entirely listenable, and now, four years on, they are back again with a new album Waiting for the Sirens’ Call, due next week. Judging by the first single Krafty, it sees them return to their electronic roots, and looks extremely promising.

Well, of course as I mentioned at the beginning, their roots weren’t really electronic, but hey, I’ve already apologised for the errors in here – of which there are definitely many – so I won’t repeat myself again.