Chart for stowaways – Singles 2019

Here are the top singles for 2019:

  1. Pet Shop Boys – Agenda EP
  2. Frances Barber & Pet Shop Boys – Musik (Original Cast Recording) – EP
  3. Hot Chip – Hungry Child
  4. Pet Shop Boys feat. Years & Years – Dreamland
  5. Ladytron – Horrorscope
  6. The Beloved – For Your Love
  7. Orchestral Manoeuvres in the Dark – Almost
  8. Marshmello Ft Chvrches – Here With Me
  9. Jean-Michel Jarre – Flying Totems
  10. The Future Sound of London – Yage
  11. Tiësto / Jonas Blue / Rita Ora – Ritual
  12. Ladytron – The Animals
  13. Sparks – Let’s Go Surfing
  14. The Beloved – Your Love Takes Me Higher (Evil Mix) / Awoke
  15. Mark Ronson Ft Lykke Li – Late Night Feelings
  16. The Radiophonic Workshop – Arrival Home
  17. New Order – Ceremony
  18. Gesaffelstein Ft Weeknd – Lost In The Fire
  19. Tiësto & Mabel – God Is A Dancer
  20. The Beloved – It’s Alright Now

Chart for stowaways – 2 March 2019

Here are the week’s top singles:

  1. Pet Shop Boys – Agenda EP
  2. Ladytron – Horrorscope
  3. The Beloved – It’s Alright Now
  4. Jean-Michel Jarre – Flying Totems
  5. The Radiophonic Workshop – Arrival Home
  6. Ladytron – Far from Home
  7. Ladytron – The Animals
  8. Gesaffelstein feat. The Weeknd – Lost In The Fire
  9. The Future Sound of London – My Kingdom
  10. Dave Gahan – Saw Something / Deeper and Deeper

Chart for stowaways – 16 February 2019

Here are the top singles for stowaways this week:

  1. Pet Shop Boys – Agenda EP
  2. The Beloved – It’s Alright Now
  3. Ladytron – Horrorscope
  4. Jean-Michel Jarre – Flying Totems
  5. Ladytron – Far from Home
  6. The Radiophonic Workshop – Arrival Home
  7. The Future Sound of London – My Kingdom
  8. Gesaffelstein feat. The Weeknd – Lost In The Fire
  9. Ladytron – The Animals
  10. David Bowie – Breaking Glass

Chart for stowaways – 2 February 2019

Here’s the latest singles chart:

  1. Jean-Michel Jarre – Flying Totems
  2. Ladytron – Far from Home
  3. The Beloved – It’s Alright Now
  4. The Radiophonic Workshop – Arrival Home
  5. The Future Sound of London – My Kingdom
  6. Gesaffelstein feat. The Weeknd – Lost In The Fire
  7. Ladytron – The Animals
  8. David Bowie – Breaking Glass
  9. Lady Gaga – Judas
  10. The Beloved – The Sun Rising

Chart for stowaways – 19 January 2019

These are the latest singles:

  1. Jean-Michel Jarre – Flying Totems
  2. Ladytron – Far from Home
  3. The Radiophonic Workshop – Arrival Home
  4. The Beloved – It’s Alright Now
  5. The Future Sound of London – My Kingdom
  6. Gesaffelstein feat. Weeknd – Lost In The Fire
  7. Ladytron – The Animals
  8. Lady Gaga – Judas
  9. David Bowie – Breaking Glass
  10. The Beloved – The Sun Rising

Jean-Michel Jarre – Electronica 1: The Time Machine

I don’t know, you wait eight years for a new Jean-Michel Jarre album, and then three turn up at once. Sorry, I know that’s an obvious thing to say, but it is amusingly apposite. The fun but definitely questionable Téo & Téa (2007) left a slightly iffy taste in a lot of people’s mouths, and apart from the re-recorded and questionably legal version of Oxygène that followed the same year, there was then an extended silence until 2015.

What he was doing, it turns out, was working with every other electronic musician under the sun to create a two volume album, Electronica. The first opens with the sweet title track The Time Machine, with Boys Noize, and then comes one of the opening singles, Glory, with M83. So far, so pleasant.

Both of these albums have been criticised for being a bit disjointed, which, while not entirely unfair, seems a bit of an odd thing to say – of course they are, they’re effectively compilations of collaborations. But the sequence is generally logical, and there isn’t really anything particularly bad on here, so it’s hard to be too critical.

Fellow French musicians Air turn up next, for Close Your Eyes. Some tracks seem to have a lot more of Jarre, and others have a lot more of his collaborators on them, and in general, this one ends up sounding like Air might if they employed Jarre as a producer. That is to say, pretty good.

The first time you can really call something here “brilliant” is on the two parts of Automatic, both collaborations with Vince Clarke. For Clarke, this sounds a lot like his recent solo and collaborative electronic projects, but Jarre’s influence is clearly audible here too, particularly in Part 2, and both halves of the track really are excellent.

The increasingly great Little Boots turns up next, pretty much the only musician other than Jarre to make the laser harp part of their live show, and their collaboration is If..! (yes, two dots). While it’s certainly true that Jarre did something on this one, it’s difficult to know exactly what, but it’s a great song nonetheless.

They keep coming – Immortals, with Fuck Buttons, is an excellent meeting of minds, and while Suns Have Gone with Moby may not be the high point of either artist’s career, you have to be glad that it happened.

It is undeniably an odd list of collaborators though – which is not to say that Gesaffelstein shouldn’t be here – after all, why not? Few might put him in their top thirty living artists of all time list, but the resulting track Conquistador is pretty good. This isn’t so true of Travelator (Part 2) (there doesn’t appear to be a part 1), with Pete Townshend, which I’m not convinced does the legacy of either great musician any particular favours.

That isn’t true of what is apparently Edgar Froese‘s last recorded work, Zero Gravity, which after so many decades finally brings us the joint credit of Jean-Michel Jarre and Tangerine Dream, and it’s ever bit as excellent as it should be. It’s also nice to see Jarre revisiting his earlier musical partner Laurie Anderson for the decidedly odd Rely on Me.

Where these two albums both go a little astray for me is with the number of tracks – they’re varied, but after thirteen pieces of music and with no end in sight, you’re always going to be a little weary. Towards the end of the first volume, we get a fun trance excursion with  Armin van BuurenStardust, followed by the weirdly dubby Watching You, with 3D from Massive Attack.

Right at the end, John Carpenter turns up for the appropriately creepy A Question of Blood, and finally pianist Lang Lang accompanies an atmospheric piece on album closer The Train & The River. It’s a long, varied, and complex album, but in general it stands well on its own, and if you consider yourself a fan of any sort of electronic music, you should probably be a fan of this.

You can find part 1 of the Electronica project at all major retailers.