Faithless – Outrospective

Faithless never really did anything wrong. Maybe it’s just me that’s forgotten about them, or maybe history is somehow clouding my judgement, but to my surprise I find myself approaching this review with a bit of trepidation.

Fifteen years ago this week, the dance superstars released their third album Outrospective. After the slightly confused debut Reverence (1996) and the traditionally difficult second album Sunday 8pm (1998), this was definitely their best yet, so what reason could I possibly have for this trepidation?

It opens with Donny X, a pleasant instrumental electronic piece which ends with Maxi Jazz giving a few introductory words before the lovely Not Enuff Love begins. It’s a bit trippy, which seems somewhat unnecessary for such a sweet song, but maybe that’s just me.

If you were paying attention in the early summer of 2001, We Come 1 would have caught your attention, and so it is on the album, although for once it possibly suffers a little by appearing in its full eight minute glory. It’s great – those backwards kicks are enormous – but it feels as though it all happened a very long time ago now.

But I still feel as though I’m forcing myself to be critical, especially as the lovely Zoë Johnston turns up to deliver the vocal on the adorable Crazy English Summer, a song which has subconsciously haunted me for years since I left the UK. It feels as though it’s designed to remind me personally of the rained off barbecues and long walks in the countryside of the 1990s.

Muhammad Ali is the one track on here that I’ve never entirely understood – ultimately I think Maxi Jazz‘s relationship with the boxing legend is different to mine, and the disco backing doesn’t quite work for me.

Machines R Us is next (technically, that’s a backwards R, but I can’t actually be bothered finding the keystroke for that right now), continuing the disco theme slightly. It’s an instrumental, which is pleasant, and carries us through to Dido‘s inevitable appearance with the sublime single One Step Too Far. This in turn drifts gently into the introduction of one of the best dance tracks on here, the brilliant Tarantula, definitely one of the best songs about spiders in recent times if nothing else.

You do have to wonder what on earth Maxi Jazz is on about sometimes though – Giving Myself Away is nice, but has somewhat inscrutable lyrics. The instrumental Code is really sweet too, and carries us through to two more appearances by Zoë Johnston, firstly on the anthemic and understated Evergreen. This is so good that it had me wondering if Johnston had ever released a solo album. As it happens, she has, so I may be checking that out soon. Anyway…

I had my doubts, I confess, but by the end of Outrospective I’m finding I still love it every bit as much as I did fifteen years ago. Some parts have dated, definitely. But the elements that made it great are still very much there. This is definitely Faithless‘s finest hour.

If you can still find a copy of the double CD version of Outrospective/Reperspective, that’s the one to go for.

Retro chart for stowaways – 14 April 2007

These are the top ten albums from nine years ago this week:

  1. Client – Heartland
  2. Air – Pocket Symphony
  3. Jean-Michel Jarre – Téo & Téa
  4. Onetwo – Instead
  5. Marsheaux – Peeka Boo
  6. Sarah Nixey – Sing, Memory
  7. Tracey Thorn – Out of the Woods
  8. Faithless – Forever Faithless – The Greatest Hits
  9. Moby – Go – The Very Best of Moby
  10. Faithless – To All New Arrivals

Retro chart for stowaways – 4 March 2006

The top ten albums from a decade ago:

  1. Goldfrapp – Supernature
  2. Röyksopp – Röyksopp’s Night Out
  3. Madonna – Confessions on a Dance Floor
  4. Sparks – Hello Young Lovers
  5. Depeche Mode – Playing the Angel
  6. Sugababes – Taller in More Ways
  7. Röyksopp – The Understanding
  8. a-ha – Analogue
  9. Pet Shop Boys – Battleship Potemkin (OST)
  10. Faithless – Forever Faithless – The Greatest Hits

The Stowaway Awards 2016

Here are the winners of this year’s Stowaways:

Best Track

As announced over the New Year, the winner of this year’s Best Track award was New Order feat. Elly Jackson, with Tutti Frutti.

Best Album

These were the nominees:

  • Camouflage – Greyscale
  • Dave Gahan & Soulsavers – Angels & Ghosts
  • Hot Chip – Why Make Sense?
  • Jean-Michel Jarre – Electronica 1: The Time Machine
  • Leftfield – Alternative Light Source
  • Little Boots – Working Girl
  • Marsheaux – A Broken Frame
  • MG – MG
  • Roísín Murphy – Hairless Toys
  • New Order – Music Complete

The winner is New Order!

Best Reissue / Compilation

  • Air – The Virgin Suicides
  • Delerium – Rarities & B-Sides
  • Erasure – Always – The Very Best Of
  • Everything But The Girl – Walking Wounded
  • Faithless – Faithless 2.0

With an exceptional selection of b-sides, mixes, and rarities, the winner is Everything But The Girl, for the special edition of Walking Wounded.

Best Video

  • Étienne de Crécy – Hashtag My Ass
  • Dave Gahan & Soulsavers – All of This and Nothing
  • Hot Chip – Huarache Lights
  • Leftfield & Sleaford Mods – Head and Shoulders
  • Little Boots – Better in the Morning

The winner is Leftfield.

Best Artist

  • Camouflage
  • Sarah Cracknell
  • Hot Chip
  • Jean-Michel Jarre
  • Leftfield
  • Little Boots
  • Marsheaux
  • Roísín Murphy
  • New Order
  • Soulsavers

Winner: Hot Chip.

Best Live Act

Winner: Little Boots.

Best Ambient Track

Winner: Jean-Michel Jarre and Lang Lang, for The Train and the River.

Best Remix

Winner: Röyksopp, for The Presets‘ remix of I Had This Thing.

Best Dance Act / Remixer

Winner: Étienne de Crécy.

Outstanding Contribution

  • Erasure
  • Everything But The Girl
  • Hot Chip
  • Leftfield
  • Orchestral Manoeuvres in the Dark

Winner: Erasure.

 

The Stowaway Awards 2016 – Nominations

At the beginning of the year, it’s always time to celebrate the best of the previous one, and so we enter the latest season of awards. We’ll look at the nominations for this year’s BRIT Awards next week, but first, more importantly, here’s a selection of the nominees for the 2016 Stowaway Awards.

Best Album

  • Camouflage – Greyscale
  • Dave Gahan & Soulsavers – Angels & Ghosts
  • Hot Chip – Why Make Sense?
  • Jean-Michel Jarre – Electronica 1: The Time Machine
  • Leftfield – Alternative Light Source
  • Little Boots – Working Girl
  • Marsheaux – A Broken Frame
  • MG – MG
  • Roísín Murphy – Hairless Toys
  • New Order – Music Complete

Best Reissue / Compilation

  • Air – The Virgin Suicides
  • Delerium – Rarities & B-Sides
  • Erasure – Always – The Very Best Of
  • Everything But The Girl – Walking Wounded
  • Faithless – Faithless 2.0

Best Video

  • Étienne de Crécy – Hashtag My Ass
  • Dave Gahan & Soulsavers – All of This and Nothing
  • Hot Chip – Huarache Lights
  • Leftfield & Sleaford Mods – Head and Shoulders
  • Little Boots – Better in the Morning

Best Artist

  • Camouflage
  • Sarah Cracknell
  • Hot Chip
  • Jean-Michel Jarre
  • Leftfield
  • Little Boots
  • Marsheaux
  • Roísín Murphy
  • New Order
  • Soulsavers

Outstanding Contribution

  • Erasure
  • Everything But The Girl
  • Hot Chip
  • Leftfield
  • Orchestral Manoeuvres in the Dark

We’ll find out the winners in a few weeks’ time!

Chart for stowaways – 14 November 2015

Here are the top 10 albums this week:

  1. New Order – Music Complete
  2. Jean Michel-Jarre – Electronica 1: The Time Machine
  3. Little Boots – Working Girl
  4. The Future Sound of London – Environment Five
  5. MG – MG EP
  6. Erasure – Always – The Very Best of
  7. Leftfield – Alternative Light Source
  8. Sarah Cracknell – Red Kite
  9. Faithless – Faithless 2.0
  10. MG – MG

Chart for stowaways – 31 October 2015

Here are the top ten albums this week:

  1. New Order – Music Complete
  2. Jean-Michel Jarre – Electronica 1: The Time Machine
  3. Little Boots – Working Girl
  4. The Future Sound of London – Environment Five
  5. Leftfield – Alternative Light Source
  6. Sarah Cracknell – Red Kite
  7. Faithless – Faithless 2.0
  8. Hot Chip – Why Make Sense?
  9. Delerium – Rarities & B-Sides
  10. Air – Music for Museum