Grammy Awards 2019

Every year, the Grammy Awards land, with their multitude of absurdly specific categories, and every year, I struggle to pull together a post about some of the highlights. Here’s this year’s attempt!

Best Traditional Pop Vocal Album

The winner was Willie Nelson, for My Way, but he beat Seal‘s Standards. Apparently “pop” means something different at the Grammy Awards to the rest of the world.

Best Dance Recording

Above and Beyond were nominated for Northern Soul, with Richard Bedford, but they lost to Silk City and Dua Lipa and Diplo and Mark Ronson, probably mainly just by virtue of the length of their artist credit.

Best Dance/Electronic Album

As the description says, “for vocal or instrumental albums. Albums only.” I wonder whether EPs count? Anyway, Justice won for Woman Worldwide, beating stiff competition from Jon Hopkins‘s Singularity and a few others that I’ve never heard of.

Totally Gaga

Finally, because I’m clearly short of things to comment on this year, it was interesting to see just how good a year Lady Gaga has had at the Grammy Awards, with nominations for Record of the Year, and Song of the Year, and wins for Best Pop Solo Performance (Joanne (Where Do You Think You’re Goin’)), Best Pop Duo/Group Performance (Shallow, with Bradley Cooper), and Best Song Written for Visual Media (same).

So well done to all of them, anyway. Hopefully they’re excited.

The Grammy Awards 2016

Every year in recent times during Awards Week, I’ve tried to go through the list of Grammy winners comprehensively, and come up with some of the highlights. If only it weren’t such a bloody long list…

Best Dance Recording is always an eccentric list, particularly with the US opinion on what counts as dance (although the BRITs always seemed to want to fill the nomination list with Jamiroquai back in the days when the category existed). This year’s nominees included Above & Beyond with Zoë Johnston, with We’re All We Need, and The Chemical Brothers featuring Q-Tip with Go, but of course the winner had to be Justin Bieber, accompanied by Skrillex and Diplo, whoever they might be.

Best Dance/Electronic Album also showed some promise, but Skrillex and Diplo carried that one away too. Unsuccessful nominees included Caribou‘s Our Love, and The Chemical BrothersBorn in the Echoes.

I’ve never really understood what “alternative music” is supposed to be, but Björk must have been a strong contender with Vulnicura in the Best Alternative Music Album category. Ultimately, she lost out to Alabama Shakes.

Best New Age Album probably showed some promise, but I’d never heard of any of them. Congratulations to Paul Avgerinos for the win. Ladysmith Black Mambazo and Gilberto Gil lost out to Angelique Kidjo in the patronisingly named Best World Music Album category, while David Bowie‘s Sue (Or in a Season of Crime) managed a belated win in the somewhat inexplicable Best Arrangement, Instruments and Vocals category.

In the completely bizarrely named Best Remixed Recording, Non-Classical (because those classical remixes are such a big deal now), Dave Audé won for his reworking of Mark Ronson and Bruno Mars‘s Uptown Funk. And finally, in the eighty-third category, Best Music Film, Roger Waters‘s concert recording The Wall lost out to Amy, the documentary about Amy Winehouse. Probably justified, although The Wall live was a pretty impressive spectacle.

There’s a whole lot more, and there are probably other things of interest to you, if you can make it through the ridiculous number of awards, which I’m sure doesn’t devalue them in the slightest. You can view the results in full here.