X-Press 2 – Muzikizum

I don’t really know a huge amount about X-Press 2, apart from vaguely being aware of their presence in the mid-1990s, and of course the smash hit Lazy, taken from their palindromic album Muzikizum, which first appeared fifteen years ago this week.

Getting the title track out of the way first, the opener is a beatsie piece with some very familiar samples and a whole lot of house. If house isn’t your thing, you might well be struggling already, but it’s a varied enough piece, and you would at least find it mercifully short, at a mere six minutes.

Supasong is shorter, more repetitive, and definitely lacking somewhat in ideas. Somehow it doesn’t quite work: it isn’t deep enough to be deep house; it isn’t interesting enough to be anything really. Pleasant, but little more than that.

So the massive hit Lazy can’t really come too soon, although in its album form, rather than extending the song that you probably bought this for in the first place, X-Press 2 have instead just added a couple of minutes of house beats and sound effects to the front. When it does finally get going, it shouldn’t take you long to remember why you liked this so much. The piano introduction may sound like something from a decade or so earlier; the lyrics might be completely daft; but the melody is uplifting, David Byrne‘s delivery is great, and you’ll very probably identify with the theme as a whole.

What it isn’t, is particularly representative of the rest of the album, as Angel demonstrates. This is the closest we’ve come yet to deep house on this album, and for what it is, it’s pretty competent. The best just goes straight on and on, apparently. And it does – Palenque and Smoke Machine continue on a similar theme – catchy and repetitive, and pleasant enough to enjoy. But maybe not quite as memorable as Lazy.

Actually, pretty much everything on this album was released as a 12″ single at some stage, and I Want You Back was the follow-up to Lazy, and it barely managed that. Which is a great shame – Dieter Meier from Yello turns up to deliver a typically ridiculous vocal, and it turns out to be a good mix, with his low vocals and some deep house beats and effects.

Call That Love is next, and for the first time brings us some chirpy melodic elements from the start. Steve Edwards injects a soulful vocal, and after a bit the production goes completely wild – for the first time in about five tracks, we’re hearing melodic sounds; things other than drums and short samples. I’m not entirely sure that any of the words really make sense, but it’s pretty good if you can put that out of your mind.

AC/DC was another single, and another of the less interesting tracks on here, at least if you aren’t in a grimey sweaty club with lots of flashing lights going on. There are some nice disco elements at times, and there’s a lot to enjoy, but you do find yourself wishing there was something a little more substantial to it.

The Ending track is called the ending, and keeps up the slight disco theme, with a bit of dub as well as the deep house beats and structures. It’s a compelling mix, and yes, it may not be the best track ever written, but it works well, and it does exactly what it intends to.

Which is pretty much true of Muzikizum in general, actually. X-Press 2 needed an album to go with Lazy, and they pulled something together that did what they wanted it to. Not a lot more than that, admittedly, and that’s a shame, but if you can accept it for what it is, this is a good album.

The original album seems to be less available than it once was, but you can still find copies floating around.

Music for the Masses 26 – 15 November 2004

The second Monday evening show saw the station’s webcam working for the first time in 2004, which therefore meant me (right) and my special guest Carl (left) spent much of the show trying to get ourselves seen on the internets.

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Show 26: Mon 15 Nov 2004, from 6:05pm-8:00pm

Broadcast on LSR FM, online only. Artist of the week: Saint Etienne.

  • Daft Punk – Aerodynamic
  • Chicane – Saltwater
  • Conjure One – Sleep
  • Mory Kante – Yeke Yeke (Hardfloor Mix)
  • Zero 7 – I Have Seen
  • Madonna – Nobody’s Perfect
  • Saint Etienne – Who Do You Think You Are?
  • Front Line Assembly – Everything Must Perish
  • William Orbit – Barber’s Adagio for Strings (Ferry Corsten Remix)
  • BT – Return to Lostwithiel
  • Sylver – Turn the Tide
  • Recoil – Jezebel
  • Moby – Run On
  • Saint Etienne – The Bad Photographer
  • X-Press 2 feat. Dieter Meier – I Want You Back
  • Hal feat. Gillian Anderson – Extremis
  • Zombie Nation – Kernkraft 400
  • Sohodolls – Prince Harry
  • Apollo 440 – Heart Go Boom
  • The Beloved – Sweet Harmony
  • Orbital feat. David Gray – Illuminate
  • Saint Etienne – Amateur
  • Giorgio Moroder – Chase (Jam & Spoon Remix)

The Stowaway Awards 2015 – Nominations

Now it’s time for the moment you’ve all been waiting for over the entirety of 2014. Who will be nominated for the Stowaway awards 2015?

Best Album

  • Erasure – The Violet Flame
  • The Future Sound of London – Environment Five
  • Dieter Meier – Out of Chaos
  • William Orbit – Strange Cargo 5
  • Erlend Øye – Legao
  • Röyksopp – The Inevitable End
  • Shit Robot – We Got a Love
  • Simian Mobile Disco – Whorl
  • Sébastien Tellier – L’Aventura
  • Ben Watt – Hendra

Best Reissue / Compilation

  • David Bowie – Nothing Has Changed
  • Camouflage – Singles
  • Depeche Mode – Life in Berlin
  • Erasure – Greatest Hits Live
  • Moby – Hotel Ambient

Best Newcomer

  • Clark
  • Diamond Version
  • MIKRO
  • Mulu
  • Shelter

Best Artist

  • Napoleon
  • William Orbit
  • Erlend Øye
  • Sébastien Tellier
  • Zero 7

Best Live Act

  • Depeche Mode
  • Erasure
  • Massive Attack
  • Moby
  • Pet Shop Boys

The results will turn up in a few weeks’ time, and we’ll move onto the BRIT Awards in a couple of days…

Preview – Dieter Meier

Following on from his first two singles Jim for Tango and Cry for Fame, both released in 1978, Yello frontman Dieter Meier has just released his debut album Out of Chaos, which if this sample is to be believed has allowed him to explore some very different vocal directions. Here’s Loveblind: