Retro chart for stowaways – 20 May 2006

While I’m still away on my holidays, here are the top 10 albums from eleven years ago:

  1. Massive Attack – Collected
  2. Goldfrapp – Supernature
  3. William Orbit – Hello Waveforms
  4. I Monster – Neveroddoreven
  5. Depeche Mode – Playing the Angel
  6. Madonna – Confessions on a Dance Floor
  7. Röyksopp – The Understanding
  8. Pet Shop Boys – PopArt
  9. Röyksopp – Röyksopp’s Night Out
  10. Sugababes – Taller in More Ways

Chart for stowaways – 22 April 2017

Not too many changes at the top of the charts at the moment, but here’s an update of the albums:

  1. Depeche Mode – Spirit
  2. New Order – Lost Sirens
  3. Goldfrapp – Silver Eye
  4. Jean-Michel Jarre – Oxygène 3
  5. The Human League – Anthology – A Very British Synthesizer Group
  6. Jean-Michel Jarre – Oxygène Trilogy
  7. C Duncan – The Midnight Sun
  8. Dusty Springfield – Reputation
  9. Clark – Death Peak
  10. Depeche Mode – The Best Of – Vol 1

Chart for stowaways – 15 April 2017

Here’s the latest singles chart, this week brought to you by Depeche Mode

  1. Depeche Mode – Where’s the Revolution
  2. Goldfrapp – Anymore
  3. Jean-Michel Jarre – Oxygène (Part 17)
  4. Depeche Mode – You Move
  5. C Duncan – Wanted to Want It Too
  6. Depeche Mode – Cover Me
  7. Depeche Mode – Going Backwards
  8. Delerium feat. Michael Logen – Days Turn Into Nights
  9. Delerium with Phildel – Ritual
  10. Depeche Mode – Poison Heart

Chart for stowaways – 8 April 2017

Here are this week’s top albums:

  1. Depeche Mode – Spirit
  2. Jean-Michel Jarre – Oxygène 3
  3. New Order – Lost Sirens
  4. The Human League – Anthology – A Very British Synthesizer Group
  5. Jean-Michel Jarre – Oxygène Trilogy
  6. Goldfrapp – Silver Eye
  7. Dusty Springfield – Reputation
  8. C Duncan – The Midnight Sun
  9. Soft Cell / Marc Almond – Hits And Pieces – The Best Of
  10. David Bowie – Legacy

Chart for stowaways – 1 April 2017

The top singles this week:

  1. Depeche Mode – Where’s the Revolution
  2. Goldfrapp – Anymore
  3. Jean-Michel Jarre – Oxygène (Part 17)
  4. Depeche Mode – Cover Me
  5. C Duncan – Wanted to Want It Too
  6. Depeche Mode – You Move
  7. Delerium with Phildel – Ritual
  8. Depeche Mode – Poison Heart
  9. Depeche Mode – Going Backwards
  10. Depeche Mode – Scum

Depeche Mode – Ultra

In the four years since Songs of Faith and Devotion (1993), Depeche Mode had shed a member and come dangerously close to losing another permanently, as Dave Gahan hit an extremely low point and nearly died of an overdose.

So it’s hardly surprising that Ultra, released twenty years ago this week, is a dark album. From the very first opening sounds of first single Barrel of a Gun, you can tell they’re exploring grimey territory. But there’s also something overwhelmingly positive about it – the delivery is punctuated by a confidence and force that I’m not sure we had really heard before.

It is said that they only went back into the studio to record a couple of new tracks for a best of album, but discovered a new energy and ended up with an entire studio album – and it’s easy to believe. Working with Tim Simenon of Bomb the Bass as producer, they seem to have re-emerged from their life-changing four year hiatus with something quite extraordinary.

In a way, the album tracks are more interesting than the singles – The Love Thieves is a soft and uneventful track which is elevated to something beautiful by its production. Then comes Home – and remember that some of Martin L. Gore‘s more introspective songs in the past have taken an under-produced approach. Home definitely isn’t one of those; instead, it’s full of huge orchestral flair, making it one of Depeche Mode‘s most beautiful songs.

This leads us to It’s No Good, the second single and without a doubt the most commercial track on here. There’s still a definite air of darkness, but this is also a great pop song, and was deservedly a significant hit.

What makes this album stand out so many years later is its sense of spaciousness. Pretty much nothing on here is less than four minutes long, and everything has been expanded, so there are huge gaps between vocal lines and verses. The miniature instrumentals, like Uselink, had for many years been key to Depeche Mode‘s sound, but here they add to the experience on a basic level.

This makes it all the odder that when you first listen to Ultra, there’s a decent chance that you won’t like it very much. This is an album that demands at least four or five listens before it starts to get under your skin, but as soon as it does, it really won’t leave you alone.

Useless was the last of the singles from this album, and it’s with this track that you really find Depeche Mode‘s new sound – it’s rhythmic and danceable, but it’s very definitely rock. There are elements of many of their previous guises hidden in here, but it also sounds quite new. Honestly, even twenty years on, this wouldn’t sound too out of place today either.

Then we get Sister of Night, which could have easily kept its head down and just been another album track, but the huge, effect-laden melody that opens the track and reappears from time to time throughout really grabs you and makes you pay attention, and as you do, you realise that this is an incredibly beautiful song.

After Jazz Thieves, another of the little instrumentals, comes Freestate, an excellent opportunity for Dave Gahan to demonstrate himself to be a truly amazing vocalist, which might have been obvious to some a few albums earlier, but then the UK had never really given Depeche Mode the attention they deserved.

After that comes the daft but sweet The Bottom Line, starting off sounding as though it might be about a cat and punctuated by cat-like synth wails, and then the last proper track Insight, which echoes It’s No Good somewhat, but is otherwise a sweet and uplifting closer. Apart, of course, from the hidden bonus track, an instrumental colloquially named Junior Painkiller, which turns up a few minutes after the end.

Ultra was always emotional but mature, and every bit as good as Depeche Mode needed to be at that stage in their career, but it’s encouraging to see that it has aged so well, and it’s a relief that the three remaining members were all present and correct.

The 200x double CD reissue is the definitive version of Ultra, but if this is no longer available, go for the remastered reissue instead.

Chart for stowaways – 25 March 2017

Here’s the latest album chart:

  1. Depeche Mode – Spirit
  2. Jean-Michel Jarre – Oxygène 3
  3. The Human League – Anthology – A Very British Synthesizer Group
  4. New Order – Lost Sirens
  5. Jean-Michel Jarre – Oxygène Trilogy
  6. Dusty Springfield – Reputation
  7. Soft Cell / Marc Almond – Hits and Pieces – The Best Of
  8. C Duncan – The Midnight Sun
  9. David Bowie – Legacy
  10. Delerium – Mythologie