As you probably know by now, a long time ago, I had a radio show, on which I had a weekly Artist of the Week feature. For some reason I never threw away my notes, and they’re vaguely fun to look back on and see what was going on in 2004-ish. The major downside is that they’re not especially accurate – sorry about that.
This week’s Artist of the Week is one of my personal favourite groups, but remain something of a mystery to most music fans. In the UK, they are known almost exclusively for one song, a song which has impressively spent over a year on the Top 200 charts. And they are… Delerium. Now, I warn you the story gets rather complicated, so I will be glossing over large parts of it in the interest of everybody’s sanity!
Originally formed in 1987, they have gone through numerous lineup changes, and now consist of canadian Germans Bill Leeb and Rhys Fulber. They work simultaneously on the Delerium project and also release as Front Line Assembly. Rhys has a side-project called Conjure One, he’s about to release his second solo album; and Bill works as producer to numerous groups as well as making music of his own elsewhere.
But back to the Delerium story. After several years making low-key ambient albums, they parted with their original record company in the early 1990s. They signed to Nettwerk; and released Semantic Spaces. The following year, they put out Karma, which across the world would become their best selling album, Including numerous minor hits such as the original version of their biggest hit: Silence.
Over the following three years, they slowly started notching up hits in the UK, and at the end of 2000 Silence was reissued, propelled to the top of the charts by Airscape and Tiesto remixes. The subsequent album Poem was a minor hit, and also managed a couple of hit singles, followed by a remix album and compilations of their early material.
Their most recent album Chimera came out in 2003, and in many ways is one of their best to date, and following further minor hit singles, they remixed Silence at the end of last year, to promote their best of album. It’s a bit of an odd collection but it includes most of their better tracks, so is definitely an essential purchase…