Nowhere and Back Again

Time for a little once-annual self-promotion. You may recall that over the last couple of years, I had been remastering the two instrumental albums that I released between 2002 and 2003, as well as their accompanying singles. From Roots to Branches was finally reissued in 2017, and the follow-up Shadowsphere turned out never actually to have seen a wide release, so finally saw its first full release in 2018.

Sonically, as you will no doubt quickly realise, neither album is exactly a great accomplishment, but the second album was also a technical disaster, with masters failing and numerous pieces being lost. In the end, the second single from that album, the Fading Synthesis EP, was abandoned, unfinished and lost. One of the first things I did in 2019 was to retrieve the pieces, leading to this brand new version:

There were then just a couple of things left to do – one of the new tracks on that EP was in fairly good shape, so I finished that off, and called it Time Honoured, and then there was a very old demo to finish off, called Glen of Tranquility. Having tightened those up with new mixes, I moved back to From Roots to Branches. There were a couple of tracks that I wanted to try remixing, starting with Leaving Home:

Finally, it was time to try something new – I pulled all the pieces of Landscape #1, Landscape #2, and Landscape #3, together with a more recent song idea, and built this, Landscape #4, as a bit of a modern tribute to the first album:

Which meant it was clearly time for a tribute to the second album, so I turned to the other b-side demo for Fading Synthesis, which was going to be a continuation of Noise Gate. So I pulled together elements from that, plus the three shorter tracks on Shadowsphere, and built this, Voices in the Shadows (Part 2):

Self-indulgent? Definitely. But it was fun to finally find closure for those early albums. I’m sure it won’t excite too many people other than me, but I hope it won’t offend them either. There’s even a CD available on Amazon now, too, including some of the extra tracks from the singles. You’ll find the album on some of the regular streaming services, such as Spotify, Deezer, and others, and as always, everything is completely free on Bandcamp.

Of course, now, it’s hard to stop – there’s plenty of unfinished business from after 2004, so a series of EPs will follow in 2020, and possibly even the fourth album.

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