Honeyroot – The Sun Will Come

A decade ago this week saw the release of the second of two Honeyroot albums, The Sun Will Come. Founded by Heaven 17‘s Glenn Gregory in the twilight of their career, the Honeyroot project saw him and Keith Lowndes working together on beautiful, relaxed pop music. The less accomplished Sound Echo Location had kickstarted the project in 2003, and with The Sun WIll Come, they truly managed to create something magnificent.

Confusingly, it opens with the triumphant instrumental Goodbye, before introducing the first of several fantastic guest vocalists for the quite brilliant Nobody Loves You (The Way I Do), a minor single release that appeared the same year as the album. With its enormous pads, chilled piano, and warping bass, as well as a very familiar lyrical message, it may be fair to say that nothing here is entirely new, but it is delivered in a quite exceptional manner.

The adorable instrumental Heavy Drops comes next, also the other side of the double a-side with the preceding track. There’s a gentle, soft arpeggio running through most of the track, with a soft melody line, that sounds absolutely fantastic. The vocal samples I’m less sure about, but it would be hard to spoil anything this good.

I got to know this album on a five-day train journey across Canada in 2008, and one of the most evocative tracks is the adorable single Where I Belong, almost an electro-country track with its slide guitar and melancholic vocal. Imagine the rhythmic chugging percolated by the occasional train horn as the miles go past, and you’ll have a pretty good idea of why this song means so much to me.

As with the version of Love Will Tear Us Apart on the first album, the cover of A Change is Gonna Come here is very brave. It’s a song with a lot of meaning for a lot of people, and it would be very easy to dilute or disrespect that, but I think this pulls it off, as a soft and beautiful piano piece.

Drifter is a sweet gospel-piano pop song, and then People Say is a glorious, simple pop track. By the middle of this album, its form is holding up well, although Every Single Day is probably the one moment on here that I think doesn’t stand up quite as well as the rest.

Then comes Waves, a beautiful pop song, with more rippling pads and acoustic-inspired sounds, as well as an enormous grumbly bass sound. Freeway is another great instrumental.

But the best has definitely been saved till the end – my favourite track on here is the adorable, lullaby-like The Stars, full of cascading arpeggios and huge reverb. If there’s a better album closing track then I would very much like to know what it is. Indeed, The Sun WIll Come surely must be one of the best albums of its era. If only anybody had heard it – their only foray into the charts was a minor scrape at the bottom end of the singles with Love Will Tear Us Apart.

Unfortunately the Honeyroot project was not destined to last much longer. A one-off single It’s All Good followed in 2008, and then Heaven 17 started doing stuff again, and its time was through. Which is a very great shame – I do like Heaven 17 a lot, but I’m not convinced they ever created anything quite as beautiful as The Sun Will Come.

You can still find The Sun Will Come at their own Bandcamp page for just a fiver.

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