Artist of the Week – Everything But The Girl

Time now for the last of our old artists of the week. As always, please accept my apologies for errors, plagiarism, laziness, greed, or anything else that might annoy you!

Ben Watt and Tracey Thorn formed Everything But The Girl way back in 1984, after each releasing a solo album. Throughout the 1980s, they scored numerous minor hit singles and albums, but their biggest hits were always cover versions, including 1988’s I Don’t Want to Talk About It. In 1992, Ben Watt famously came very close to death, suffering for over a year from a near-fatal illness.

Their return in 1994 with Amplified Heart saw them carefully examining different musical directions, but it was at the end of the year when they worked with Massive Attack on the Protection album, and this saw them head into the world of dance music. Todd Terry‘s 1995 remix of Missing propelled them to the top end of the charts, providing them with their biggest hit, and the following year they returned with the Walking Wounded album, with numerous substantial hits.

In 1998 they wored with Deep Dish on The Future of the Future, and this saw them heading deeper and darker into house and drum and bass territory. 1999’s Temperamental album was a deep and dark affair, with extensive exploratory tracks but a few accessible moments.

Since then they seem to have faltered somewhat as a band, but of course they are now married with children. Ben Watt spent three years running the Lazy Dog club in London, and continues to put out individual deep house tracks on small independent labels including his own Buzzin’ Fly label. They’ve also put out their third singles compilation Like the Deserts Miss the Rain, and, more recently, an astoundingly good remix album, Adapt or Die.

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