Rolling way back into the prehistory of this blog, we find a radio show called Music for the Masses, which ran in its second incarnation from late 2004 to 2005. Here’s another Artist of the Week from that show, and my apologies again for any problems with what’s written below.
The Faithless story goes back to 1995. After no success as a record company boss, Rollo, responsible for releasing the debut Felix track Don’t You Want Me, was starting to make his name as a producer and remixer. He joined up with then renowned DJ and remixer Sister Bliss, folk guitarist Jamie Catto, and Buddhist Maxi Jazz to become one of the most bizarre but best loved dance groups of the last decade.
The debut album Reverence was recorded in an astonishing 17 days back in 1995, providing a springboard for many music careers, not least that of Rollo‘s younger sister Dido, who provided vocals from the start.
After several false starts, Reverence finally became a hit at the start of 1997, spawning the massive hits Insomnia and Salva Mea. The second album, the less chaotic but also eclectic Sunday 8pm, was released in late 1998, and included only one substantial hit, the euphoric God is a DJ.
After a break of three years, the third album Outrospective followed in mid-2001. It gave the group a number of further minor hits, as well as the huge smash hits We Come 1 and One Step Too Far, both of which broke into the top ten. The third album also marked a turning point, as, after shedding members with each album, they worked once again with the now-infamous Dido, who has now appeared on every Faithless album to date.
Also worth mentioning at this point is Jamie Catto‘s project, the seminal 1 Giant Leap album. Probably only widely known for the hit My Culture, this is a fantastic album, and definitely something we should play a lot more often on the show.
The fourth Faithless album No Roots was released last year. It contained some of Maxi Jazz‘s most insightful lyrics to date, but I would argue that despite its tremendous success, being their first number one album, it is one of their less good albums. However, it included the wonderful Mass Destruction, and also spawned an instrumental spin-off album Everything Will Be Alright Tomorrow, even if the hits were a little thin on the ground this time around, I Want More scraping into the top thirty, and Miss U Less See U More, admittedly only a vinyl release, only making number 106.
However, we are now at a turning point for the band. As always, the live juggernaut rolls on, crushing every venue they visit, and April will see the release of their Greatest Hits album, Faithless Forever (sic). Still no news on exactly what the track listing will be, but it’s probably safe to say that all the hits will be on there… and we’re going to play three of them tonight on the show.