Due to a fundamental failing on my part, this post was actually written several months ago, accidentally deleted, and has now been recreated for your general entertainment. In the third article in this series, we look at the final three years of this nearly-decade-long award ceremony, before the BPI Awards (later the BRITs) supplanted them.
The seventh ceremony took place in February 1983, at The Lyceum in London, and were presented by Anne Diamond (see BFI record).
On 15th January, Tommy Vance and Kid Jensen voiced this promo for the awards for BBC Radio 1 (also trailed here). This confirms that the following categories were included and were open for voting: Best Female Singer, Best Male Singer, Best Group, Best Single, and Best Album.
Thereza Bazar of Dollar presented the Best Album award.
The winners were ABC, with The Lexicon of Love (in third place), Madness, with Complete Madness (in second), and the overall winner was Duran Duran, with Rio.
The 1983 BPI Awards can be viewed here.
The eighth and final ceremony, celebrating the music of the year 1983, took place on 21st February 1984 at The Lyceum in London, and.was presented by David Jensen and Sarah Kennedy, the latter of whom, as we’ll learn, didn’t write her own script, and hopefully didn’t pick her own wardrobe either.
In the award for Best British Rock/Pop Single were True, by Spandau Ballet, in third place, and Duran Duran with Is There Something I Should Know? in second place.
The winner was Karma Chameleon, by Culture Club.
By 1985, the BPI Awards (later the BRITs) were swiftly gaining momentum, and were well on the way to becoming the definitive British music award ceremony. They were also fully televised, for the first time since 1977, effectively taking the place of the British Rock & Pop Awards. Whether that’s the reason why these awards were discontinued, or whether there’s some other reason, is long lost in the mists of time, but for comparison the 1984 BPI Awards can be viewed here.