However I tackle it, this review is going to be pretty epic. I’ve got three discs to plough through. But that makes it sound like a chore, which this definitely is not, and since Depeche Mode have a new album coming out next week, it makes sense to go back and look at their last release, their second album Remixes 2: 81-11. So strap yourself in, and let’s take a journey through another thirty years of remixes.
The formula is much the same as their first remix album, 2004’s The Remixes 81-04. You get two discs or so of goodies from the past, followed by a disc of new mixes. This time around, the title is a little deceptive, as the earliest track is actually from 1985, but we’ll forgive them that small oversight.
The first track is Bushwacka‘s brilliant take on 2001’s Dream On, turning it into a strangely chilled out house track which bobs along wonderfully for six minutes or so. M83‘s French electro version of Suffer Well (2006) follows, making for an excellent pair of opening tracks. There are also standout versions of In Chains by Tigerskin and Corrupt by Efdemin, but on balance I think the rest of the first disc is less exciting, and it probably is my least favourite of the three.
Until the final trio of tracks. Nestling seductively in between Spirit Feel‘s Anandamidic mix of Walking in My Shoes (2009) and Darren Price‘s brilliant version of 1997 b-side Slowblow is something rather extraordinary. A new version of one of their finest moments Personal Jesus, remixed by the incredible Stargate.
This was the lead single for the collection, and although not a massive hit, it really was rather special. Transforming the electro-blues-rock stylings of the original into a massive bouncy dance-pop radio-friendly track is nothing short of genius. And it’s every bit as exceptional as that sounds.
Disc 2 kicks off with more bounce in the shape of Trentemøller‘s excellent 2009 version of Wrong, which takes the dark power of the original and channels into something more club-friendly. Great moments follow from François Kevorkian (twice) among others, building up to Jacques Lu Cont‘s remix of A Pain That I’m Used to (2005). This and the moody Monolake mix of The Darkest Star (2006) which follows are the definite highlights of this CD for me. The latter throbs along gently for about six minutes, with the accompaniment of the “whisper” voice from Mac OS X, which always makes for a welcome addition.
The rest of the second disc is consistently strong, with great remixes from United (Barrel of a Gun), Dan the Automator (Only When I Lose Myself) and Ernest Saint Laurent with Sie Medway-Smith (Ghost). And then it’s onto the new stuff in earnest.
Disc three opens with and closes with another two great new mixes of Personal Jesus, the first of which is by Alex Metric, and Eric Prydz follows with his take on Never Let Me Down Again. It’s then time for the first of two spectacularly special moments, as Vince Clarke turns up for his quite excellent version of Behind the Wheel. As with much of his recent work, it’s a lot darker and more electro than you might expect, but it’s still rather brilliant.
The next moment of real fan excitement comes a couple of tracks later when Alan Wilder turns up to take on In Chains. Sounding not unlike Recoil‘s recent work, it does make you wonder slightly what might happen if they were to work together again in earnest.
Röyksopp‘s version of Puppets is every bit as excellent as you would expect, and in fact the vast majority of this final disc is extremely strong. Karlsson and Winnberg (from Miike Snow) are worthy of special mention for the breakdown in the last verse of Tora! Tora! Tora! which serves to underline Dave Gahan‘s wonderful pronunciation of “skellington”.
Joebot‘s version of A Question of Time is a fantastic surprise near the end, and Sie Medway-Smith‘s version of Personal Jesus which closes the collection is very good too. All in all, a great final disc to close an extremely strong remix collection – and I’m not even a huge fan of remixes on the whole.
There are bonus mixes available from various online retailers, although none of the ones I heard was anything particularly special. Stick to the main collection, and you’ve got another quite brilliant album from The Mode. And what more could you ask for?
You can enjoy the triple disc version of the album for a ridiculously bargain price from Amazon UK now.