Twenty years ago this week, and just a year and a half after their popularity had exploded with Not So Manic Now, Dubstar returned with their second album, the huge pop collection Goodbye.
It opens with third single I Will Be Your Girlfriend, an edgy, acid-infested, guitar-driven piece which would sneak to number 28 on the charts six months after the release of the album. Then the curiously baroque Inside comes next.
Dubstar were always prolific – each single came with at least two or three b-sides – and this is the album where they seemed to have decided to push as much as possible onto the album, so you get fifteen tracks here in total. A lot of them aren’t too great, bluntly.
The opening single No More Talk is not one of them – easily the best of the three singles on here, it was actually one of their biggest hits of their career. Rightly so – it’s fantastic. This is what Dubstar should be: creative, inventive, and unapologetic pop music.
Polestar is pleasant, and then we get the catchy pop of Say the Worst Thing First, followed by the jaunty second single Cathedral Park, which just missed out on a top 40 placing shortly before the album’s release. Unfortunately its lack of success isn’t entirely surprising – it’s a fun 1960s pop-styled song, but it’s a little lacking in memorable hooks, and pop wasn’t exactly fashionable in 1997 anyway.
One of the most interesting things about Dubstar‘s first album had been its unique and provocative sleeve design, which was explored in more commercial terms across the singles as well. Goodbye continued this theme, with the somewhat disturbing electric armchair sleeve design.
In spite of the message, It’s Over is probably my favourite song on here – there’s something about the delivery, the creepy warped synth sound, and the rhythmic bass and drums, that come together to make something rather beautifully twisted.
Next we get an updated version of The View from Here, previously one of the b-sides to Elevator Song. Now fully perfected, it’s another great pop song – there are definitely plenty of them on here.
But there’s a lot of filler too – none of My Start in Wallsend, It’s Clear, or Ghost are anything particularly special. Eventually we make it to track 12 of 15, the catchy Can’t Tell Me. Surely this could have been a single? Although quite what the sleeve artwork might have ended up looking like is anybody’s guess.
There are three more tracks after that – the entirely forgettable Wearchest, the catchier and snappier When You Say Goodbye, and closing track Let’s Go, which isn’t too memorable either. It’s definitely pretty much over by this stage. It’s not even a long album, either – but somehow there are a few too many tracks.
So Goodbye is a strong second album, even if it certainly could have done with a little more time being taken to get it right and trim out some of the filler. Where Disgraceful was a perfect slice of 1990s pop, and Make it Better was a challenging work, Goodbye definitely occupies the middle ground. For better or for worse.
You can still find Goodbye at all major retailers, such as this one.