NME Poll Winners – The 1990s

For the first half of the 1990s, the NME Poll continued as a quiet annual newspaper poll, focusing very strongly now on indie rock, and ignoring pretty much everything else that was going on in the world of music. But then, in 1994, it suddenly went public, relaunching an annual awards ceremony, The NME Brat Awards. More on that later, so for now, here are the last three years of poll results:

NME Readers’ Poll 1990

  • Best Single: The Charlatans, for The Only One I Know
  • Best LP: Happy Mondays, for Pills ‘n’ Thrills and Bellyaches
  • Best New Band/Artist: The Charlatans
  • Best Band: Happy Mondays
  • Event of the Year: Margaret Thatcher‘s Resignation
  • Solo Artist: Morrissey
  • Radio Show: John Peel
  • TV Show: Vic Reeves‘ Big Night Out
  • Film of the Year: Wild at Heart
  • Club or Venue: Town and Country Club
  • Hype of the Year: Teenage Mutant Ninja Turtles
  • Fashion Item of the Year: DM Boots
  • Bastard of the Year: Saddam Hussein
  • Object of Desire: Betty Boo
  • Word/Phrase: ‘You wouldn’t let it lie!”

NME Readers’ Poll 1991

  • Best Band: R.E.M.
  • Best LP: Primal Scream, for Screamadelica
  • Best Single: Nirvana, for Smells Like Teen Spirit
  • Best New Band: Kingmaker
  • Best Venue: Town and Country Club
  • Best Solo Artist: Morrissey
  • Bastard of the Year: Saddam Hussein
  • Film of the Year: The Silence of the Lambs
  • Radio Show of the Year: John Peel
  • Fashion Item: DM Boots
  • Event of the Year: The release of the hostages
  • Object of Desire: Toni Halliday
  • TV Show: Vic Reeves‘ Big Night Out
  • Worst Record: Bryan Adams, for (Everything I Do) I Do It for You
  • Word/Phrase: “You fat bastard”

NME Readers’ Poll 1992

  • Best Band: R.E.M.
  • Best Album: R.E.M., for Automatic for the People
  • Solo Artist: Morrissey
  • Venue: Town and Country Club
  • Single: Suede, for The Drowners
  • Worst Record: The Shamen, for Ebeneezer Goode
  • New Band: Suede
  • Event: Bill Clinton winning the US election
  • Fashion Item: Dr. Martens
  • Bastard of the Year: John Major
  • Hype of the Year: Madonna, for Sex
  • TV Show of the Year: Have I Got News for You
  • Word/Phrase of the Year: “Not!”
  • Film of the Year: Wayne’s World
  • Radio Show of the Year: John Peel
  • Object of Desire: Toni Halliday

See also

Advertisements

Erasure – Rain Plus

The non-charting single is a strange phenomenon that only really appeared in the mid-1990s. Remixes were growing in number, and in the US, the response was to make singles last longer and longer, while the UK put stringent limits on the number and duration of tracks that could be included.

Erasure had toyed with the concept a couple of years earlier, with the German and Czech-only single Rock Me Gently, released as a six-track chart-ineligible import in the UK for fans. With the Cowboy album, I suspect they realised that their days of chart domination were over – In My Arms appeared in the classically quiet first week of January, and then outside of Germany, Rain only ever appeared as the eleven-track collection that we’re listening to today – Rain Plus, which was released twenty years ago this week.

Rain is a peculiarly British song though, obsessing about the weather and the effect it might have on one’s demeanour. For the single, Al Stone remixed it and made it punchier, and it surely deserved to be a decent hit.

It would be difficult to believe that Erasure had any idea what they would get with BBE‘s remix of Cowboy‘s lead single In My Arms. Far from being full-on dance, it’s a soft, slightly cheesy pop version which honestly sounds just like anything else on the charts at the time – even the drums take heavy inspiration from Atomic Kitten.

This is an odd collection to say the least, and so the b-side is Erasure‘s attempt at the theme for Star Trek: First Contact. Inspired (that’s an understatement) by Robert Miles, it’s a brilliant piece of dreamy trance that sounds absolutely nothing like anything Erasure ever did before or since. This might be a bold statement, but I think it’s also one of their finest moments.

The tracks on this release do appear to have been sequenced at random, as the next track is a live version of Rain, amusingly picked at random by an audience member at a concert in San Francisco. We then travel to Oxford for two more live tracks, Sometimes and Love to Hate You. All pretty good, although you have to wonder exactly how and why these tracks were picked (most likely is that they were considering three CDs – one with the original version and a couple of other tracks, then a remix CD and a three-track live CD).

Then we’re into the remixes, starting with Jon of the Pleased Wimmin‘s take on the single, a pleasantly beatsy remake full of arpeggios and drum fills. Then John “OO” Fleming turns up with a slightly inexplicable but admittedly catchy vocal trance version of Sometimes, which seems to have been slightly uncomfortably sped up, but is still rather enjoyable.

Someone else taking inspiration from Robert Miles is Dekkard, whose Vocal mix of In My Arms brings a number of elements together. The completely off-beat loop of the vocal sample doesn’t really work, but in some ways this version has actually aged better than the previous ones. Commissioned for the US release of In My Arms earlier in the year, but then spurned in favour of some dreadful house mixes, it finally found its place on this slightly strange but enjoyable compilation single.

Erasure have never really done deep house, but I think the closest they come is with Blue Amazon‘s Twisted Circles remix of Rain, clocking in at just a touch under thirteen minutes in duration. It’s good, and takes influence from a lot of different places, but you have to wonder whether it got played much in clubs at the time. This lengthy excursion closes the single.

According to the track listing, anyway. There’s actually an instrumental version of First Contact hiding at the end, so you get to enjoy it all over again in its entirety, for no particularly obvious reason other than that it’s good.

Which is a reasonable summary of this single, actually. There’s no particular reason for it to exist, apart from a whole load of decent unreleased remixes and oddities lying around at the end of an album. So why not just throw them all together and call it a special “plus” single? I’m not sure I fully understand, but it’s a pretty good collection anyway – especially if you’re a completist.

The original Rain Plus single seems to have fallen out of print at some stage in the last two decades, but you should be able to find a second-hand copy if you poke around.

Preview – a-ha

I’m not exactly sure to what degree the world was crying out for an a-ha unplugged album, but they got one, and by the sounds of things it might actually be pretty good. Summer Solstice was released a couple of weeks ago, and here’s The Living Daylights.

Chart for stowaways – 7 October 2017

Here are the week’s top singles:

  1. Pet Shop Boys – Reunion
  2. Erasure – Love You To The Sky
  3. Kraftwerk – Trans Europa Express
  4. Kraftwerk – Computerliebe
  5. Depeche Mode – Going Backwards
  6. Saint Etienne – Magpie Eyes
  7. Jean-Michel Jarre – Oxygène (Part 17)
  8. Pet Shop Boys – I’m with Stupid
  9. David Bowie – Heroes
  10. Massive Attack – Ritual Spirit EP

NME Poll Winners – The 1980s

Throughout the 1980s, the NME Poll Winners suffered without an annual ceremony where they could drink lots and vomit on the politicians of the day. Overshadowed by the more popular BPI Awards and British Rock & Pop Awards, it’s notable by the late eighties that contemporary pop has been eschewed altogether by NME’s readership.

Oh, and you might enjoy the slightly questionable choices for “human being of the year”…

1980

  • Best Group: The Jam
  • Best New Act: UB40
  • Best Male Singer: Paul Weller
  • Best Guitarist: Paul Weller
  • Best Drummer: Rick Buckler
  • Best Songwriter: Paul Weller
  • Best Bassist: Bruce Foxton
  • Best Keyboardist: Dave Greenfield
  • Best Other Instrumentalist: Saxa
  • Best Single: The Jam, for Going Underground
  • Best Album: The Jam, for Sound Affects
  • Best Dressed Sleeve: The Jam, for Sound Affects
  • Best Disc Jockey: John Peel
  • Best Dressed Person: Adam Ant
  • Haircut of the Year: Eugene Reynolds
  • Most Wonderful Human Being: Paul Weller
  • Creep of the Year: Margaret Thatcher
  • Event of the Year: Death of John Lennon
  • TV Programme: Not the Nine O’Clock News
  • Movie of the Year: The Elephant Man

1981

  • Best Group: The Jam
  • Best New Act: Altered Images
  • Most Missed Person: John Lennon
  • Best Songwriter: Paul Weller
  • Best Female Singer: Siouxsie Sioux
  • Best Male Singer: David Bowie
  • Best Single: The Specials, for Ghost Town
  • Best LP: Echo and the Bunnymen, for Heaven Up Here
  • Best Dressed Sleeve: Echo and the Bunnymen, for Heaven Up Here
  • Best Guitarist: Paul Weller
  • Best Bassist: Bruce Foxton
  • Best Drummer: Rick Buckler
  • Best Keyboardist: Dave Greenfield
  • Best TV Programme: Coronation Street
  • Best Radio Show: John Peel
  • Best Film: Gregory’s Girl
  • Most Wonderful Human Being: Paul Weller
  • Best Dressed Person: Michael Foot
  • Creep of the Year: Adam Ant*

* The NME website says “Adam Andy” but I suspect this must be a typo – please correct me if you disagree!

1982

  • Best Group: The Jam
  • Best Male Singer: Paul Weller
  • Best Female Singer: Siouxsie Sioux
  • Creep of the Year: Margaret Thatcher
  • Most Wonderful Human Being: Paul Weller
  • Best Songwriter: Paul Weller
  • Best Single: The Jam, for Town Called Malice
  • Best Longplayer: The Jam, for The Gift
  • Best Live Act: The Jam
  • Best Dancefloor Favourite: Wham!, for Young Guns (Go for It)
  • Best Dressed Sleeve: Siouxsie and the Banshees – A Kiss in the Dreamhouse
  • Event of the Year: The Jam Split
  • Best Dressed Male: Paul Weller
  • Best Dressed Female: Siouxsie Sioux
  • Best Haircut: Paul Weller
  • Best Electronics: Vince Clarke
  • Best Guitarist: Paul Weller
  • Best Bassist: Bruce Foxton
  • Best Drummer: Rick Buckler
  • Best Miscellaneous Instrument: The Emerald Express, Violin
  • Best Radio Show: John Peel
  • Best Music Video: Madness, for House of Fun
  • Best TV Show: The Young Ones
  • Best Film: E.T. The Extra-Terrestrial

1983

  • Best Group: New Order
  • Best New Act: The Smiths
  • Best Dressed Female: Siouxsie Sioux
  • Female Singer: Siouxsie Sioux
  • Songwriter: Elvis Costello
  • Male Singer: David Bowie
  • Best Dressed Male: David Bowie
  • Best Long Player: Elvis Costello, for Punch the Clock
  • Best Single: New Order, for Blue Monday
  • Best Film: Merry Christmas, Mr. Lawrence
  • Best Promo Video: Michael Jackson, for Thriller
  • Most Wonderful Human Being: Paul Weller
  • Creep of the Year: Margaret Thatcher
  • TV Show: The Tube
  • Best Dressed Sleeve: New Order, for Power, Corruption and Lies
  • Best Radio Programme: John Peel
  • Best Guitarist: The Edge
  • Best Drummer: Budgie
  • Best Miscellaneous Musician: The TKO Horns
  • Best Bassist: Peter Hook
  • Best Keyboardist: Steve Nieve

1984

  • Best Group: The Smiths
  • Best New Act: Bronski Beat
  • Best Reggae Act: Smiley Culture
  • Best Soul Act: Womack & Womack
  • Best TV Show: The Tube
  • Best Radio Show: John Peel
  • Best Single: Frankie Goes to Hollywood, for Relax
  • Best LP: Cocteau Twins, for Treasure
  • Best Dressed Sleeve: Frankie Goes to Hollywood, for Welcome to the Pleasuredome
  • Promo Video: Frankie Goes to Hollywood, for Two Tribes
  • Best Film: Nineteen Eighty-Four
  • Best Male Singer: Bono
  • Best Songwriter: Morrissey / Johnny Marr
  • Best Female Singer: Elizabeth Fraser
  • Best Instrumentalist: Johnny Marr
  • Best Dressed Person: Paul Weller
  • Creep of the Year: Margaret Thatcher
  • Most Wonderful Human Being: Arthur Scargill

1985

  • Best Group: The Smiths
  • Best New Act: The Jesus and Mary Chain
  • Best Male Singer: Morrissey
  • Best Female Singer: Elizabeth Fraser
  • Best Songwriter: Morrissey / Johnny Marr
  • Best Single: The Jesus and Mary Chain, for Never Understand
  • LP of the Year: The Smiths, for Meat is Murder
  • Best Soul/Funk Band: Cameo
  • Best Reggae Act: UB40
  • Best Live Act: The Pogues
  • Most Wonderful Human Being: Bob Geldof
  • Creep of the Year: Margaret Thatcher
  • Best Dressed: Morrissey
  • Worst Dressed: Bob Geldof
  • Best Haircut: Morrissey
  • Worst Haircut: Feargal Sharkey
  • Biggest Mouth: Bob Geldof
  • Best Film: Letter to Brezhnev
  • Best TV Programme: The Old Grey Whistle Test
  • Best Radio Show: John Peel
  • Best Video: Talking Heads, for Road to Nowhere
  • Best Dressed Sleeve: The Pogues, for Rum, Sodomy and the Lash
  • Best Hype: The Jesus and Mary Chain

1986

  • Best Single: The Smiths, for Panic
  • Best LP: The Smiths, for The Queen is Dead
  • Best Male Singer: Morrissey
  • Best Female Singer: Elizabeth Fraser
  • Best Group: The Smiths
  • Most Wonderful Human Being: Morrissey
  • Best Club/Venue: Town & Country Club
  • Best Dance Record: Cameo, for Word Up
  • Threat of the Year: AIDS
  • Sex Symbol: Joanne Whalley
  • Event of the Year: 1986 FIFA World Cup
  • Best Film: Mona Lisa
  • Best TV Show: The Singing Detective
  • Creep of the Year: Margaret Thatcher
  • Best New Music: The Housemartins
  • Best Radio Show: John Peel

1987

  • Best Group: The Smiths
  • Best Single: Prince, for Sign O The Times
  • Best LP: The Smiths, for Strangeways Here We Come
  • Male Singer: Morrissey
  • Best Female Singer: Suzanne Vega
  • Best New Act: The Proclaimers
  • Best Dance Record: M/A/R/R/S, for Pump Up the Volume
  • Most Wonderful Human Being: Morrissey
  • Creep of the Year: Margaret Thatcher
  • Bad News of the Year: Another Conservative Victory at the General Election
  • Safe Sex: Morrissey
  • Radio: John Peel
  • Best TV Programme: Brookside
  • Best Film: Angel Heart
  • Event of the Year: Nuclear Agreement

1988

  • Best Band: The Wedding Present
  • Solo Artist: Morrissey
  • Best New Band/Act: The House of Love
  • Best Single: The House of Love, for Destroy the Heart
  • Best LP: R.E.M., for Green
  • Best TV Show: Brookside
  • Ugly Bastard of the Year: Bros (collective award)
  • Object of Desire of the Year: Wendy James
  • Film of the Year: A Fish Called Wanda
  • Favourite NME Cover of 1988: Morrissey
  • Best Night Out: The Wedding Present
  • Radio Show of the Year: John Peel
  • Stimulant of the Year: Acid
  • Event of the Year: Nelson Mandela‘s Birthday Bash
  • Bad News of the Year: US Election Result
  • Most Wonderful Human Being: Morrissey
  • Creep of the Year: Margaret Thatcher

1989

  • Band of the Year: The Stone Roses
  • LP of the Year: The Stone Roses, for The Stone Roses
  • Single of the Year: The Stone Roses, for Fool’s Gold
  • Best New Band/Artist: The Stone Roses
  • Best Solo Artist: Morrissey
  • Best Dance Record: Happy Mondays, for WFL
  • Hype of the Year: Batman
  • Object of Desire: Wendy James
  • Radio Show: John Peel
  • TV Show: Blackadder
  • Film of the Year: Dead Poets’ Society
  • Fashion of the Year: Flares
  • Club/Venue of the Year: The Haçienda
  • Event of the Year (Music): Reading Festival
  • Event of the Year (Real Life): Revolution in Eastern Europe
  • Bastard of the Year: Margaret Thatcher

See also

1724

Today’s video isn’t randomly selected – this is post number 1,724 on this blog, which seems a good time for some Sohodolls. From their 2007 debut Ribbed Music for the Numb Generation, this is 1724. Apparently they attempted a comeback a couple of years ago. No, I didn’t notice either…